Edgar, one of the Poe Museum’s feline mascots, received a gift yesterday from admirer. Trish Foxwell, author of A Visitors’ Guide to the Literary South, sent a coffee mug she designed with Edgar’s picture on it. This photo shows Edgar posing with his gift.
Edgar is one of three black kittens found in November 2012 in the Poe Museum’s Enchanted Garden. While the female kitten Catterina went to live with one of the Museum’s guides, Edgar and his brother Pluto stayed at the Museum and are favorites with the public. Last year they were named “Best Museum Discovery” by Style Weekly. Here are some photos of the kittens over the years from their profile on Richmond.com.
Edgar Allan Poe might have appreciated the Poe Museum cats. He was always very fond of animals. As a boy living with his foster parents, he had a dog, a parrot who could speak French, and a cat named Tib. Later in life, he would keep various birds and cats. One of his friends, Hiram Haines, even offered to give Poe and his wife a pet fawn. Of course, many of his houseguests were disappointed to find Poe did not have a pet raven. Some, however, commented on his large tortoiseshell cat Catterina.
In 1840, Poe wrote an essay about his pet black cat which was capable of opening a latched door. A few years later, he wrote a humorous essay about cats for the Philadelphia Public Ledger. Quite unlike the narrator in his short story “The Black Cat,” Poe was reputedly kind to animals, and Catterina so adored him she would sit on his shoulder while he wrote.
The Poe Museum would like to thank Trish for sending the great coffee mug.
Among the little known treasures in the Poe Museum’s archives are four small pencil sketches of one of Edgar Allan Poe’s boyhood homes. The artist was a fourteen-year-old girl who would grow up to be an important poet. Sally Bruce Kinsolving was born in Richmond in 1876 and would have executed the drawings shortly before the house was demolished in 1890. The house in the drawings is the mansion known as Moldavia, an imposing structure that once stood at the corner of 5th and Main Streets in Richmond. Moldavia was named after its first owners, Molly and David Randolph, who built it in 1800. Poe was sixteen when he moved into the house with his foster parents John and Frances Allan. Poe lived there until he went to the University of Virginia in 1826 and would have stayed there during his visits to Richmond in 1827 (after leaving the University) and 1829 (after his foster mother’s funeral). After Poe’s 1831 expulsion from the United States Military Academy at West Point, Poe was no longer welcome in the home, which by then housed John Allan and his second wife, Louisa G. Allan. She lived there until her death in 1881, and the building was demolished in 1890. Although this Richmond landmark has been lost, the Poe Museum preserves several objects the Allans owned while living in Moldavia, including artwork, salt cellars, and furniture.
Sally Bruce Kinsolving (1876-1962) published her first book of poetry, Depths and Shallows in 1921. This was followed by David and Bathsheba and Other Poems (1922), Grey Heather (1930), and Many Waters (1942). She was a member of the Poetry Society of America and a founder of the Poetry Society of Maryland. Kinsolving was also a member of Phi Beta Kappa Associates, the Academy of American Poets, the Catholic Poetry Society of America, the Baltimore Museum of Art, the Gallery of Living Catholic Authors, and the Edgar Allan Poe Society of Baltimore. Kinsolving donated her drawings of Moldavia to the Poe Museum in 1922, the year the Museum opened.
These faint pencil sketches reveal close-up views of elements of the mansion that have not necessarily recorded in the few surviving photographs of the structure. This is why they are an important resource for those researching the Richmond that Poe knew during his childhood. For an artist so young, Kinsolving has done a masterful job of capturing the subtle nuances of light and shadow in images that appear to emerge from the tan paper. In order to make the drawings more visible online, we have adjusted the contrast and enlarged the scans before posting them here, but we hope you can still appreciate the beauty of these little known gems of the Poe Museum’s collection. The captions are the artist’s.
“Cornice at the Back of the House”
“Back Basement Door”
Here is a photograph of the same portico for comparison.
If you think 2014 has been cold, you should see this picture of Getrude Stein (1874-1946) taken during her February 7, 1935 visit to the Poe Museum.
