Museum News


Help the Poe Museum Win the Amazing Raise


Do you love a good book? Do you want to help a new generation of readers share your love of literature? Here’s something you can do about it:

For the next day and a half the Poe Museum will be competing in the Amazing Raise, a 36-hour challenge in which Central Virginia non-profits try to see how many donations they can collect between 6 A.M. on September 18 and 6 P.M. on September 19. And you can help. Your donation of $50 or more helps the Poe Museum compete for thousands of dollars in bonus prizes, so even a small gift can make a big difference.

Why support the Poe Museum? First, you will be entered in a drawing for a chance to win a print of one of Abigail Larson’s fantastic Poe illustrations from our gift shop. Second, your donation will help the Poe Museum foster a love or reading and writing in future generations. For over ninety years the Poe Museum has been an invaluable resource to teachers and students around the globe. Through our educational programs, website, and educator information packet, we support teachers in their efforts to both educate and inspire their students.

What will we do with your gift? Fifty dollars pays for enough tour guides to give a guided tour for one hundred students. One hundred dollars buys the latest books for our ever expanding reference library. Two hundred dollars pays for us to have more Educator Information Packets printed. Five hundred dollars pays for plaster repair for one of our exhibit galleries. One thousand dollars helps conserve a small painting. Five thousand dollars buys a new heat pump for one of our buildings. Eight thousand dollars pays the expenses associated with our annual Edgar Allan Poe Young Writers’ Conference.

If you believe in the work the Poe Museum is doing, please consider making a donation today using this form. If you are reaching this page after the competition has ended, you can still contribute to the Poe Museum here.




Poe Museum Receives Major Gift


On October 5 at 1 P.M., the Poe Museum will receive the largest gift in its history, a house. The house just happens to be the oldest in Richmond, the Old Stone House. Though we are not exactly certain when it was built, dendrochronology (testing of the tree rings in wood) dates the floorboards to 1754. For over ninety years, the Poe Museum has occupied the house, which remains the property of Preservation Virginia, formerly known as the Association for the Preservation of Virginia Antiquities, while the other three buildings in the Poe Museum complex belong to the Poe Foundation.

The history of the Old Stone House is a colorful one. From the 1740s until 1911, the property was owned by the Ege family, who were among the first residents of the city. In 1781, one of the residents, Elizabeth Ege Welsh, supposedly saw Benedict Arnold invade and set fire to Richmond from the house. By the 1840s, the house appears in guide books for visitors to the city. Around 1881, the house was rented to R. L. Potter, “The Wheelbarrow Man,” who used it to exhibit an assortment of unusual objects he had collected while pushing a wheelbarrow from New York to California and back. One account says he even displayed a live bear in one of the rooms. In 1894, the house was known as Washington’s Headquarters Antiquarium and Relic Museum, which published a guide book to perpetuate some tall tales about how the house had been built by Powhatan, used as a courthouse by Patrick Henry, and used as George Washington’s headquarters during the American Revolution (though Washington never actually set foot in the city during that war). Some old postcards show the house with a large “Washington’s Headquarters” sign hanging next to the front door.

In 1913, the Ege family lost the property, and Granville Valentine purchased the building to save it from destruction. Valentine, in turn, donated it to the Association for the Preservation of Virginia Antiquities, who tried to find someone to rent it. A renter who had intended to use it as an antique store left because the property was being vandalized. Then Archer Jones, owner of the Duplex Envelope Company, approached the APVA with the idea of using the house as a museum of Colonial history. Jones and his wife soon met the Poe collector James Whitty, who wanted to reconstruct the recently demolished office of the Southern Literary Messenger in the junk yard behind the house. In 1921, that idea evolved into using the Messenger bricks and granite to make a Poe Memorial garden in the yard and using the locks, lumber, and hinges from the Messenger building to restore the Old Stone House. The House was then furnished with furniture from Richmond buildings in which Poe lived or worked. In the early years, the APVA charged the Poe Foundation rent for the property, but it eventually allowed the museum to use the house rent-free.

Ninety-one years after the Poe Museum opened, the Old Stone House is still visited by guests from around the world, and the exterior of the house remains virtually unchanged from its appearance recorded in nineteenth century photos. Thanks to Preservation Virginia, this beautiful remnant of Richmond’s Colonial past will finally become a true part of the Poe Museum. The museum has no plans for changes to the structure, which will be protected from significant alterations by an easement with the Virginia Department of Historic Resources.

