Join Poe and the gang for the only Halloween party in Richmond with actual ghosts. On Thursday, October 24 from six until nine, the Poe Museum will host its final Unhappy Hour of 2013 featuring live music by Fool’s Errand, paranormal investigation technique demonstrations by Spirited History, psychic readings by David Allen Brown, a new exhibit about Poe in Science Fiction, a costume contest, and more. The theme of the evening will be Poe’s early poem “Spirits of the Dead.” Parking will be available in our lot and on the street. Admission is by donation.
After ninety-one years occupying the Old Stone House, the Poe Foundation finally owns the building. On Saturday, October 5, 2013, Anne Geddy Cross (pictured above), President of President of Preservation Virginia, signed the Deed of Gift transferring the house and garden from Preservation Virginia to the Poe Foundation. The Poe Foundation’s Past President Harry Lee Poe and its new President Annemarie Weathers Beebe gratefully accepted the gift. Preservation Virginia’s Director of Preservation Services Louis Malon and the Poe Museum’s Curator Chris Semtner, who have both been coordinating the transfer process over the past few years, were in attendance to witness the event. Before the transfer could take place, an easement was registered with the Virginia Department of Historic Resources to protect the house from significant changes that would alter its historic character.
Representing the Ege family, who owned the property from at least 1748 until 1911, Tina Egge, fifth great niece of Jacob Ege (different branches of the family spelled the name differently), the builder of the house, attended the event. Rose Marie Mitchell, who has written a new book about the history of the Old Stone House, spoke and signed copies of her book in the Exhibits Building, which featured a temporary exhibit documenting the history of the house.
The Poe Foundation has owned the rest of the Poe Museum buildings and grounds since the 1920s, so it is fitting that the Old Stone House should finally come under its ownership. Although the enormous gift and the new easement are significant developments for the Poe Foundation, the museum’s visitors will not see a dramatic change in the way the museum operates. They will, however, see some dramatic changes next spring when the major Enchanted Garden restoration project sponsored by the Garden Club of Virginia is underway.
Trish Foxwell, author of A Visitors Guide to the Literary South, will speak and sign copies of her book that details literary landmarks in the South including Edgar Allan Poe’s connection to Richmond, Charlottesville and Charleston, South Carolina on October 17th from 6-8 P.M. Ms. Foxwell’s byline has appeared in the Tennessean, the Boston Globe, the LA Times, San Diego Union Tribune, Gannett Newspapers and the Christian Science Monitor among others. She is also the author of “Historic Hotels & Hideaways.” Her literary journey takes travelers to literary landmarks stretching from Virginia to Louisiana. If you are interested in the South’s rich literary heritage, you will not want to miss this opportunity to learn about her exploration of the homes and landmarks associated with the region’s greatest writers including Poe, Faulkner, and Fitzgerald.
About A Visitors’ Guide to the Literary South:
Discover and explore the most fabled venues in American letters. Follow in the footsteps of some of American literature’s most renowned writers: See the hotel in Louisville, Kentucky, that inspired F. Scott Fitzgerald to pen The Great Gatsby. Step inside the Asheville, North Carolina, home that became the model for Thomas Wolfe’s Look Homeward Angel. Visit the Florida lighthouse whose beacon Stephen Crane followed after his shipwreck. Wander along the West Lawn at the University o Virginia and see the house where Edgar Allan Poe lived. This literary journey will bring you to these sites and more as you travel throughout the American South. From Virginia to Louisiana, you will experience the haunts, havens, and homesteads of important writers who lived in, visited, or were inspired by the South’s fertile soil.
POE MUSEUM ANNOUNCES NEW BOARD PRESIDENT
The Poe Foundation of the Edgar Allan Poe Museum of Richmond, Virginia is proud to announce the election of its new board president, Annemarie Weathers Beebe of South Carolina. The Executive Director of Historic Rock Hill, Mrs. Beebe follows in a long line of distinguished Poe Foundation presidents including two-time Pulitzer Prize-winner Dr. Douglas Southall Freeman and Edgar™ Award-winner Dr. Harry Lee Poe.
