Do you love a good book? Do you want to help a new generation of readers share your love of literature? Here’s something you can do about it:
For the next day and a half the Poe Museum will be competing in the Amazing Raise, a 36-hour challenge in which Central Virginia non-profits try to see how many donations they can collect between 6 A.M. on September 17 and 6 P.M. on September 18. And you can help. Your donation of $50 or more helps the Poe Museum compete for thousands of dollars in bonus prizes, so even a small gift can make a big difference.
Why support the Poe Museum? Your donation will help the Poe Museum foster a love or reading and writing in future generations. For over ninety years the Poe Museum has been an invaluable resource to teachers and students around the globe. Through our educational programs, website, and educator information packets, we support teachers in their efforts to both educate and inspire their students.
What will we do with your gift? Fifty dollars pays for enough tour guides to give a guided tour for one hundred students. One hundred dollars buys the latest books for our ever expanding reference library. Five hundred dollars pays for plaster repair for one of our exhibit galleries. One thousand dollars helps conserve a small painting. Five thousand dollars buys a new heat pump for one of our buildings. Eight thousand dollars pays the expenses associated with our annual Edgar Allan Poe Young Writers’ Conference.
If you believe in the work the Poe Museum is doing, please consider making a donation today using this form. If you are reaching this page after the competition has ended, you can still contribute to the Poe Museum here.
Artwork by Rachel Livingston
From September 25 until December 31, 2014, the Poe Museum in Richmond, Virginia will host an exhibit of new artwork inspired by Edgar Allan Poe’s classic terror tale “The Black Cat.” The artists in the exhibit are members of the Halloween Gang, a collective of local artists and students that formed in order to showcase Richmond’s “spookier” side as well as to move art outside the gallery. According to the Halloween Gang’s spokesperson Caleb Smith, “Our Mission is TO FRIGHTEN! But also to cause mischief and mayhem in a world that has lost all of the things that go bump in the night along with our imaginations.” Among their recent projects was a surprise performance piece last fall at the Anderson Gallery at Virginia Commonwealth University. Participating artists include Caleb Smith, Nick Fagan, Rellie Brewer, Harrison Stewart, Joel Webber, James McPherson, Grace Huddleston, Jordon Fust, Rachel Livingston, and Skyler Thompson.
The exhibit The Halloween Gang Presents “The Black Cat” will open during the Poe Museum’s September Unhappy Hour on Thursday, September 25 from 6-9 P.M. with live music by The Embalmers.
There are many popular Poe quotes circulating the Internet, quotes that are even printed on merchandise. Unfortunately, a majority of Poe quotes are falsely attributed to the literary genius. Some quotes are so bad Poe would be rolling in his grave! Take a look at our list and see which quotes you recognize as being falsely attributed to Poe.
1) “I wish I could write as mysterious as a cat.” This is, frustratingly, one of the most misattributed quotes. If you look at the context, the grammar, the style of the quote, it most definitely is not “Poe-esque.”
2) “Believe only half of what you see and nothing that you hear.” This quote is a Poe quote, just not as he stated it. Found in his short story “The System of Dr. Tarr and Prof. Fether,” in the November 1845 issue of Graham’s Magazine, the statement is, “Believe nothing you hear, and only one half that you see.” It is surprising the quote needed to be simplified to the form it is in today, when it was already quite simple to begin with. One definitely should pay attention to what Poe is saying. And it is probably best when reading supposed “Poe” quotes, to believe only half of what you see.
3) “Sometimes I’m terrified of my heart; of its constant hunger for whatever it is it wants. The way it stops and starts.” This came from a song written by the singer Poe. Confusing, yes; however, they are two distinctly different people. You can hear the song here.
4) “Sleep, those little slices of death—how I loathe them.” I have not been able to trace the origin of this quote, however the quote was attributed to Poe in Nightmare On Elm Street III. Another resource, the World of Poe, suggests it may have been derived from a line from the 1959 film, “Journey to the Center of the Earth,” which states, “I don’t sleep. I hate those little slices of death.” Regardless of where it came from, this most definitely is not a Poe quote.