To learn more about the Old Stone House, please visit the Poe Museum or read the forthcoming book about the house by Rosemarie Mitchell.




The Unseen Poe Museum


Most the Poe Museum’s holdings never go on display. In addition to its museum collection of Edgar Allan Poe artifacts and memorabilia, the Poe Museum also holds an extensive group of objects in its reference library. This study collection features thousands of books, articles, videos, and audio recordings exploring Poe’s life and influence. Accessible by appointment, the reference library is a rich source of information compiled over the past nine decades for the benefit of students and researchers. As would be expected, the collection contains several volumes of scholarly works of biography and criticism, but there are also numerous photographs, drawings, and prints of Poe, the people he knew, and the places he lived, worked, and visited. There are also manuscripts, letters, illustrations, advertisements, facsimiles, and rare documents.

While the Poe Museum’s library is a great place to look for scholarly works and materials on Poe and his oeuvre, it also documents the evolution of other authors’ and artists’ responses to Poe. That is why one will find several works of fiction inspired by Poe here. These vary from novels featuring Poe as a character (like The Pale Blue Eye by Louis Bayard and An Unpardonable Crime by Andrew Taylor) to ones with Poe-inspired elements (like Kelly Creagh’s teen romance Nevermore and Linda Fairstein’s mystery thriller Entombed). There are even historical novels focusing on Poe’s life. Among these are John May’s Poe and Fanny and Barbara Moore’s The Fever Called Living.

Other novels focus on the lives of those he knew. Harriet Davis’s Elmira tells the story of Poe’s first fiancée Elmira Royster Shelton while Lenore Hart’s The Raven’s Bride gives Poe’s wife’s perspective. Poe’s mysterious death is the subject of novels including Matthew Pearl’s The Poe Shadow and Frank Lovelock’s Lenore. The Poe Museum is featured in the short story “Murder at the Poe Shrine” by Nedra Tyre. Obsessive Poe collecting is the theme of Robert Bloch’s “The Man who Collected Poe.” Poe has inspired other authors to write sequels to his works. In 1897, Jules Verne wrote The Sphinx of the Ice Fields (also known as An Antarctic Mystery) as a sequel to Poe’s The Narrative of Arthur Gordon Pym. More recently, Clive Barker wrote “New Murders in the Rue Morgue,” a sequel to “The Murders in the Rue Morgue.”

Poe’s works have also been reimagined in music, plays, and an opera. Then there are the comics. Richard Corben’s masterful interpretations of Poe’s stories and poems into comics are among the best to date, but Berni Wrightson, Michael Golden, and others have also produced great adaptations. Let us not forget to mention MAD Magazine’s parody of “The Raven” and the Scooby Doo mystery “Cravin’ the Raven.” Then there are entire series like Jason Asala’s Poe and Dwight Macpherson’s The Surreal Adventures of Edgar Allan Poo. In the 2003 series Batman Nevermore, Poe joins forces with the Dark Knight to fight crime, but Poe had already battled evildoers alongside the “World’s Smallest Superhero” The Atom back in 1950.

The study collection abounds in illustrated editions of Poe’s works by artists including Dore, Dulac, Clarke, and Robinson. More recent illustrated editions have been produced by artists including Mark Summers (this edition has a preface by Neil Gaiman), Greg Hildebrandt, and Gris Grimly.

If you would like to visit the study collection for research purposes, simply contact the curator to schedule an appointment.




Poe Museum Launches First i-Phone App


The Poe Museum has just launched its first i-phone app, an interactive guided tour of the Poe Museum complex and collections that can be run on iPhones, iPads and iPods that have iOS 6+. Whether users visit the museum in person or remotely through this app, they will have an opportunity to explore Poe’s life and literary career through 29 objects in the museum’s world renowned collection. Guests of the museum can use the app as an audio guide featuring museum maps, photos of the artifacts, readings of Poe’s poems and letters, as well as extra information about each object’s provenance and significance.

The Tour has been developed on the MustSee mobile audio guide application. The MustSee app is free to use and can be downloaded from iTunes here. The Poe Museum Self Guided Tour costs 99 cents as an in-app purchase. To get to the audio guide, download the MustSee app and then come back here and tap on the big logo on this page.

