Do you love a good book? Do you want to help a new generation of readers share your love of literature? Here’s something you can do about it:
For the next day and a half the Poe Museum will be competing in the Amazing Raise, a 36-hour challenge in which Central Virginia non-profits try to see how many donations they can collect between 6 A.M. on September 18 and 6 P.M. on September 19. And you can help. Your donation of $50 or more helps the Poe Museum compete for thousands of dollars in bonus prizes, so even a small gift can make a big difference.
Why support the Poe Museum? First, you will be entered in a drawing for a chance to win a print of one of Abigail Larson’s fantastic Poe illustrations from our gift shop. Second, your donation will help the Poe Museum foster a love or reading and writing in future generations. For over ninety years the Poe Museum has been an invaluable resource to teachers and students around the globe. Through our educational programs, website, and educator information packet, we support teachers in their efforts to both educate and inspire their students.
What will we do with your gift? Fifty dollars pays for enough tour guides to give a guided tour for one hundred students. One hundred dollars buys the latest books for our ever expanding reference library. Two hundred dollars pays for us to have more Educator Information Packets printed. Five hundred dollars pays for plaster repair for one of our exhibit galleries. One thousand dollars helps conserve a small painting. Five thousand dollars buys a new heat pump for one of our buildings. Eight thousand dollars pays the expenses associated with our annual Edgar Allan Poe Young Writers’ Conference.
If you believe in the work the Poe Museum is doing, please consider making a donation today using this form. If you are reaching this page after the competition has ended, you can still contribute to the Poe Museum here.
Most the Poe Museum’s holdings never go on display. In addition to its museum collection of Edgar Allan Poe artifacts and memorabilia, the Poe Museum also holds an extensive group of objects in its reference library. This study collection features thousands of books, articles, videos, and audio recordings exploring Poe’s life and influence. Accessible by appointment, the reference library is a rich source of information compiled over the past nine decades for the benefit of students and researchers. As would be expected, the collection contains several volumes of scholarly works of biography and criticism, but there are also numerous photographs, drawings, and prints of Poe, the people he knew, and the places he lived, worked, and visited. There are also manuscripts, letters, illustrations, advertisements, facsimiles, and rare documents.
While the Poe Museum’s library is a great place to look for scholarly works and materials on Poe and his oeuvre, it also documents the evolution of other authors’ and artists’ responses to Poe. That is why one will find several works of fiction inspired by Poe here. These vary from novels featuring Poe as a character (like The Pale Blue Eye by Louis Bayard and An Unpardonable Crime by Andrew Taylor) to ones with Poe-inspired elements (like Kelly Creagh’s teen romance Nevermore and Linda Fairstein’s mystery thriller Entombed). There are even historical novels focusing on Poe’s life. Among these are John May’s Poe and Fanny and Barbara Moore’s The Fever Called Living.
Other novels focus on the lives of those he knew. Harriet Davis’s Elmira tells the story of Poe’s first fiancée Elmira Royster Shelton while Lenore Hart’s The Raven’s Bride gives Poe’s wife’s perspective. Poe’s mysterious death is the subject of novels including Matthew Pearl’s The Poe Shadow and Frank Lovelock’s Lenore. The Poe Museum is featured in the short story “Murder at the Poe Shrine” by Nedra Tyre. Obsessive Poe collecting is the theme of Robert Bloch’s “The Man who Collected Poe.” Poe has inspired other authors to write sequels to his works. In 1897, Jules Verne wrote The Sphinx of the Ice Fields (also known as An Antarctic Mystery) as a sequel to Poe’s The Narrative of Arthur Gordon Pym. More recently, Clive Barker wrote “New Murders in the Rue Morgue,” a sequel to “The Murders in the Rue Morgue.”
Poe’s works have also been reimagined in music, plays, and an opera. Then there are the comics. Richard Corben’s masterful interpretations of Poe’s stories and poems into comics are among the best to date, but Berni Wrightson, Michael Golden, and others have also produced great adaptations. Let us not forget to mention MAD Magazine’s parody of “The Raven” and the Scooby Doo mystery “Cravin’ the Raven.” Then there are entire series like Jason Asala’s Poe and Dwight Macpherson’s The Surreal Adventures of Edgar Allan Poo. In the 2003 series Batman Nevermore, Poe joins forces with the Dark Knight to fight crime, but Poe had already battled evildoers alongside the “World’s Smallest Superhero” The Atom back in 1950.
The study collection abounds in illustrated editions of Poe’s works by artists including Dore, Dulac, Clarke, and Robinson. More recent illustrated editions have been produced by artists including Mark Summers (this edition has a preface by Neil Gaiman), Greg Hildebrandt, and Gris Grimly.