The poet spent a few days in Richmond during her six-month tour of the United States in 1934-35. While in the River City, she was entertained at the home of Richmond novelist Ellen Glasgow, gave a lecture about English Literature at the University of Richmond, and was given a reception by the board of the Poe Foundation in the Poe Museum’s Tea House (now its Exhibits Building).
Stein’s friend, the photographer and writer Carl Van Vechten (1880-1964), took these photos of her at the Poe Museum. Each photograph is autographed by both Stein and Van Vechten, and Stein wrote captions. Here are the images with their captions.
“To the Poe Foundation with much pleasure”
“For the Poe Shrine and open”
“For the Poe Shrine [illegible]”
This is the same hitching post, in a different location, today.
Stein and Van Vechten are just two of the important literary and cultural figures who have visited the Poe Museum over the past ninety-two years. Others include H.P. Lovecraft, Henry Miller, and Salvador Dali.
As part of the festivities at the Poe Museum in Richmond celebrating Edgar Allan Poe’s 205th Birthday on Saturday, January 18 from noon to midnight, there will be a number of artists and writers signing books and prints for visitors.
Jeffrey Abugel, author of Edgar Allan Poe’s Petersburg, will be on hand to sign copies of his book and will give a brief talk about Poe’s honeymoon in Petersburg at 6:15 P.M.
Trish Foxwell will be here in the afternoon to sign A Visitor’s Guide to the Literary South, her great new book exploring sites related to southern authors including Poe, Faulkner, O’Connor, Fitzgerald, and more.
Some of the authors of the new anthology Virginia is for Mysteries will be here from 3-5 P.M. to sign their book. In attendance will be Heather Weidner, Fiona Quinn, Teresa Inge, Vivian Lawry, Meredith Cole, Yvonne Saxon, and Rosemary Shomaker.
At 9:30 P.M., we will have an author talk and book signing by James Mancia, author of The Poe Murders.
Artists Abigail Larson and Courtney Elizabeth will also be here throughout the day with trunk shows of their artwork for visitors to purchase.
To see a complete schedule of the day’s event, please click here. For more information, call 888-21-EAPOE or write email@example.com.
The best history, like reality, is messy. Fiction, on the other hand, cleans up really well. Personally I prefer history over fiction nine times out of ten, the messier the better. Mrs. Poe by Lynn Cullen is good, clean fun if you like that sort of thing. It is good, clean fun even if you do not like that sort of thing. Ms. Cullen is an entertaining author whose other works include The Creation of Eve and Reign of Madness. For Mrs. Poe she has entered the abyss others ventured into before her to explore the [alleged] affair between one of literature’s greatest giants, Edgar Allan Poe, and one of the field’s lesser known but competent contributors, Frances Osgood.
The two met while both were writers in New York, and both were married to other people, more or less faithfully, according to which version you explore. Poe had, at the time this novel is set, just hit it big with his breakout blockbuster of a poem, The Raven, and while Mrs. Osgood styled herself a poet, she was more famous at the time for her children’s story, Puss In Boots.
As a fictionalized account of their relationship, a romantic novel, Mrs. Poe is no worse, and somewhat better than other accounts have been. My guess is that this will not be the final word on the subject either since we are obsessed with celebrities and their every move. And to give him his due, Poe was one of the first, if not the first celebrity of his day. The Raven was such a huge hit, Poe read it aloud to packed audiences every chance he got. He was so famous indeed children on the streets of Richmond taunted him as he passed by, and he cawed and flapped his arms like the legendary bird to amuse them.
