Here is the latest installment of the Poe Museum’s newsletter Evermore. Inside you will find updates on the museum’s fall events and exhibits as well as some members-only programs.
Do you love a good book? Do you want to help a new generation of readers share your love of literature? Here’s something you can do about it:
For the next day and a half the Poe Museum will be competing in the Amazing Raise, a 36-hour challenge in which Central Virginia non-profits try to see how many donations they can collect between 6 A.M. on September 18 and 6 P.M. on September 19. And you can help. Your donation of $50 or more helps the Poe Museum compete for thousands of dollars in bonus prizes, so even a small gift can make a big difference.
Why support the Poe Museum? First, you will be entered in a drawing for a chance to win a print of one of Abigail Larson’s fantastic Poe illustrations from our gift shop. Second, your donation will help the Poe Museum foster a love or reading and writing in future generations. For over ninety years the Poe Museum has been an invaluable resource to teachers and students around the globe. Through our educational programs, website, and educator information packet, we support teachers in their efforts to both educate and inspire their students.
What will we do with your gift? Fifty dollars pays for enough tour guides to give a guided tour for one hundred students. One hundred dollars buys the latest books for our ever expanding reference library. Two hundred dollars pays for us to have more Educator Information Packets printed. Five hundred dollars pays for plaster repair for one of our exhibit galleries. One thousand dollars helps conserve a small painting. Five thousand dollars buys a new heat pump for one of our buildings. Eight thousand dollars pays the expenses associated with our annual Edgar Allan Poe Young Writers’ Conference.
If you believe in the work the Poe Museum is doing, please consider making a donation today using this form. If you are reaching this page after the competition has ended, you can still contribute to the Poe Museum here.
Most the Poe Museum’s holdings never go on display. In addition to its museum collection of Edgar Allan Poe artifacts and memorabilia, the Poe Museum also holds an extensive group of objects in its reference library. This study collection features thousands of books, articles, videos, and audio recordings exploring Poe’s life and influence. Accessible by appointment, the reference library is a rich source of information compiled over the past nine decades for the benefit of students and researchers. As would be expected, the collection contains several volumes of scholarly works of biography and criticism, but there are also numerous photographs, drawings, and prints of Poe, the people he knew, and the places he lived, worked, and visited. There are also manuscripts, letters, illustrations, advertisements, facsimiles, and rare documents.
While the Poe Museum’s library is a great place to look for scholarly works and materials on Poe and his oeuvre, it also documents the evolution of other authors’ and artists’ responses to Poe. That is why one will find several works of fiction inspired by Poe here. These vary from novels featuring Poe as a character (like The Pale Blue Eye by Louis Bayard and An Unpardonable Crime by Andrew Taylor) to ones with Poe-inspired elements (like Kelly Creagh’s teen romance Nevermore and Linda Fairstein’s mystery thriller Entombed). There are even historical novels focusing on Poe’s life. Among these are John May’s Poe and Fanny and Barbara Moore’s The Fever Called Living.
Other novels focus on the lives of those he knew. Harriet Davis’s Elmira tells the story of Poe’s first fiancée Elmira Royster Shelton while Lenore Hart’s The Raven’s Bride gives Poe’s wife’s perspective. Poe’s mysterious death is the subject of novels including Matthew Pearl’s The Poe Shadow and Frank Lovelock’s Lenore. The Poe Museum is featured in the short story “Murder at the Poe Shrine” by Nedra Tyre. Obsessive Poe collecting is the theme of Robert Bloch’s “The Man who Collected Poe.” Poe has inspired other authors to write sequels to his works. In 1897, Jules Verne wrote The Sphinx of the Ice Fields (also known as An Antarctic Mystery) as a sequel to Poe’s The Narrative of Arthur Gordon Pym. More recently, Clive Barker wrote “New Murders in the Rue Morgue,” a sequel to “The Murders in the Rue Morgue.”
Poe’s works have also been reimagined in music, plays, and an opera. Then there are the comics. Richard Corben’s masterful interpretations of Poe’s stories and poems into comics are among the best to date, but Berni Wrightson, Michael Golden, and others have also produced great adaptations. Let us not forget to mention MAD Magazine’s parody of “The Raven” and the Scooby Doo mystery “Cravin’ the Raven.” Then there are entire series like Jason Asala’s Poe and Dwight Macpherson’s The Surreal Adventures of Edgar Allan Poo. In the 2003 series Batman Nevermore, Poe joins forces with the Dark Knight to fight crime, but Poe had already battled evildoers alongside the “World’s Smallest Superhero” The Atom back in 1950.