If you would like to visit the study collection for research purposes, simply contact the curator to schedule an appointment.
The bride, Virginia Clemm, in a drawing by A.G. Learned
On May 16, 1836, Edgar Allan Poe and his young fiancée Virginia Clemm were joined by a few close friends for a small wedding ceremony at a home near Capitol Square. According to different sources, the event took place at either Mrs. Yarrington’s boarding house at Eleventh and Bank Streets or the home of Amasa Converse at Eighth and Franklin Streets. The guests included Virginia’s mother and Poe’s aunt Maria Poe Clemm, Poe’s boss at the Southern Literary Messenger Thomas White, White’s daughter Eliza, a pressman named Thomas W. Cleland and his wife, the printer of the Messenger William McFarlane, an apprentice in the Messenger office named John W. Fergusson, the owner of the boarding house in which Poe lived Mrs. James Yarrington, one of Virginia’s friends Jane Foster, and a few others.
William MacFarlance, one of Poe's wedding guests
In addition to the number of guests associated with the Southern Literary Messenger, another magazine writer, Rev. Amasa Converse, performed the ceremony. In addition to editing the Southern Religious Telegraph, Converse was a Presbyterian minister. He later recalled Poe’s bride as “polished, dignified and agreeable in her bearing… [possessing] a pleasing manner but…very young.” Of course, Virginia was half the age of her twenty-seven year-old groom, but Converse noted she had given “her consent freely.” Unfortunately, her father’s death a few years earlier had prevented him from giving her his permission to marry, so, earlier on his wedding day, Poe had signed a marriage bond verifying Virginia was twenty-one and able to marry without her father’s consent. Cleland co-signed the document.
Rev. Amasa Converse, who performed Poe's wedding ceremony
In a 1904 letter to T. Pendleton Cummings, Rev. Converse’s son F.B. Converse wrote that Poe “was married by my father…in my father’s parlor…at the Southeast corner of Main and Eighth Streets, Richmond…Edgar Allan Poe came to the house, and the wedding was performed in the parlor, my father standing, according to the impressions which I have received, near the mantel piece and Edgar Allan Poe and his bride coming in at the front. There were very few persons present at the wedding, my mother and the members of the family, and perhaps one or two more companions, which they brought with them.”
John Fergusson, another of Poe's wedding guests
Poe collector James H. Whitty later interviewed Jane Foster about the wedding, and he reported, “Mrs. Jane [Foster] Stocking was present at the wedding, which took place in the parlor of the Yarrington home, where Poe boarded, Mrs. Stocking, then but a slip of a girl, was full of thrills with thoughts of seeing so young a girl, like her own self, getting married; and also like Virginia, she was so little, that she found her best view of the ceremony was from the hallway door, where she obtained a reflection of the entire scene through a large old-fashioned mirror, which tilted forward a bit from over the mantle. All the boarders of the home, and all the poet’s friends, including Mr. Thomas W. White and his daughter Eliza, were present. Virginia was attired in a new traveling dress, and…hat. After the ceremony and congratulations the newly wedded entered a hack, waiting on the outside, and went to a train for Petersburg, Va., where they spent their honeymoon…Mrs. Stocking at the time of the wedding was both young and shy, and on the occasion she said, that she could only look, and look about in bewilderment — for in that short ceremony of a few minutes she was picturing her little companion of the day before suddenly transported into matured womanhood; like in the fairy tales, she was wondering why Virginia didn’t grow taller and look different, à la Cinderella; that’s what bothered little Jane Foster the most; but Virginia looked natural, and never changed an iota.”
After the ceremony, the guests ate wedding cake baked by Mrs. Clemm. Then some of the guests accompanied the newlyweds to the train station where they boarded a train to their honeymoon at the home of magazine editor Hiram Haines in Petersburg.
Possible site of Poe's wedding, Mrs. Yarrington's boarding house on Bank Street
A few days later, on May 20, the Richmond Whig reported, “Married, on Monday May 16th, by the Reverend Mr. Converse, Mr. Edgar A. Poe to Miss Virginia Clemm.” Other papers in Richmond and Norfolk carried similar announcements.
Hiram Haines House, where Poe stayed on his honeymoon
Contemporary accounts attest that Poe was a devoted husband to his adoring wife. Their friend, the poet Frances Osgood, wrote, “Of the charming love and confidence that existed between his wife and himself, always delightfully apparent to me, in spite of the many little poetical episodes, in which the impassioned romance of his temperament impelled him to indulge; of this I cannot speak too earnestly — too warmly. I believe she was the only woman whom he ever truly loved.”