The MustSee platform is a mobile guide community platform where organizations and individuals can create guides and set their own price. It includes an iOS application and a website where creators can design and upload their own personalized guides. Current guide developers — including museums, cultural institutions, tour guides and travel companies as well as cultural enthusiasts — are able to create interactive art and travel guides with the MustSee app. App users can find guides created by either professionally, like the Poe Museum’s, or by other users with common interests. Guides are based on the places and items located there and may include audio, text, photos and links to web pages or videos. Guide users can download them directly to their device and can interact with the community of like-minded users by commenting, adding photos, rating and sharing on their email, Facebook and Twitter.

“Many museums have trouble being found by their respective audiences. MustSee provides the Poe Museum to be able to easily create an interactive, audio guide tour for their visitors while exposing the guide to a bigger audience of culture and literary learners,” said John Soppe, CEO of Areté Media, producers of MustSee. “We are providing a free platform to help those institutions and individuals create high quality experiences that will enrich the lives for the MustSee audience.” The price of the app is shared by Apple, the Poe Museum, and MustSee.

If you do not have an i-phone or i-pad, you can still download our audio tour here.




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Latest Positively Poe Conference Schedule


Here is a link to the very latest Positively Poe Conference schedule.

Positively Poe Conference Program6-21-2013




Final Schedule for Positively Poe Conference


Here is the final schedule for the first Positively Poe Conference to be held next week, June 24-26 at the University of Virginia. Click here or write conference organizer Alexandra Urakova for more information.

PPConferencePROGRAM BOOK




Poe Museum 2013 Poetry Contest Winners


Thank you to everyone who submitted to our poetry contest last month, held in honor of National Poetry Month. We received some great poems from all over the world. The following three poems were chosen by our editorial staff for first, second, and third place.

First Place

“Family Portrait”

By Ryan McLellan

Your bonnet rots and my time piece stopped a long

time ago.  We became a faded image on a mantel.

My father posed like his father before him, a stone

expression and thumbs in his belt loops.  His wife –

not my mother – stood still and did not speak.  My

uncle twisted his mustache like a man hatching some

sinister plot.  You must have been so uncomfortable

in that corset, bound, while the men wore the billowy

suits and smoked the cigars.  How many of these

dreadful photographs did you have to pose for?  I

can’t see through the sepia anymore; cataracts are

brown and grey.  A group-shot taken the last time we

got together; a funeral.  We all die young in this family.

We look away from the lens like we can’t be bothered

with beauty yet we all put a hand on our hips, puff

up our chests and stand still when told to do so.  We

died in these frames, lived out our last days under

dust in forgotten parlors but we knew we could be

immortal if we struck the right pose.

About the Author

Ryan McLellan is a teacher, singer/songwriter, nationally touring poet, Buffler fellow and editor from Waltham, Massachusetts.  The author of five collections of poetry and the spoken-word album Last-Second Changes to the Set List, his work has been published widely in journals such as The Subterranean Quarterly, The November 3rd Club, Lower East Side Review, Bird’s Eye reView, Concise Delight, Cosmopolitan Review, OVS Magazine as well as the anthologies Chopin with Cherries: A Tribute in Verse and the2010 Poets’ Guide to New Hampshire.  He is the only three-time recipient of the Esther Buffler Poetry-In-Schools Fellowship from the Portsmouth (NH) Poet Laureate Program and has presented workshops around the country to a wide range of audiences.  He is a semi-finalist and four year veteran at the National Poetry Slam and his full-length collection, Plenty of Blood to Spare, was published by Sargent Press in 2012.  He lives in Portland, Maine and teaches in Dover, New Hampshire.

Second Place

“RVA Storm’s A Brewing”

by Gonjoe Winn

Richmond billows and blows wild wind vines

thru the thousand tiny pebble pressed streets

striped light with three inch thick white lines,

pedestrian hair flocks frantic

like dune reeds in a winter storm—

skirts flirt towards ladies’ noses—

traffic lights sway like strung up strawberries,

autos rush to hurry and bury their heads

fearing hail’s icy knuckles on their skin,

the milk stout James undulates ripples

racing like microscopic sailboats over his face

wrecking carefree into the feeble red clay banks,

gnats grow cross-eyed in the polarizing wind

seeking shelter within the friendly fur of homeless necks

and short-haired K-9’s with flaccid tails

tucking their snouts close to their handler’s crotch,

brief doses of silence hang like empty nooses

waiting for innocent water to become criminally heavy,

my grave eyes sketch the palm reading sky

prying into the beech wood woolen clouds

crying aloud to sidewalk strollers

lightening will rain and thunder will roll over

screaming blaze honey cream droplets

down and set to drown day into night’s arms.