5) “All religion, my friend, is simply evolved out of fraud, fear, greed, imagination, and poetry.” According to the World of Poe, this quote derived from a Poe biographer, John Alexander Joyce, who also came up with such fallacies as “The Raven” being a copied work of an 1809 poem, “The Parrot.”
6) “The best things in life make you sweaty.” I found this little gem on Goodreads, while scanning through the list of misattributed quotes. I am not sure what to say about this, except that it quite obviously is not a Poe statement. You can see an article regarding why this isn’t here.
7) “I do not suffer from insanity, I enjoy every minute of it.” After heavy research, I sourced this quote to a few books—first making its debut in 1996. This quote is often attributed to Poe, however I could only source this quote to the following books:
Leon Schuster’s Lekker, Thick South African Joke Book
He’s gonna toot and I’m gonna scoot: waiting for Gabriel’s horn
Uncle John’s Big Great Big Bathroom Reader
Crackers for Your Soup!
Toward Healthy Living: A Wellness Journal
More Modems for Dummies
There is no evidence of its appearing before the later half of the twentieth century.
8 ) “The past is a pebble in my shoe.” According to the World of Poe blog, this quote derives from one of the singer Poe’s songs, “Today.”
9) “I remained too much inside my head and ended up losing my mind.” There is not sufficient evidence to say Poe did not say this, however there is not sufficient evidence to say he did.
10) For some reason, the words in the “Come Little Children” song from Hocus Pocus have been attributed to Poe. The words do not match his style, and the lyrics are simplistic compared to his writing. The lyrics were written for the 1993 Halloween film, Hocus Pocus, by Brock Walsh, with James Horner composing the music. Sarah Jessica Parker, a star of the film, only wishes she were singing Poe’s words!
11) “If you run out of ideas follow the road; you’ll get there.” A search for this only brought me to Goodreads and Flickr. Either it is not well sourced, or he did not say it. Hint: He did not say it.
12) “Fill with mingled cream and amber,
I will drain that glass again.
Such hilarious visions clamber
Through the chamber of my brain —
Quaintest thoughts — queerest fancies
Come to life and fade away;
What care I how time advances?
I am drinking ale today.”
Although this poem, “Lines on Ale,” has been attributed to Poe for a long, long while, recently it has been debated whether it actually is his or not. You can follow this link for the controversy.
13) “No one should brave the underworld alone.” This line is from the singer Poe’s song, “Hello.”
14) “Every poem should remind the reader they are going to die.” I found this quote on Goodreads, which is the only website/source where I have been able to properly find it. I am going to have a hunch and say Poe did not make this statement.
15) “Art is to look at not criticize.” The only place I have found this quote is in online links back to Goodreads. I am going to guess this, like the former, is not a Poe quote.
16) “If you are ever drowned or hung, be sure and make a note of your sensations.” Once again, while Goodreads proves to be a fantastic source of information regarding book titles, suggestions, and endless lists of quotes, sometimes quotes such as this one slip past the editors and are falsely attributed. Edit: According to an outside source, this is a paraphrased quote of, “Should you ever be drowned or hung, be sure and make a note of your sensations — they will be worth to you ten guineas a sheet,” as seen in Poe’s “How to Write a Blackwood Article.”
17) “The idea of God, infinity, or spirit stands for the possible attempt at an impossible conception.” According to the World of Poe, this is a paraphrased quote from a passage out of Poe’s “Eureka.” Better watch out for those paraphrases.
18) “The pioneers and missionaries of religion have been the real cause of more trouble and war than all other classes of mankind.” According to World of Poe, this is another fabricated quote attributed to Poe by John Alexander Joyce.
21) “I don’t believe in ghosts but they have been chasing me my whole life.” This was only sourced back to a Wikipedia article, which even questioned the authenticity of it.
22) “If a poem hasn’t ripped apart your soul, you haven’t experienced poetry.” Just because it appears on popular media sites like Tumblr and Pinterest doesn’t mean it is an authentic quote. I am firmly putting my foot down when I say Poe did not say this.