Poe and his wife would be married for eleven years before Virginia succumbed to tuberculosis at the age of twenty-four. Poe followed her just two years later. Though both died in different cities, their remains were reunited over thirty years later, and they are now buried together in Westminster Burying Grounds in Baltimore.
Today marks the 177th anniversary of Poe’s wedding, and it seems appropriate to conclude this post with Poe’s poem “Eulalie,” a tribute to the joys of married life:
EULALIE — A SONG.
I DWELT alone
In a world of moan,
And my soul was a stagnant tide,
Till the fair and gentle Eulalie became my blushing bride —
Till the yellow-haired young Eulalie became my smiling bride.
Ah, less — less bright
The stars of the night
Than the eyes of the radiant girl!
And never a flake
That the vapor can make
With the moon-tints of purple and pearl,
Can vie with the modest Eulalie’s most unregarded curl —
Can compare with the bright-eyed Eulalie’s most humble and careless curl.
Now Doubt — now Pain
Come never again,
For her soul gives me sigh for sigh,
And all day long
Shines, bright and strong,
Astarté within the sky,
While ever to her dear Eulalie upturns her matron eye —
While ever to her young Eulalie upturns her violet eye.
If you are interested in learning more about Poe’s marriage, visit the Poe Museum to see a display of artifacts owned by Virginia Clemm Poe. You can also learn more about Poe’s honeymoon in Petersburg at the May 23 Unhappy Hour when Jeffrey Abugel, author of Edgar Allan Poe’s Petersburg, will be here for a book signing.
It’s Valentine’s Day, a holiday Americans celebrated even back in Edgar Allan Poe’s time. In fact, one of his friends, Anna Charlotte Lynch, hosted an annual St. Valentine’s Day party at her home in New York.
Poe in 1845
Throughout 1845, Poe was a favorite guest at Lynch’s weekly literary soirees. In her words, “During the time that [Poe] habitually visited me, a period of two or three years, I saw him almost always on my reception evenings, when many other guests were present. . . . In society, so far as my observation went, Poe had always the bearing and manners of a gentleman — interesting in conversation, but not monopolizing; polite and engaging, and never, when I saw him, abstracted or dreamy. He was always elegant in his toilet, quiet and unaffected, unpretentious, in his manner; and he would not have attracted any particular attention from a stranger, except from his strikingly intellectual head and features, which bore the unmistakable character of genius…”
Anna Charlotte Lynch
Over the course of his visits to Lynch’s soirees, Poe befriended many of New York’s leading writers. At the same time, he became the recipient of attention from a few of the female attendees. One of them, Frances S. Osgood, was one of the nation’s most popular poets. She and Poe published flirtatious love poems to each other in the magazines of the day. In a letter to one of Poe’s other admirers, Sarah Helen Whitman, Osgood wrote, “I meet Mr. Poe very often at the receptions. He is the observed of all observers. His stories are thought wonderful, and to hear him repeat the Raven, which he does very quietly, is an event in one’s life. People seem to think there is something uncanny about him, and the strangest stories are told, and, what is more, believed, about his mesmeric experiences, at the mention of which he always smiles. His smile is captivating! . . . . Everybody wants to know him; but only a very few people seem to get well acquainted with him”
Another of the attendees taking an interest in Poe was Mrs. Elizabeth Ellet. Although Poe spurned her advances, she continued to send him love letters. She may be the one Elizabeth Oakes Smith was referring to in this account: “A certain lady . . . . fell in love with Poe and wrote a love-letter to him. Every letter he received he showed to his little wife. This lady went to his house one day; she heard Fanny Osgood and Mrs. Poe having a hearty laugh, they were fairly shouting, as they read over a letter. The lady listened, and found it was hers, when she walked into the room and snatched it from their hands”
Whether or not that account refers to Ellet, it is known that, in late January 1846, she reported having seen an “indiscreet” letter from Osgood to Poe lying on a table in his house. Nobody bothered to ask Ellet why she was reading other people’s mail, but Lynch and her friend Margaret Fuller soon showed up at Poe’s house to demand Poe return all the letters Osgood had ever sent him. He responded that Mrs. Ellet should worry more about her own letters to him.
After Lynch’s departure, Poe unceremoniously dumped all of Ellet’s letters to him on her doorstep. Soon thereafter, Ellet and her brother arrived at Poe’s house to demand the same letters, which he no longer had. After Ellet’s brother threatened him, Poe went to another friend, Thomas Dunn English, for a pistol with which he could defend himself. English not only refused but also accused Poe of lying about ever having received any letters from Ellet in the first place, so a fist fight broke out.