If you are looking for a light diversion on a winter’s day, this and a cup of hot cocoa will fill the bill. If, however, you require more reality dosed with your history, you may take your own time travel back to those heady days in the budding intellectual community of New York and read the actual poetry that Poe and Osgood wrote to and for each other. His include two poems, one certainly which is a version of poetic regifting since, true to form, wrote it for someone else before and just rededicated it to F__ O__. Hers to him, if they are to him, were either to flatter her editor so he would publish her, or to stir up scandal, which is what happened. The biographic take on Mrs. Osgood has always been that as a lady, and a married woman, she would not have wanted to draw attention to the affair between herself and Poe, if indeed one existed. If you study her romantic baggage, however, you will discover that she went to the dark side in her amours, and courting Poe, a major stud muffin of his day, would have been right up her alley. She liked her boys bad, very bad indeed. And then of course, there is that baby… Was it Poe’s or was it her wayward husband’s? The fact is, we may never know. But the answer to that question that did not stop Ms. Cullen, as it has not stopped others before her from exploring this tricky area of intriguing mystery. It is a subject that renders itself tolerably well for a novel, but not quite up to the standard of Poe’s faithful readers.
Dear Poe Museum Supporter,
Several years ago a young boy was touring Virginia with his family when they decided to pull off the highway for a visit to the Poe Museum. Earlier this year in an Entertainment Weekly interview, he would recall the “magical” experience of seeing the Museum’s Raven Room and how he thought the Museum was “the coolest thing in the world.” That boy grew up to be a popular screenwriter of blockbuster films and hit television series like Scream, Dawson’s Creek, and Vampire Diaries. Earlier this year, he even paid homage to his Poe Museum visit by writing a Poe-themed television series set in Richmond called The Following.
Kevin Williamson’s story is just one of the many we hear about young people the Poe Museum has inspired over the past nine decades. More recently, Rachel Martens, one of the attendees of the 2012 Edgar Allan Poe Young Writers’ Conference, has just published her first novel. Countless others have been instilled with a lifelong love of reading by a visit to the Poe Museum.
We have written you today because you know the power of the Poe Museum to inspire young minds, whether they visit us for school group tours, writing workshops, poetry readings, or on family vacations. That is why you support the Poe Museum, and that is why we are asking you to consider making a contribution to our Annual Fund today. With the New Year starting we want to ensure the Museum and its staff is prepared. This involves training new tour guides, promoting the Museum and its educational programs and printing Educator packets. Your support will help provide the resources needed to accomplish these tasks at hand.
Please take the time to make your generous tax-deductible gift today by clicking this link.
Help us preserve Poe’s legacy for present and future generations.
President, Poe Foundation Board of Trustees
Do you love a good book? Do you want to help a new generation of readers share your love of literature? Here’s something you can do about it:
For the next day and a half the Poe Museum will be competing in the Amazing Raise, a 36-hour challenge in which Central Virginia non-profits try to see how many donations they can collect between 6 A.M. on September 18 and 6 P.M. on September 19. And you can help. Your donation of $50 or more helps the Poe Museum compete for thousands of dollars in bonus prizes, so even a small gift can make a big difference.
Why support the Poe Museum? First, you will be entered in a drawing for a chance to win a print of one of Abigail Larson’s fantastic Poe illustrations from our gift shop. Second, your donation will help the Poe Museum foster a love or reading and writing in future generations. For over ninety years the Poe Museum has been an invaluable resource to teachers and students around the globe. Through our educational programs, website, and educator information packet, we support teachers in their efforts to both educate and inspire their students.
What will we do with your gift? Fifty dollars pays for enough tour guides to give a guided tour for one hundred students. One hundred dollars buys the latest books for our ever expanding reference library. Two hundred dollars pays for us to have more Educator Information Packets printed. Five hundred dollars pays for plaster repair for one of our exhibit galleries. One thousand dollars helps conserve a small painting. Five thousand dollars buys a new heat pump for one of our buildings. Eight thousand dollars pays the expenses associated with our annual Edgar Allan Poe Young Writers’ Conference.
If you believe in the work the Poe Museum is doing, please consider making a donation today using this form. If you are reaching this page after the competition has ended, you can still contribute to the Poe Museum here.