And there you have it. By the way, while we’re at it, “Allan” is not spelled with an “e.”
After reading through these, which falsely attributed Poe quote is your favorite? Which correctly attributed Poe quote is your favorite? Personally, my favorite Poe quote is, “And Darkness and Decay and the Red Death held illimitable dominion over all,” from Poe’s “The Masque of the Red Death.”
If you have any questions whether a quote is truly a Poe quote, feel free to comment and I will try my best to prove, correct or debunk it.
Time Travelers: A Free Weekend of Richmond History
Featuring 10 Historic Houses of Greater Richmond
Richmond’s most renowned historic homes and museums offer visitors a “passport” to time-travel during a special admission-free weekend on Saturday and Sunday, September 13 and 14. Tourists and locals alike are invited to discover the City’s treasures, spanning 400 years of fascinating history and including the homes of John Marshall, Jefferson Davis, John Wickham, Major James Dooley and other important Virginians. Ten participating sites – Agecroft Hall, Dabbs House Museum, The John Marshall House, Magnolia Grange, Maymont, Meadow Farm Museum, Poe Museum, White House of the Confederacy, Wickham House and Wilton House Museum – will offer complimentary admission to visitors who show a Time Travelers Passport, available via download here. This special offer equates to savings of more than $55 per person. (Some restrictions may apply.)
Agecroft Hall was first built in England in the 1500s, then transported across the ocean and rebuilt in Richmond in the 1920s. Today it is a museum furnished with art and artifacts from 17th century England. Guests can take a guided tour, stroll the manicured gardens overlooking the James River, explore the architectural exhibit, and shop in the museum store. Agecroft Hall will be open 10 a.m. to 4 p.m. on Saturday and 12:30 to 5 p.m. on Sunday and is located just west of Carytown at 4305 Sulgrave Road in Richmond. For more information, call (804) 353-4241 or visit www.agecrofthall.com.
Dabbs House Museum
The Dabbs House, built in rural eastern Henrico in 1820, gained attention as Confederate General Robert E. Lee’s field headquarters during the summer of 1862. The museum provides a place to learn about the history of the house from its use as a residence for the Dabbs family to its tenure as Henrico’s police headquarters from 1941 to 2005. Visitors can tour the 1862 field headquarters, browse the exhibit galleries and gift shop, and view a video on the history of the house. On September 17, 2010, Henrico County opened its first Tourist Information Center, which is located inside the Dabbs House Museum and provides visitors with resources on many other Richmond area attractions. This facility is owned by the County of Henrico Division of Recreation and Parks. Dabbs House Museum will be open 9 a.m. to 5 p.m. on Saturday and Sunday and is located at 3812 Nine Mile Road in eastern Henrico. For more information, call (804) 652-3406 or visit www.dabbshouse.henricorecandparks.com.
The John Marshall House
The John Marshall House, built in 1790 in the fashionable Court End neighborhood of Richmond was the home of the “Great Chief Justice” for forty-five years. Listed on the National and Virginia historic registers, the John Marshall House has undergone remarkably few changes since Marshall’s lifetime. The property remained in the Marshall family until 1911. It is currently owned and operated by Preservation Virginia. Visitors can enjoy a guided tour of the house, stroll the garden, and visit the Museum Shop. The John Marshall House will be open 10 a.m. to 5 p.m. on Saturday and 12 to 5 p.m. on Sunday and is located at 818 East Marshall Street in Richmond. For more information, call (804) 648-7998 or visit www.preservationvirginia.org.
Built in 1822 by William Winfree, Magnolia Grange is a handsome Federal-style plantation house named for the circle of magnolia trees that once graced its front lawn. Noted for its distinctive architecture, the mansion contains elaborate ceiling medallions, as well as sophisticated carvings on mantels, doorways and window frames. The house has been carefully restored to its 1820s look and feel. The Chesterfield Museum is a reproduction of the colonial courthouse of 1750. Its collections tell the history of Chesterfield County from prehistoric times through the 20th century. Exhibits include early Indian culture, artifacts from the first iron and coal mines in America, which were in Chesterfield County, early household and farming tools and a country store of the late 19th century. The Old Jail, built in 1892, houses historical exhibits from the county’s Police and Fire departments that are displayed downstairs. Upstairs, visitors may view cells as they were when they housed their last prisoners in 1962. Magnolia Grange will be open 10 a.m. to 2 p.m. on Saturday and Sunday and is located at 10020 Iron Bridge Road in Chesterfield. For more information, call (804) 796-1479 or visit www.chesterfieldhistory.com.