Although Poe would later send Ellet a letter of apology, Lynch removed him from her guest list, and Ellet began spreading rumors that he was insane. This was only a couple weeks before Lynch’s annual Valentine’s Day party. Despite not being allowed to attend that gathering, Poe sent Lynch the following Valentine’s poem, which he intended to have read at the party. It is addressed to Frances Osgood, one of the women at the center of the previous month’s scandal. You can find her name spelled in lines of the poem if you write down the first letter of the first line, the second letter of the second line, and so forth.
For her these lines are penned, whose luminous eyes,
Brightly expressive as the twins of Læda,
Shall find her own sweet name that, nestling, lies
Upon the page, enwrapped from every reader.
Search narrowly this rhyme, which holds a treasure
Divine — a talisman — an amulet
That must be worn at heart. Search well the measure;
The words — the letters themselves. Do not forget
The trivialest point, or you may lose your labor.
And yet there is in this no Gordian knot
Which one might not undo without a sabre
If one could merely understand the plot.
Enwritten upon this page whereon are peering
Such eager eyes, there lies, I say, perdu,
A well-known name, oft uttered in the hearing
Of poets, by poets; as the name is a poet’s, too.
Its letters, although naturally lying —
Like the knight Pinto (Mendez Ferdinando) —
Still form a synonym for truth. Cease trying!
You will not read the riddle though you do the best you can do.
The same day Poe addressed the above poem to Frances Osgood, his wife Virginia wrote him this poem. Poe’s name is spelled out in the first letter of each line.
Ever with thee I wish to roam —
Dearest my life is thine.
Give me a cottage for my home
And a rich old cypress vine,
Removed from the world with its sin and care
And the tattling of many tongues.
Love alone shall guide us when we are there —
Love shall heal my weakened lungs;
And Oh, the tranquil hours we’ll spend,
Never wishing that others may see!
Perfect ease we’ll enjoy, without thinking to lend
Ourselves to the world and its glee —
Ever peaceful and blissful we’ll be.
Saturday February 14. 1846.
Poe's Wife Virginia Poe
After Valentine’s Day 1846, Poe never spoke to Osgood again. In accordance with his wife’s wishes, as expressed in the above poem, Poe and his wife soon moved out of the city to a cottage in the countryside, far from “the tattling of many tongues.” Unfortunately, their love was not enough to heal her “weakened lungs.” Tuberculosis claimed her less than a year later.
The following year, for Lynch’s 1848 Valentine’s Day party, Poe’s long-distance admirer, Sarah Helen Whitman, sent Lynch a Valentine’s poem for Poe. Lynch read Whitman’s poem at the party but did not immediately publish it. She explained in a letter to Whitman, “The [poem] to Poe I admired exceedingly & would like to have published with your consent with the others, but he is in such bad odour with most persons who visit me that if I were to receive him, I should lose the company of many whom I value more. [Name obliterated] will not go where he visits &several others have an inveterate prejudice against him.” The name that was removed from the letter was likely Mrs. Ellet’s.
Sarah Helen Whitman
Whitman’s Valentine poem to Poe appears below.
If thy sad heart, pining for human love,
In its earth solitude grew dark with fear,
Lest the high Sun of Heaven itself should prove
Powerless to save from that phantasmal sphere
Wherein thy spirit wandered, — if the flowers
That pressed around thy feet, seemed but to bloom
In lone Gethsemanes, through starless hours,
When all who loved had left thee to thy doom,–
Oh, yet believe that in that hollow vale
Where thy soul lingers, waiting to attain
So much of Heaven’s sweet grace as shall avail
To lift its burden of remorseful pain,
My soul shall meet thee, and its Heaven forego
Till God’s great love, on both, one hope, one Heaven bestow.
Later in 1848, Whitman and Poe would meet, become engaged, and break off that engagement after only a month.
Visit the Poe Museum this Valentine’s Day to learn more about Edgar and Virginia Poe, Anna Charlotte Lynch, and Sarah Helen Whitman. A lovely portrait of Lynch is now hanging in the Elizabeth Arnold Poe Memorial Building. You can read the Poe Museum’s letter from Lynch to Poe here.
Renowned comic artist Michael Golden, whose illustrations for a comic book adaptation of “The Tell-Tale Heart” are featured in the Poe Museum’s current exhibit “Still Beating: ‘The Tell-Tale Heart’ Turns 170,” will be visiting the Poe Museum on Thursday, March 14 from 6-10 P.M. for a book signing and a lecture on his career and the art of sequential storytelling. This will be a great opportunity to meet one of the world’s leading comic artists.