About the Author

Gonjoe Winn works as a Professional School Counselor in Chesterfield County, and is an alum of James Madison University and Virginia Commonwealth University. Gonjoe plays harmonica in a Richmond-area band called “The Approach” (http://theapproachrva.bandcamp.com/) and is always up for an adventure.

Third Place

“For Company”

By C. L. Clickard

At midnight in Maison la Creep
I wakened from a fitful sleep
to find an incorporeal guest
hovering near the cedar chest.

She dressed quite nicely for a ghost.
Her shroud was daintier than most,
and where her dented skull might show
the ectoplasm formed a bow.

And if you didn’t mind the gore
she smeared across the parquet floor,
she wasn’t half bad company.
I asked her back for Sunday tea

Next evening I was reading late
a stack of crumpets on my plate
when from the painting o’er my bed
emerged a spectre, minus head.

The portrait’s visage he’d have matched
if his head was still attached .
So since one should not snub one’s host
 I offered up my buttered toast

But he had business dark and dire
and could not linger by my fire.
Still, as he must return by dawn
I offered breakfast on the lawn.

The third night dozing in my chair
a skull came floating in mid air.
I wondered if the cranium might
belong to he from yester night.

But thinking such a question rude
and being in a quiet mood
we sat in friendly contemplation
of the fireplace conflagration.

And ‘ere he floated out at dawn
I asked him to return anon.
Such  peaceful camaraderie
is quite a scarce commodity.

On Thursday night I could not doze
so wand’ring through the hedge maze rows,
I chanced upon a spectral choir
chanting quatrains bleak and dire.

Politely I restrained the urge
to don a robe and join their dirge
And when they stilled, inquired their rate,
then booked them for the vicar’s fete.
Twas Friday when an apparition

dragged me from my deep dormition
and led me to a loathsome crypt
where shadows swirled and ichor dripped.

It raised a black and withered claw
The ghoul’s intent  I clearly saw,
and rapped upon that marbled door
with a jolly, “Drinks? -- at four?”

And though no answ’ring voice I heard
from guiding ghoul or the interred,
I felt my terms had been accepted
and company should be expected.

So I retired once more to bed
awaiting visitations dread
and when, at last, the hour tolled four
a noxious smoke roiled from the floor.

I watched as spectral shape congealed
complete with axe and blood drenched shield
Twas Comte la Creep, knight dire and dark
my bloodline’s thrice-cursed patriarch!

I took the axe his hands were gripping
“Pardon, sir, it seems you’re dripping.”
and  proffered snifter, pipe and chair.
His howl of outrage rent the air:

“Ere since my unshrived inhumation,
I’ve terrorized each blood relation
who dared reside here e’en one night!
Yet you…. unwholesome, twisted wight…

Have you no nerves? No fear? No dread?
No terror of the vile undead?”
I shook my head and offered up
a steaming jasmine tea-filled cup.

“Enough!”  he shrieked.
“I’ll not be taunted
with the shame of being wanted.”
He snatched his blade from off my bed
and clean divorced me from my head.

Ashamed of my ungainly pose
I rose, at least from neck to toes,
and hoisted severed head to see:
the painting now resembled me!

“Be cursed to haunt these halls alone
until this insult you atone.”
Thus with that shout, his anger sated
the Comte la Creep disintegrated.

Appalled, I swept through hall and tomb
each echoing, unspectered room,
and found my ghostly infestation
had dwindled to one pale relation.

And thus I linger, mortified,
until, within these halls, has died
some unsuspecting Creep relation --
who’ll come to join my ululation!

So should these wailings 'round your bed
loose your grasp on life’s thin thread,
pardon my effrontery --
‘tis only done for company.

About the Author

C L Clickard is an internationally published author, poet and puzzle-maker. Her latest book Victricia Malicia,
released from Flashlight Press in 2012. Her next book, Magic for Sale, releases from Holiday House in 2014.
Her work has appeared in Underneath the Juniper Tree, Spellbound, and Crow Toes Quarterly.
You can find out more about Carrie and her work at www.clclickard.com.