Maymont, a 100-acre American estate, was the home of New South business leader James Dooley and his wife Sallie from 1893 through 1925. During Time Travelers weekend at Maymont Mansion, costumed ladies, gentlemen, children and servants invite you to enjoy family-friendly activities and tours as you marvel at the 21 restored rooms that offer an unusually complete depiction of upstairs-downstairs life in the Gilded Age. The opulent upstairs interiors are adorned with Tiffany stained glass, frescoed ceilings and other sumptuous detailing and filled with original furnishings and artwork. Downstairs service rooms tell the story of household tasks and technology and the challenges of working in domestic service during the Jim Crow era. The surrounding landscape features Italian and Japanese gardens, magnificent trees, and a carriage display as well as Virginia wildlife exhibits, a Children’s Farm and the Robins Nature & Visitor Center. Maymont Mansion will be open 12 to 5 p.m on Saturday and Sunday and is located at 1700 Hampton Street in the heart of Richmond. (Grounds are open 10 a.m. to 5 p.m.) For more information, call (804) 358-7166, ext. 310.
Meadow Farm Museum
Meadow Farm, one of the last remaining 19th century farms in Henrico County, is now an 1860 living historical farm focusing on middle-class rural life just before the upheaval of the Civil War. Costumed interpreters provide insights into the lives of Dr. John Mosby Sheppard, the owner of Meadow Farm, and his family. Daily and seasonal activities are portrayed in the farmhouse, barn, doctor’s office, blacksmith’s forge, kitchen, fields and pastures. The Museum also offers a schedule of special events, living history programs, and volunteer opportunities throughout the year. The Meadow Farm Museum Orientation Center features a reception area for visitors, two exhibit galleries and a gift shop. This facility is owned and operated by the County of Henrico Division of Recreation and Parks. Meadow Farm Museum will be open 12 to 4 p.m. on Saturday and Sunday and is located at 3400 Mountain Road in old Glen Allen. (Grounds are open from dawn to dusk.) For more information, call (804) 501-2130 or visit www.henricorecandparks.com.
Opened in 1922, Virginia’s only literary museum, the Poe Museum in Richmond, boasts the world’s finest collection of Edgar Allan Poe’s manuscripts, letters, first editions, memorabilia and personal belongings. The Poe Museum provides a retreat into early nineteenth century Richmond where the author of “The Raven” and “The Tell-Tale Heart” lived and worked. The museum explores Poe’s life and career by documenting his accomplishments with pictures, relics, and verse, and focusing on his many years in Richmond. One of the structures in the museum’s four-building complex is the ca.1754 Old Stone House, the oldest residential structure in the original city limits of Richmond. The Poe Museum will be open 10 a.m. to 5 p.m. on Saturday and 11 a.m. to 5 p.m. on Sunday and is located at 1914 East Main Street in Richmond. For more information, call (804) 648-5523 or visit www.poemuseum.org.
White House of the Confederacy (Museum of the Confederacy)
The house was home to Jefferson Davis, President of the Confederate States of America, and his family from August 1861 until the evacuation of Richmond on April 2, 1865. It served as the political and social epicenter of wartime Richmond. The White House currently holds a large number of furnishings and artifacts that were in the house with the Davis family. All of the remaining items are original to the period, except for the textiles which are reproductions based on original fabrics or period patterns. All tours are guided. The White House of the Confederacy will be open 10 a.m. to 5 p.m. and is located at 1201 East Clay Street in Richmond. For more information, call (855) 649-1861 or visit www.moc.org. Please note: Time Travelers Passport Holders will only receive free admission to the house tour. The Museum of the Confederacy entrance fee is $10 and will not be free for the promotional weekend.