Assuming the position of Vice President is Dr. M. Thomas Inge. Serving a second term as Treasurer will be Jeffrey Chapman. Serving his first term as Secretary will be Robert A. Buerlein. The Poe Foundation’s executive committee will also consist of Past President Harry Lee Poe, Kassie Ann Olgas, Kia Ware, and Benjamin A.P. Warthen. The officers and executive committee were elected at the Poe Foundation biannual board meeting on October 5, 2013.
More Information about Edgar Allan Poe:
Edgar Allan Poe is the internationally influential author of such tales of “The Raven,” “The Tell-Tale Heart,” and “The Black Cat.” He is credited with inventing the mystery genre as well as with pioneering both the modern horror story and science fiction. Poe died under mysterious circumstances at the age of forty. Although much of his life is known through contemporary documents, some areas of his life remain shrouded in mystery.
Opened in 1922, the Edgar Allan Poe Museum of Richmond is the world’s finest collection of Edgar Allan Poe artifacts and memorabilia. The five-building complex features permanent exhibits of Poe’s manuscripts, personal items, clothing, and a lock of the author’s hair. The Poe Museum’s mission is to interpret the life and influence of Edgar Allan Poe for a global audience. Edgar Allan Poe is America’s first internationally influential author, the inventor of the detective story, and the forerunner of science fiction; but he primarily considered himself a poet. His poems “The Raven,” “Annabel Lee,” and “The Bells” are classics of world literature.
Anyone can celebrate a birthday, but the Poe Museum also celebrates a death day. On October 3, 2013, the Poe Museum in Richmond will observe the anniversary of Edgar Allan Poe’s death (October 7, 1849), with a tribute from Elmira Shelton, the woman to whom Poe was engaged when he died. Debbie Phillips, who has also performed for the museum as Poe’s mother Eliza Poe, returns for a historical interpretation based on years of research into Poe’s last love. After the performance, “Elmira” will stay to mingle with guests. Tours of the museum will explore the themes of death and mourning in Poe’s time. The event will last from 6P.M. until 9 P.M. Refreshments will be available.
After a break for the summer, the Poe Museum’s popular monthly event series, the Unhappy Hour, returns Thursday, September 26 from six to nine for an evening of live music, fine food and drink, and the closing of the museum’s special exhibit Poe in Paris. The theme for the night is “The Fall of the House of Usher,” so we will be screening a short film inspired by the story. The music will be provided by Margot MacDonald, and, in honor of the Poe in Paris exhibit, food will be provided courtesy of La Parisienne Bistro and Café. The event will take place in the Poe Museum’s legendary Enchanted Garden. Admission is by five dollar optional donation, and a cash bar will be available. For more information, contact the Poe Museum at 888-21-EAPOE or email us at [email protected]
Fine French Food Courtesy of:
On October 5 at 1 P.M., the Poe Museum will receive the largest gift in its history, a house. The house just happens to be the oldest in Richmond, the Old Stone House. Though we are not exactly certain when it was built, dendrochronology (testing of the tree rings in wood) dates the floorboards to 1754. For over ninety years, the Poe Museum has occupied the house, which remains the property of Preservation Virginia, formerly known as the Association for the Preservation of Virginia Antiquities, while the other three buildings in the Poe Museum complex belong to the Poe Foundation.