Spring 2013 Issue of Evermore Now Online


Get all the latest Poe Museum news with the Spring 2013 issue of our newsletter Evermore. This issue features updates on new acquisitions, upcoming events, and the Poe Museum kittens. spring2013newsletter




Today Marks Edgar Poe’s 177th Wedding Anniversary


The bride, Virginia Clemm, in a drawing by A.G. Learned

On May 16, 1836, Edgar Allan Poe and his young fiancée Virginia Clemm were joined by a few close friends for a small wedding ceremony at a home near Capitol Square. According to different sources, the event took place at either Mrs. Yarrington’s boarding house at Eleventh and Bank Streets or the home of Amasa Converse at Eighth and Franklin Streets. The guests included Virginia’s mother and Poe’s aunt Maria Poe Clemm, Poe’s boss at the Southern Literary Messenger Thomas White, White’s daughter Eliza, a pressman named Thomas W. Cleland and his wife, the printer of the Messenger William McFarlane, an apprentice in the Messenger office named John W. Fergusson, the owner of the boarding house in which Poe lived Mrs. James Yarrington, one of Virginia’s friends Jane Foster, and a few others.

William MacFarlance, one of Poe's wedding guests

In addition to the number of guests associated with the Southern Literary Messenger, another magazine writer, Rev. Amasa Converse, performed the ceremony. In addition to editing the Southern Religious Telegraph, Converse was a Presbyterian minister. He later recalled Poe’s bride as “polished, dignified and agreeable in her bearing… [possessing] a pleasing manner but…very young.” Of course, Virginia was half the age of her twenty-seven year-old groom, but Converse noted she had given “her consent freely.” Unfortunately, her father’s death a few years earlier had prevented him from giving her his permission to marry, so, earlier on his wedding day, Poe had signed a marriage bond verifying Virginia was twenty-one and able to marry without her father’s consent. Cleland co-signed the document.

Rev. Amasa Converse, who performed Poe's wedding ceremony

In a 1904 letter to T. Pendleton Cummings, Rev. Converse’s son F.B. Converse wrote that Poe “was married by my father…in my father’s parlor…at the Southeast corner of Main and Eighth Streets, Richmond…Edgar Allan Poe came to the house, and the wedding was performed in the parlor, my father standing, according to the impressions which I have received, near the mantel piece and Edgar Allan Poe and his bride coming in at the front. There were very few persons present at the wedding, my mother and the members of the family, and perhaps one or two more companions, which they brought with them.”

John Fergusson, another of Poe's wedding guests

Poe collector James H. Whitty later interviewed Jane Foster about the wedding, and he reported, “Mrs. Jane [Foster] Stocking was present at the wedding, which took place in the parlor of the Yarrington home, where Poe boarded, Mrs. Stocking, then but a slip of a girl, was full of thrills with thoughts of seeing so young a girl, like her own self, getting married; and also like Virginia, she was so little, that she found her best view of the ceremony was from the hallway door, where she obtained a reflection of the entire scene through a large old-fashioned mirror, which tilted forward a bit from over the mantle. All the boarders of the home, and all the poet’s friends, including Mr. Thomas W. White and his daughter Eliza, were present. Virginia was attired in a new traveling dress, and…hat. After the ceremony and congratulations the newly wedded entered a hack, waiting on the outside, and went to a train for Petersburg, Va., where they spent their honeymoon…Mrs. Stocking at the time of the wedding was both young and shy, and on the occasion she said, that she could only look, and look about in bewilderment — for in that short ceremony of a few minutes she was picturing her little companion of the day before suddenly transported into matured womanhood; like in the fairy tales, she was wondering why Virginia didn’t grow taller and look different, à la Cinderella; that’s what bothered little Jane Foster the most; but Virginia looked natural, and never changed an iota.”
After the ceremony, the guests ate wedding cake baked by Mrs. Clemm. Then some of the guests accompanied the newlyweds to the train station where they boarded a train to their honeymoon at the home of magazine editor Hiram Haines in Petersburg.

Possible site of Poe's wedding, Mrs. Yarrington's boarding house on Bank Street

A few days later, on May 20, the Richmond Whig reported, “Married, on Monday May 16th, by the Reverend Mr. Converse, Mr. Edgar A. Poe to Miss Virginia Clemm.” Other papers in Richmond and Norfolk carried similar announcements.

Hiram Haines House, where Poe stayed on his honeymoon

Contemporary accounts attest that Poe was a devoted husband to his adoring wife. Their friend, the poet Frances Osgood, wrote, “Of the charming love and confidence that existed between his wife and himself, always delightfully apparent to me, in spite of the many little poetical episodes, in which the impassioned romance of his temperament impelled him to indulge; of this I cannot speak too earnestly — too warmly. I believe she was the only woman whom he ever truly loved.”