Wickham House (Valentine Richmond History Center)
The Wickham House, built in 1812, is a spectacular example of 19th-century Federal architecture and displays some of the country’s finest examples of interior decorative painting. Listed as a National Historic Landmark, the Wickham House, built by John Wickham, illustrates the lives of one of Richmond’s most prominent families. The Wickham House was purchased by Mann Valentine, Jr., and in 1898 became the first home of the Valentine Museum. It is operated by the Valentine Richmond History Center. The Wickham House will be open 10 a.m. to 5 p.m. on Saturday and 12 to 5 p.m. on Sunday and is located at 1015 East Clay Street in Richmond. For more information, call (804) 649-0711 or visit www.richmondhistorycenter.com.
Wilton House Museum
Overlooking a placid stretch of the James River, Wilton House has been welcoming guests since constructed in the 1750s as the centerpiece of a sprawling tobacco plantation by the prominent Randolph Family of Virginia. Here, friends, relations, and weary travelers such as Thomas Jefferson, George Washington and the Marquise de Lafayette were welcomed. An impressive example of 18th-century Georgian Style architecture, Wilton House boasts its original and richly detailed paneling and an exquisite collection of fine and decorative arts from the Colonial and early Federal eras. When development threatened Wilton House in the 1930s, The National Society of The Colonial Dames of America in the Commonwealth of Virginia purchased and restored the property. Wilton House Museum will be open 10 a.m. to 4:30 p.m. on Saturday and 1 to 4:30 p.m. pm on Sunday and is located at 215 South Wilton Road in Richmond. For more information, call (804) 282-5936 or visit www.wiltonhousemuseum.org.
Illustration courtesy of an M.S Office Royalty Free Clip
Perhaps Edgar Allan Poe’s most overlooked contribution to English literature is that he is one of the earliest American writers to comment on many of the ways that the emerging technological trends of the nineteenth-century effected everyday citizens. My study of Poe’s science writing reveals the relationships between a writer who was looking for an audience interested in expressing his attitudes about science writing, and an audience that was looking for a writer who could explain the emerging developments of nineteenth-century science to them. Thus, there was an important relationship between Poe’s science writing and the public: The topics that Poe chose to write about were often influenced by the public’s interests in science, and his writing inspired their continued interest in science. His works, then, not only reflect the range of scientific topics that the public was most enthusiastic about, but they also document their concerns about the ways that technology was changing their lifestyles. Although Poe’s science narratives shows that he was excited about many of the new developments of nineteenth-century science, they also express an uncertainty and a cautionary attitude about the value he placed in technology, and the ways that writers, including himself, sometimes misrepresented the ‘facts of science.’ Despite his concerns and ambivalent attitudes, Poe became a significant nineteenth-century professional journalist who had immediate access to the most popular science news stories of the day, and wrote about science in each of his major writing styles, i.e., poetry, non-fiction, and fiction. Despite the existence of these factors, Poe’s importance as a nineteenth-century science writers has not been acknowledged even by his present-day followers, or by many scholars of literature or science history. Therefore, the present blog will examine the themes and attitudes of Poe’s science narratives in each of his major styles of writing. My hope is that this series will provide both interested readers and scholars of Poe’s work a clearer understanding of the complex ways that technology effected the lifestyles and culture of the nineteenth-century public.