Most the Poe Museum’s holdings never go on display. In addition to its museum collection of Edgar Allan Poe artifacts and memorabilia, the Poe Museum also holds an extensive group of objects in its reference library. This study collection features thousands of books, articles, videos, and audio recordings exploring Poe’s life and influence. Accessible by appointment, the reference library is a rich source of information compiled over the past nine decades for the benefit of students and researchers. As would be expected, the collection contains several volumes of scholarly works of biography and criticism, but there are also numerous photographs, drawings, and prints of Poe, the people he knew, and the places he lived, worked, and visited. There are also manuscripts, letters, illustrations, advertisements, facsimiles, and rare documents.
While the Poe Museum’s library is a great place to look for scholarly works and materials on Poe and his oeuvre, it also documents the evolution of other authors’ and artists’ responses to Poe. That is why one will find several works of fiction inspired by Poe here. These vary from novels featuring Poe as a character (like The Pale Blue Eye by Louis Bayard and An Unpardonable Crime by Andrew Taylor) to ones with Poe-inspired elements (like Kelly Creagh’s teen romance Nevermore and Linda Fairstein’s mystery thriller Entombed). There are even historical novels focusing on Poe’s life. Among these are John May’s Poe and Fanny and Barbara Moore’s The Fever Called Living.
Other novels focus on the lives of those he knew. Harriet Davis’s Elmira tells the story of Poe’s first fiancée Elmira Royster Shelton while Lenore Hart’s The Raven’s Bride gives Poe’s wife’s perspective. Poe’s mysterious death is the subject of novels including Matthew Pearl’s The Poe Shadow and Frank Lovelock’s Lenore. The Poe Museum is featured in the short story “Murder at the Poe Shrine” by Nedra Tyre. Obsessive Poe collecting is the theme of Robert Bloch’s “The Man who Collected Poe.” Poe has inspired other authors to write sequels to his works. In 1897, Jules Verne wrote The Sphinx of the Ice Fields (also known as An Antarctic Mystery) as a sequel to Poe’s The Narrative of Arthur Gordon Pym. More recently, Clive Barker wrote “New Murders in the Rue Morgue,” a sequel to “The Murders in the Rue Morgue.”
Poe’s works have also been reimagined in music, plays, and an opera. Then there are the comics. Richard Corben’s masterful interpretations of Poe’s stories and poems into comics are among the best to date, but Berni Wrightson, Michael Golden, and others have also produced great adaptations. Let us not forget to mention MAD Magazine’s parody of “The Raven” and the Scooby Doo mystery “Cravin’ the Raven.” Then there are entire series like Jason Asala’s Poe and Dwight Macpherson’s The Surreal Adventures of Edgar Allan Poo. In the 2003 series Batman Nevermore, Poe joins forces with the Dark Knight to fight crime, but Poe had already battled evildoers alongside the “World’s Smallest Superhero” The Atom back in 1950.
The study collection abounds in illustrated editions of Poe’s works by artists including Dore, Dulac, Clarke, and Robinson. More recent illustrated editions have been produced by artists including Mark Summers (this edition has a preface by Neil Gaiman), Greg Hildebrandt, and Gris Grimly.
If you would like to visit the study collection for research purposes, simply contact the curator to schedule an appointment.
The bride, Virginia Clemm, in a drawing by A.G. Learned
On May 16, 1836, Edgar Allan Poe and his young fiancée Virginia Clemm were joined by a few close friends for a small wedding ceremony at a home near Capitol Square. According to different sources, the event took place at either Mrs. Yarrington’s boarding house at Eleventh and Bank Streets or the home of Amasa Converse at Eighth and Franklin Streets. The guests included Virginia’s mother and Poe’s aunt Maria Poe Clemm, Poe’s boss at the Southern Literary Messenger Thomas White, White’s daughter Eliza, a pressman named Thomas W. Cleland and his wife, the printer of the Messenger William McFarlane, an apprentice in the Messenger office named John W. Fergusson, the owner of the boarding house in which Poe lived Mrs. James Yarrington, one of Virginia’s friends Jane Foster, and a few others.