Poe and his wife would be married for eleven years before Virginia succumbed to tuberculosis at the age of twenty-four. Poe followed her just two years later. Though both died in different cities, their remains were reunited over thirty years later, and they are now buried together in Westminster Burying Grounds in Baltimore.

Today marks the 177th anniversary of Poe’s wedding, and it seems appropriate to conclude this post with Poe’s poem “Eulalie,” a tribute to the joys of married life:

EULALIE — A SONG.

I DWELT alone
In a world of moan,
And my soul was a stagnant tide,
Till the fair and gentle Eulalie became my blushing bride —
Till the yellow-haired young Eulalie became my smiling bride.

Ah, less — less bright
The stars of the night
Than the eyes of the radiant girl!
And never a flake
That the vapor can make
With the moon-tints of purple and pearl,
Can vie with the modest Eulalie’s most unregarded curl —
Can compare with the bright-eyed Eulalie’s most humble and careless curl.

Now Doubt — now Pain
Come never again,
For her soul gives me sigh for sigh,
And all day long
Shines, bright and strong,
Astarté within the sky,
While ever to her dear Eulalie upturns her matron eye —
While ever to her young Eulalie upturns her violet eye.

If you are interested in learning more about Poe’s marriage, visit the Poe Museum to see a display of artifacts owned by Virginia Clemm Poe. You can also learn more about Poe’s honeymoon in Petersburg at the May 23 Unhappy Hour when Jeffrey Abugel, author of Edgar Allan Poe’s Petersburg, will be here for a book signing.




“Poe in Paris” Exhibit Explores Poe’s International Influence


The Poe Museum is proud to announce its upcoming exhibit “Poe in Paris,” which runs from June 23 until September 8, 2013 at the Poe Museum at 1914 East Main Street, Richmond, Virginia. Drawing on rare artwork and documents from the Poe Museum and four other collections, the exhibit will explore Poe’s influence on French avant garde artists and writers of the nineteenth century. On Saturday, June 22 from 5 to 9 P.M. the Poe Museum will host a special preview opening and wine pairing for which tickets can be purchased at the museum or at poemuseum.org for $25 in advance or $30 at the door.

About Poe in Paris:

The progressive cultural climate of nineteenth century Paris gave birth to artistic movements like Impressionism, Symbolism, Post-Impressionism, and Fauvism. The writers and artists active there pioneered the concepts which would soon give birth to modern art and literature. One of the most important and influential figures in this incubator of innovative ideas never even visited Paris, but his name was on the lips of almost every member of the city’s avant garde. His works were discussed and imitated by the leading authors and illustrated by the most innovative artists. Though Edgar Allan Poe never saw Paris, some of his most important works were inspired by the city and, in turn, inspired Paris’s leading artists and writers including the painters Edouard Manet and Paul Gauguin and the writers Charles Baudelaire and Jules Verne.

Since most Americans only know Poe for a few of his horror stories, which comprise only a small fraction of his oeuvre, it is easy to forget that Richmond’s greatest writer was also America’s first internationally influential author. After his early death in 1849 and the dismissal of his works by some American critics, it was the Europeans—especially the French—who cultivated an appreciation of Poe’s revolutionary contributions to world literature and aesthetics. Poe and his followers promoted concepts like “Art for Art’s Sake” and “Pure Poetry” which turned the art world upside-down and ushered in the age of Modernism. It should be no wonder that Edouard Manet produced three portraits of him and provided illustrations for a French edition of “The Raven” translated by avant garde French poet Stephan Mallarme. Symbolist painter Paul Gauguin and Fauvist Henri Matisse were among the many French artists to produce Poe-inspired works. Considered the Father of Science Fiction, Jules Verne was inspired by Poe’s science fiction stories and even wrote a sequel to one of Poe’s novels.

The Poe Museum’s intriguing exhibit will feature Poe-inspired artwork by Edouard Manet, Henri Matisse, and more in addition to rare early French translations of Poe’s works by Charles Baudelaire, Stephan Mallarme, and others. Assembled from the Poe Museum’s collection as well as from four other public and private collections, the exhibit will explore Poe’s presence in Parisian culture at the time Modern Art was born.

“Poe in Paris” will run from June 23 until September 8, 2013 with a special preview evening and wine pairing to be held on Saturday, June 22 from 5 to 9 P.M. The exhibit is included in the cost of Poe Museum general admission, but tickets for the preview evening and wine pairing can be purchased at the Poe Museum or on its website for $25 in advance or $30 at the door.