The history of the Old Stone House is a colorful one. From the 1740s until 1911, the property was owned by the Ege family, who were among the first residents of the city. In 1781, one of the residents, Elizabeth Ege Welsh, supposedly saw Benedict Arnold invade and set fire to Richmond from the house. By the 1840s, the house appears in guide books for visitors to the city. Around 1881, the house was rented to R. L. Potter, “The Wheelbarrow Man,” who used it to exhibit an assortment of unusual objects he had collected while pushing a wheelbarrow from New York to California and back. One account says he even displayed a live bear in one of the rooms. In 1894, the house was known as Washington’s Headquarters Antiquarium and Relic Museum, which published a guide book to perpetuate some tall tales about how the house had been built by Powhatan, used as a courthouse by Patrick Henry, and used as George Washington’s headquarters during the American Revolution (though Washington never actually set foot in the city during that war). Some old postcards show the house with a large “Washington’s Headquarters” sign hanging next to the front door.
In 1913, the Ege family lost the property, and Granville Valentine purchased the building to save it from destruction. Valentine, in turn, donated it to the Association for the Preservation of Virginia Antiquities, who tried to find someone to rent it. A renter who had intended to use it as an antique store left because the property was being vandalized. Then Archer Jones, owner of the Duplex Envelope Company, approached the APVA with the idea of using the house as a museum of Colonial history. Jones and his wife soon met the Poe collector James Whitty, who wanted to reconstruct the recently demolished office of the Southern Literary Messenger in the junk yard behind the house. In 1921, that idea evolved into using the Messenger bricks and granite to make a Poe Memorial garden in the yard and using the locks, lumber, and hinges from the Messenger building to restore the Old Stone House. The House was then furnished with furniture from Richmond buildings in which Poe lived or worked. In the early years, the APVA charged the Poe Foundation rent for the property, but it eventually allowed the museum to use the house rent-free.
Ninety-one years after the Poe Museum opened, the Old Stone House is still visited by guests from around the world, and the exterior of the house remains virtually unchanged from its appearance recorded in nineteenth century photos. Thanks to Preservation Virginia, this beautiful remnant of Richmond’s Colonial past will finally become a true part of the Poe Museum. The museum has no plans for changes to the structure, which will be protected from significant alterations by an easement with the Virginia Department of Historic Resources.
To learn more about the Old Stone House, please visit the Poe Museum or read the forthcoming book about the house by Rosemarie Mitchell.
Here is a link to the very latest Positively Poe Conference schedule.
Here is the final schedule for the first Positively Poe Conference to be held next week, June 24-26 at the University of Virginia. Click here or write conference organizer Alexandra Urakova for more information.
On May 16, 1836, Edgar Allan Poe and his young fiancée Virginia Clemm were joined by a few close friends for a small wedding ceremony at a home near Capitol Square. According to different sources, the event took place at either Mrs. Yarrington’s boarding house at Eleventh and Bank Streets or the home of Amasa Converse at Eighth and Franklin Streets. The guests included Virginia’s mother and Poe’s aunt Maria Poe Clemm, Poe’s boss at the Southern Literary Messenger Thomas White, White’s daughter Eliza, a pressman named Thomas W. Cleland and his wife, the printer of the Messenger William McFarlane, an apprentice in the Messenger office named John W. Fergusson, the owner of the boarding house in which Poe lived Mrs. James Yarrington, one of Virginia’s friends Jane Foster, and a few others.
In addition to the number of guests associated with the Southern Literary Messenger, another magazine writer, Rev. Amasa Converse, performed the ceremony. In addition to editing the Southern Religious Telegraph, Converse was a Presbyterian minister. He later recalled Poe’s bride as “polished, dignified and agreeable in her bearing… [possessing] a pleasing manner but…very young.” Of course, Virginia was half the age of her twenty-seven year-old groom, but Converse noted she had given “her consent freely.” Unfortunately, her father’s death a few years earlier had prevented him from giving her his permission to marry, so, earlier on his wedding day, Poe had signed a marriage bond verifying Virginia was twenty-one and able to marry without her father’s consent. Cleland co-signed the document.
In a 1904 letter to T. Pendleton Cummings, Rev. Converse’s son F.B. Converse wrote that Poe “was married by my father…in my father’s parlor…at the Southeast corner of Main and Eighth Streets, Richmond…Edgar Allan Poe came to the house, and the wedding was performed in the parlor, my father standing, according to the impressions which I have received, near the mantel piece and Edgar Allan Poe and his bride coming in at the front. There were very few persons present at the wedding, my mother and the members of the family, and perhaps one or two more companions, which they brought with them.”