William MacFarlance, one of Poe's wedding guests
In addition to the number of guests associated with the Southern Literary Messenger, another magazine writer, Rev. Amasa Converse, performed the ceremony. In addition to editing the Southern Religious Telegraph, Converse was a Presbyterian minister. He later recalled Poe’s bride as “polished, dignified and agreeable in her bearing… [possessing] a pleasing manner but…very young.” Of course, Virginia was half the age of her twenty-seven year-old groom, but Converse noted she had given “her consent freely.” Unfortunately, her father’s death a few years earlier had prevented him from giving her his permission to marry, so, earlier on his wedding day, Poe had signed a marriage bond verifying Virginia was twenty-one and able to marry without her father’s consent. Cleland co-signed the document.
Rev. Amasa Converse, who performed Poe's wedding ceremony
In a 1904 letter to T. Pendleton Cummings, Rev. Converse’s son F.B. Converse wrote that Poe “was married by my father…in my father’s parlor…at the Southeast corner of Main and Eighth Streets, Richmond…Edgar Allan Poe came to the house, and the wedding was performed in the parlor, my father standing, according to the impressions which I have received, near the mantel piece and Edgar Allan Poe and his bride coming in at the front. There were very few persons present at the wedding, my mother and the members of the family, and perhaps one or two more companions, which they brought with them.”
John Fergusson, another of Poe's wedding guests
Poe collector James H. Whitty later interviewed Jane Foster about the wedding, and he reported, “Mrs. Jane [Foster] Stocking was present at the wedding, which took place in the parlor of the Yarrington home, where Poe boarded, Mrs. Stocking, then but a slip of a girl, was full of thrills with thoughts of seeing so young a girl, like her own self, getting married; and also like Virginia, she was so little, that she found her best view of the ceremony was from the hallway door, where she obtained a reflection of the entire scene through a large old-fashioned mirror, which tilted forward a bit from over the mantle. All the boarders of the home, and all the poet’s friends, including Mr. Thomas W. White and his daughter Eliza, were present. Virginia was attired in a new traveling dress, and…hat. After the ceremony and congratulations the newly wedded entered a hack, waiting on the outside, and went to a train for Petersburg, Va., where they spent their honeymoon…Mrs. Stocking at the time of the wedding was both young and shy, and on the occasion she said, that she could only look, and look about in bewilderment — for in that short ceremony of a few minutes she was picturing her little companion of the day before suddenly transported into matured womanhood; like in the fairy tales, she was wondering why Virginia didn’t grow taller and look different, à la Cinderella; that’s what bothered little Jane Foster the most; but Virginia looked natural, and never changed an iota.”
After the ceremony, the guests ate wedding cake baked by Mrs. Clemm. Then some of the guests accompanied the newlyweds to the train station where they boarded a train to their honeymoon at the home of magazine editor Hiram Haines in Petersburg.
Possible site of Poe's wedding, Mrs. Yarrington's boarding house on Bank Street
A few days later, on May 20, the Richmond Whig reported, “Married, on Monday May 16th, by the Reverend Mr. Converse, Mr. Edgar A. Poe to Miss Virginia Clemm.” Other papers in Richmond and Norfolk carried similar announcements.
Hiram Haines House, where Poe stayed on his honeymoon
Contemporary accounts attest that Poe was a devoted husband to his adoring wife. Their friend, the poet Frances Osgood, wrote, “Of the charming love and confidence that existed between his wife and himself, always delightfully apparent to me, in spite of the many little poetical episodes, in which the impassioned romance of his temperament impelled him to indulge; of this I cannot speak too earnestly — too warmly. I believe she was the only woman whom he ever truly loved.”
Poe and his wife would be married for eleven years before Virginia succumbed to tuberculosis at the age of twenty-four. Poe followed her just two years later. Though both died in different cities, their remains were reunited over thirty years later, and they are now buried together in Westminster Burying Grounds in Baltimore.
Today marks the 177th anniversary of Poe’s wedding, and it seems appropriate to conclude this post with Poe’s poem “Eulalie,” a tribute to the joys of married life:
EULALIE — A SONG.
I DWELT alone
In a world of moan,
And my soul was a stagnant tide,
Till the fair and gentle Eulalie became my blushing bride —
Till the yellow-haired young Eulalie became my smiling bride.