I will consider a science narrative to be a work of Poe’s poetry, non-fiction, or fiction in which Poe provides an account of scientific inventions or issues, or where he tells a story that highlights popular scientific themes which he presented in journals or newspapers. For example, in his earliest published work of fiction, “MS Found in a Bottle,” Poe recounts a narrator’s experiences during a sea expedition. His vessel is dramatically propelled to the then unexplored waters of Antarctica and the South Pole. He records the scientific details of this story in the realistic style of a technical journalist assigned to the voyage, and at the same time explores issues of the uncertainties of this voyage and of the unexplored spaces between reality and imagination. Poe also added a touch of suspense and Gothic-style horror in his story, which likely helped help to generate additional strong public interest in this already popular topic. “M.S. Found in a Bottle” was first published in 1833 by the Baltimore Saturday Visitor Newspaper. This story first thrust Poe into national notoriety after he won the paper’s first place prize for fiction writing. This recognition undoubtedly encouraged him to write many other science narratives in each of his major styles of writing. In this column, I will explore Poe’s themes and attitudes about science as he expressed them in each of these styles, i.e., poetry, non-fiction, and fictional works. In addition, I plan explore: Poe’s educational background; his little-known experiences in the United States Army related to science; the scientific and literary contexts which were in place at the beginning of his writing career; his experiences as a journalist in Richmond, New York, Philadelphia, and Boston; and the extraordinary culminating and enigmatic science book he wrote at the end of his career and life—entitled, Eureka A Prose Poem. Poe believed that Eureka was the most important work of his career, and considered it “the culmination of his life’s work” (Broussard 52). He boasted “Newton’s discovery of gravity was a mere incident compared to the discoveries revealed in this book” (Thomas and Jackson 731). He also wrote a letter to his aunt and mother-in-law, Maria Clemm, on July 7, 1848 stating, “I have no desire to live. Since I have done Eureka, I could accomplish nothing more” (Ostram 820). Ironically, Eureka also turned out to be the last work he published under his supervision. There have been several attempts to evaluate the complex language and puzzles posed in Eureka, but most have come up short because the work is written in a complex, and almost cryptic language. When I get around to discussing Eureka, I plan to use some of the “code-keys” provided in several of Poe’s other writings to help unravel some of its mysteries. Please send comments and suggestions to me about this blog through firstname.lastname@example.org or at email@example.com
Broussard, Louis. The Measure of Poe. Norman: The University of Oklahoma Press, 1969.
Poe, Edgar A. The Letters of Edgar Allan Poe. Ed. John Ward Ostram. Cambridge: Harvard University, 1948.
Thomas, Dwight, and David Jackson, Eds. The Poe Log- A Documentary Life of Edgar Allan Poe 1809-1849. Boston: G.B. Hall and Company, 1987.
On the anniversary of Poe’s final departure from Richmond (just ten days before his death), September 27, 2014 at 7P.M., the Edgar Allan Poe Museum in Richmond, Virginia will honor this grim anniversary with unique dramatization of Poe’s works by historic interpreter Anne Louise Williams. An Evening of Edgar Allan Poe features dramatic recitations from memory of several writings of Edgar Allan Poe. Selections will include “The Black Cat,” “The Tell-Tale Heart,” “The Oval Portrait,” “The Cask of Amontillado,” “Morella,” “The Raven,” “Annabel Lee,” “The Bells,” “For Annie,” “A Dream within a Dream,” “Eldorado,” and “The Fall of the House of Usher.” The recitations are framed in the context of the author’s life, interspersed with readings of excerpts from newspapers, letters, and observations of contemporaries. Admission is $5. Poe Museum members will be admitted free.
About the Presenter:
Anne Louise Williams is a historic interpreter certified with the National Association of Interpreters. Anne is a volunteer with the National Park Service at Whitehaven (Grant Home) and the Old Court House for special events (since 2009) and a volunteer with the historic Daniel Boone Home (since 1996) in St. Louis, Missouri. Anne integrates her passion for history, literature, and drama to perform literature in the context of the author’s life. She is experienced in first person interpretation as well. She has portrayed Virginia Minor, recreating her testimony on Suffrage before the US Senate Committee. In 2011, Anne researched and reconstructed the testimonies in the infamous Lemp Divorce which were re-enacted at the Old Court House where the trial occurred in 1909, with a Lemp descendant portraying William Lemp and the audiences taking the roles of witnesses. Anne performed at the Poe Visitor Center in Fordham (Bronx) in January 2014. Anne will be performing at several venues in September and October, including the Poe Museum in Richmond, the Free Library of Philadelphia, the Poe Visitor Center in Fordham, and the Lyndhurst Castle in Tarrytown, the Daniel Boone Home in Defiance MO, and the Lemp Mansion in St. Louis MO.