Poe collector James H. Whitty later interviewed Jane Foster about the wedding, and he reported, “Mrs. Jane [Foster] Stocking was present at the wedding, which took place in the parlor of the Yarrington home, where Poe boarded, Mrs. Stocking, then but a slip of a girl, was full of thrills with thoughts of seeing so young a girl, like her own self, getting married; and also like Virginia, she was so little, that she found her best view of the ceremony was from the hallway door, where she obtained a reflection of the entire scene through a large old-fashioned mirror, which tilted forward a bit from over the mantle. All the boarders of the home, and all the poet’s friends, including Mr. Thomas W. White and his daughter Eliza, were present. Virginia was attired in a new traveling dress, and…hat. After the ceremony and congratulations the newly wedded entered a hack, waiting on the outside, and went to a train for Petersburg, Va., where they spent their honeymoon…Mrs. Stocking at the time of the wedding was both young and shy, and on the occasion she said, that she could only look, and look about in bewilderment — for in that short ceremony of a few minutes she was picturing her little companion of the day before suddenly transported into matured womanhood; like in the fairy tales, she was wondering why Virginia didn’t grow taller and look different, à la Cinderella; that’s what bothered little Jane Foster the most; but Virginia looked natural, and never changed an iota.”
After the ceremony, the guests ate wedding cake baked by Mrs. Clemm. Then some of the guests accompanied the newlyweds to the train station where they boarded a train to their honeymoon at the home of magazine editor Hiram Haines in Petersburg.
A few days later, on May 20, the Richmond Whig reported, “Married, on Monday May 16th, by the Reverend Mr. Converse, Mr. Edgar A. Poe to Miss Virginia Clemm.” Other papers in Richmond and Norfolk carried similar announcements.
Contemporary accounts attest that Poe was a devoted husband to his adoring wife. Their friend, the poet Frances Osgood, wrote, “Of the charming love and confidence that existed between his wife and himself, always delightfully apparent to me, in spite of the many little poetical episodes, in which the impassioned romance of his temperament impelled him to indulge; of this I cannot speak too earnestly — too warmly. I believe she was the only woman whom he ever truly loved.”
Poe and his wife would be married for eleven years before Virginia succumbed to tuberculosis at the age of twenty-four. Poe followed her just two years later. Though both died in different cities, their remains were reunited over thirty years later, and they are now buried together in Westminster Burying Grounds in Baltimore.
Today marks the 177th anniversary of Poe’s wedding, and it seems appropriate to conclude this post with Poe’s poem “Eulalie,” a tribute to the joys of married life:
EULALIE — A SONG.
I DWELT alone
In a world of moan,
And my soul was a stagnant tide,
Till the fair and gentle Eulalie became my blushing bride —
Till the yellow-haired young Eulalie became my smiling bride.
Ah, less — less bright
The stars of the night
Than the eyes of the radiant girl!
And never a flake
That the vapor can make
With the moon-tints of purple and pearl,
Can vie with the modest Eulalie’s most unregarded curl —
Can compare with the bright-eyed Eulalie’s most humble and careless curl.
Now Doubt — now Pain
Come never again,
For her soul gives me sigh for sigh,
And all day long
Shines, bright and strong,
Astarté within the sky,
While ever to her dear Eulalie upturns her matron eye —
While ever to her young Eulalie upturns her violet eye.
If you are interested in learning more about Poe’s marriage, visit the Poe Museum to see a display of artifacts owned by Virginia Clemm Poe. You can also learn more about Poe’s honeymoon in Petersburg at the May 23 Unhappy Hour when Jeffrey Abugel, author of Edgar Allan Poe’s Petersburg, will be here for a book signing.