Ah, less — less bright
The stars of the night
Than the eyes of the radiant girl!
And never a flake
That the vapor can make
With the moon-tints of purple and pearl,
Can vie with the modest Eulalie’s most unregarded curl —
Can compare with the bright-eyed Eulalie’s most humble and careless curl.
Now Doubt — now Pain
Come never again,
For her soul gives me sigh for sigh,
And all day long
Shines, bright and strong,
Astarté within the sky,
While ever to her dear Eulalie upturns her matron eye —
While ever to her young Eulalie upturns her violet eye.
If you are interested in learning more about Poe’s marriage, visit the Poe Museum to see a display of artifacts owned by Virginia Clemm Poe. You can also learn more about Poe’s honeymoon in Petersburg at the May 23 Unhappy Hour when Jeffrey Abugel, author of Edgar Allan Poe’s Petersburg, will be here for a book signing.
It’s Valentine’s Day, a holiday Americans celebrated even back in Edgar Allan Poe’s time. In fact, one of his friends, Anna Charlotte Lynch, hosted an annual St. Valentine’s Day party at her home in New York.
Poe in 1845
Throughout 1845, Poe was a favorite guest at Lynch’s weekly literary soirees. In her words, “During the time that [Poe] habitually visited me, a period of two or three years, I saw him almost always on my reception evenings, when many other guests were present. . . . In society, so far as my observation went, Poe had always the bearing and manners of a gentleman — interesting in conversation, but not monopolizing; polite and engaging, and never, when I saw him, abstracted or dreamy. He was always elegant in his toilet, quiet and unaffected, unpretentious, in his manner; and he would not have attracted any particular attention from a stranger, except from his strikingly intellectual head and features, which bore the unmistakable character of genius…”
Anna Charlotte Lynch
Over the course of his visits to Lynch’s soirees, Poe befriended many of New York’s leading writers. At the same time, he became the recipient of attention from a few of the female attendees. One of them, Frances S. Osgood, was one of the nation’s most popular poets. She and Poe published flirtatious love poems to each other in the magazines of the day. In a letter to one of Poe’s other admirers, Sarah Helen Whitman, Osgood wrote, “I meet Mr. Poe very often at the receptions. He is the observed of all observers. His stories are thought wonderful, and to hear him repeat the Raven, which he does very quietly, is an event in one’s life. People seem to think there is something uncanny about him, and the strangest stories are told, and, what is more, believed, about his mesmeric experiences, at the mention of which he always smiles. His smile is captivating! . . . . Everybody wants to know him; but only a very few people seem to get well acquainted with him”
Another of the attendees taking an interest in Poe was Mrs. Elizabeth Ellet. Although Poe spurned her advances, she continued to send him love letters. She may be the one Elizabeth Oakes Smith was referring to in this account: “A certain lady . . . . fell in love with Poe and wrote a love-letter to him. Every letter he received he showed to his little wife. This lady went to his house one day; she heard Fanny Osgood and Mrs. Poe having a hearty laugh, they were fairly shouting, as they read over a letter. The lady listened, and found it was hers, when she walked into the room and snatched it from their hands”
Whether or not that account refers to Ellet, it is known that, in late January 1846, she reported having seen an “indiscreet” letter from Osgood to Poe lying on a table in his house. Nobody bothered to ask Ellet why she was reading other people’s mail, but Lynch and her friend Margaret Fuller soon showed up at Poe’s house to demand Poe return all the letters Osgood had ever sent him. He responded that Mrs. Ellet should worry more about her own letters to him.
After Lynch’s departure, Poe unceremoniously dumped all of Ellet’s letters to him on her doorstep. Soon thereafter, Ellet and her brother arrived at Poe’s house to demand the same letters, which he no longer had. After Ellet’s brother threatened him, Poe went to another friend, Thomas Dunn English, for a pistol with which he could defend himself. English not only refused but also accused Poe of lying about ever having received any letters from Ellet in the first place, so a fist fight broke out.