Michael Golden is one of the world’s most popular comic artists, having provided artwork for G.I. Joe, The Adventures of Superman, Batman, The Micronauts, and many other groundbreaking series, including The ‘Nam. He is the co-creator of Rogue from the X-Men as well as Bucky O’Hare and Spartan X. He has served as an editor at DC Comics as well as Senior Art Director at Marvel Comics. In addition to continuing to create sequential stories, he also conducts classes in storytelling at venues around the world. The artwork in the Poe Museum’s exhibit, which is among his earliest published work, was printed in Marvel Classics #28 in 1977.
Michael Golden with Art
Dear Friends of Poe,
A couple weeks ago we convened the Poe Museum’s fifth Edgar Allan Poe Young Writers’ Conference. This year we hosted ten students from seven different states from Massachusetts to Arizona. Why did these talented high school students (pictured above) give up a week of their summer to come to the Poe Museum? They came for the same reason that hundreds of students on field trips leave the Poe Museum with books purchased from our gift shop. Teachers often tell us that Edgar Allan Poe is the first author who excites students about reading and writing. Among the students of yesterday who credited Poe with inspiring their careers are Jules Verne, Alfred Hitchcock, and Sir Arthur Conan Doyle. Perhaps one of the students at this summers’ conference, one of the students who visited the museum on a school field trip, or even one of the hundreds of thousands of students who visit our website each month will write the next great novel or screenplay. These students are one reason I support the Poe Museum.
We have seen our numbers grow significantly in the years I have served on the board of the Poe Museum. In 2001, our annual attendance was 11,000. For the past year our attendance had grown to 18,000. In 2001 we had 46 school groups visit the museum, but this past year we had 81 groups. Since 2009 when the National Endowment for the Arts made Poe the center of a national program to stimulate reading, the Poe Museum has brought visiting exhibits and programs to schools and libraries all over the southeast.
The Poe Museum is more successful than it has ever been, yet our need for individual financial support has never been greater. Five years ago we relied on a large group of donors who gave $50, $100, $200, and $500 each year. Since the beginning of the recession, our support has fallen significantly. We do not have a large endowment, nor do we rely on government support for our operations. We depend upon a balanced mix of support from admissions fees, shops sales, corporate support, individual support, grants, and modest local government support. We depend upon all of these, and when the money is not present, we can only cut our service and cut our staff.
As we begin a new fiscal year, please join me in making a gift to the Poe Museum that will help stimulate the educational motivation of the next generation at a time when our educational institutions are in crisis and need the auxiliary help of organizations like the Poe Museum. Your donation will also help us pay other expenses associated with preserving, exhibiting, and insuring the world’s finest collection of Poe artifacts and memorabilia (not to mention the upkeep of a 260-year-old building). As the Poe Museum celebrates its ninetieth anniversary this year, we look forward to laying the foundation for the next ninety years of inspiring young minds.
Thank you in advance for your generous support. If you have not visited the Poe Museum recently, we invite you to come this summer to see our incredible new temporary exhibit featuring dozens of rarely seen Poe letters and manuscripts from seven different private and public collections.
Harry Lee Poe
Are you the next Edgar Allan Poe? Find out June 17-23, 2012 at the next Edgar Allan Poe Young Writers’ Conference sponsored by the Poe Museum in Richmond, Virginia. More information is available here.
The application for this year’s conference is now available at the link below.
The saying goes that “behind every great man is a great woman.” Imagine what kind of woman it must have taken to support and encourage the master of mystery and psychological terror, Edgar Allan Poe. Poe was twenty-seven years old when he married his thirteen-year-old cousin Virginia, who would follow him from Richmond to Philadelphia and New York for eleven years before her early death. Although volumes have already been written on Poe, far too little is known about the person who knew him better than anyone throughout his brief and turbulent career.
Author Lenore Hart set out to try to right this wrong with her new historical fiction book, The Raven’s Bride, a novel written from the point of view of Edgar Allan Poe’s wife Virginia Eliza Clemm Poe. The novel uses elements of the supernatural as well as historical research to try to give readers an idea of what life might have been like for Virginia Poe.
Lenore Hart paid the Poe Museum a visit on May 12, 2011 to talk about the novel to a crowd of interested listeners. She also read a few passages from the novel and answered questions from the audience. A good time was had by all.
Here is a link to a very good review of the book: http://www.historicalnovels.info/Ravens-Bride.html
We still have a limited number of signed copies of The Raven’s Bride available in the Poe Museum gift shop. If you’d like to reserve one, please call us at 804-648-5523.