Although Poe would later send Ellet a letter of apology, Lynch removed him from her guest list, and Ellet began spreading rumors that he was insane. This was only a couple weeks before Lynch’s annual Valentine’s Day party. Despite not being allowed to attend that gathering, Poe sent Lynch the following Valentine’s poem, which he intended to have read at the party. It is addressed to Frances Osgood, one of the women at the center of the previous month’s scandal. You can find her name spelled in lines of the poem if you write down the first letter of the first line, the second letter of the second line, and so forth.
For her these lines are penned, whose luminous eyes,
Brightly expressive as the twins of Læda,
Shall find her own sweet name that, nestling, lies
Upon the page, enwrapped from every reader.
Search narrowly this rhyme, which holds a treasure
Divine — a talisman — an amulet
That must be worn at heart. Search well the measure;
The words — the letters themselves. Do not forget
The trivialest point, or you may lose your labor.
And yet there is in this no Gordian knot
Which one might not undo without a sabre
If one could merely understand the plot.
Enwritten upon this page whereon are peering
Such eager eyes, there lies, I say, perdu,
A well-known name, oft uttered in the hearing
Of poets, by poets; as the name is a poet’s, too.
Its letters, although naturally lying —
Like the knight Pinto (Mendez Ferdinando) —
Still form a synonym for truth. Cease trying!
You will not read the riddle though you do the best you can do.
The same day Poe addressed the above poem to Frances Osgood, his wife Virginia wrote him this poem. Poe’s name is spelled out in the first letter of each line.
Ever with thee I wish to roam —
Dearest my life is thine.
Give me a cottage for my home
And a rich old cypress vine,
Removed from the world with its sin and care
And the tattling of many tongues.
Love alone shall guide us when we are there —
Love shall heal my weakened lungs;
And Oh, the tranquil hours we’ll spend,
Never wishing that others may see!
Perfect ease we’ll enjoy, without thinking to lend
Ourselves to the world and its glee —
Ever peaceful and blissful we’ll be.
Saturday February 14. 1846.
Poe's Wife Virginia Poe
After Valentine’s Day 1846, Poe never spoke to Osgood again. In accordance with his wife’s wishes, as expressed in the above poem, Poe and his wife soon moved out of the city to a cottage in the countryside, far from “the tattling of many tongues.” Unfortunately, their love was not enough to heal her “weakened lungs.” Tuberculosis claimed her less than a year later.
The following year, for Lynch’s 1848 Valentine’s Day party, Poe’s long-distance admirer, Sarah Helen Whitman, sent Lynch a Valentine’s poem for Poe. Lynch read Whitman’s poem at the party but did not immediately publish it. She explained in a letter to Whitman, “The [poem] to Poe I admired exceedingly & would like to have published with your consent with the others, but he is in such bad odour with most persons who visit me that if I were to receive him, I should lose the company of many whom I value more. [Name obliterated] will not go where he visits &several others have an inveterate prejudice against him.” The name that was removed from the letter was likely Mrs. Ellet’s.
Sarah Helen Whitman
Whitman’s Valentine poem to Poe appears below.
If thy sad heart, pining for human love,
In its earth solitude grew dark with fear,
Lest the high Sun of Heaven itself should prove
Powerless to save from that phantasmal sphere
Wherein thy spirit wandered, — if the flowers
That pressed around thy feet, seemed but to bloom
In lone Gethsemanes, through starless hours,
When all who loved had left thee to thy doom,–
Oh, yet believe that in that hollow vale
Where thy soul lingers, waiting to attain
So much of Heaven’s sweet grace as shall avail
To lift its burden of remorseful pain,
My soul shall meet thee, and its Heaven forego
Till God’s great love, on both, one hope, one Heaven bestow.
Later in 1848, Whitman and Poe would meet, become engaged, and break off that engagement after only a month.
Visit the Poe Museum this Valentine’s Day to learn more about Edgar and Virginia Poe, Anna Charlotte Lynch, and Sarah Helen Whitman. A lovely portrait of Lynch is now hanging in the Elizabeth Arnold Poe Memorial Building. You can read the Poe Museum’s letter from Lynch to Poe here.