The study collection abounds in illustrated editions of Poe’s works by artists including Dore, Dulac, Clarke, and Robinson. More recent illustrated editions have been produced by artists including Mark Summers (this edition has a preface by Neil Gaiman), Greg Hildebrandt, and Gris Grimly.
If you would like to visit the study collection for research purposes, simply contact the curator to schedule an appointment.
Here is the final schedule for the first Positively Poe Conference to be held next week, June 24-26 at the University of Virginia. Click here or write conference organizer Alexandra Urakova for more information.
Get all the latest Poe Museum news with the Spring 2013 issue of our newsletter Evermore. This issue features updates on new acquisitions, upcoming events, and the Poe Museum kittens. spring2013newsletter
This June 24-26, the Poe Museum and the UVA Small Special Collections Library will host the first-ever Positively Poe Conference devoted to Poe’s life affirming and benefitial contributions to art, literature, culture, and science. This unique conference promises to change the way you think about Poe’s life and work. An international group of the leading Poe scholars, artists, and scientists will converge on the University of Virginia for a new kind of conference to be held in the shadow of some of the very sites that influenced Poe’s greatest works. Conferees will attend a dinner only a short distance from Poe’s dorm room and a picnic in the very Ragged Mountains that appear in Poe’s “A Tale of the Ragged Mountains.” A wide array of speakers will explore previously overlooked aspects of America’s most famous and most misunderstood author. The response so far has been great, and people from around the world have already registered. Don’t miss this opportunity to be a part of this groundbreaking event in Poe studies. You can register for the conference online today. For more information, contact the conference organizer Alexandra Urakova at firstname.lastname@example.org. A tentative schedule appears below.
Monday, June 24, 2013
7:00 Dinner – Rotunda Room.
Tuesday, June 25, 2013
All paper sessions in the Harrison Institute/Small Special Collections Library auditorium
9:00 Session One – The Boy Next Door
Chair – Stephen Rachman, Michigan State University
A. Richard Kopley
“Edgar Allan Poe, the Boy Next Door”
B. Chris Semtner
“A Young Girl’s Recollections of Edgar Allan Poe”
C. Jerome McGann,
“Verse and Reverse. Poe and the Poetry of Codependence”.
11:00 Session Two – Literary Circles, Friends and Followers
Chair – Jerome McGann, University of Virginia
A. Philip Phillips
“Yankee Neal and Edgar Poe: The Fruits of a Literary Friendship”
B. John Gruesser
“Poe, Whitman, and Melville in New York and Beyond”
C. Emron Esplin and Margarida Vale de Gato
“‘Excellent system(s) of positive translation(s)’: Why Poe’s Translators Have Neither Been Invisible nor Ephemeral”
12:30 Lunch break
1:30 Session Three – Poe and Art
Chair – Stephen Railton, University of Virginia
A. Scott Peeples
“Poe in Love”
B. Sonya Isaak
“When Music Affects Us to Tears”: Poe’s Silent Music – Divine Aspiration and Lasting Inspiration
C. Anne Margaret Daniel
“Bob Dylan: ‘like being in an Edgar Allan Poe story’”
3:30 Session Four: Collecting Poe
Susan Tane and Harry Lee Poe
6:00 Picnic – The Ragged Mountain (Beth Sweeney’s readers’ theater)
Wednesday, June 26, 2013
All paper sessions in the Harrison Institute/Small Special Collections Library auditorium
9:00 Session One – The Comic Side of Poe
Chair – Richard Kopley, Penn State University
A. Barbara Cantalupo
“‘a little China man having a large stomach’: Poe’s Homely Details in ‘The Devil in the Belfry’
B. Alexandra Urakova
“Shreds and patches”: Poe, Fashion, and The Godey’s Lady’s Book
C. Elina Absalyamova
“A Comic Poe: European Success Story”
11:00 Session Two – Tales: Rethinking the Gothic
Chair – Bill Engel, University of the South
A. Bonnie Shannon McMullen
“The ‘sob from the . . .ebony bed’: The Reanimation of the Gothic Tale in ‘Ligeia’”
B. Susan Beth Sweeney
“Positive Images: Poe and the Daguerreotype”
C. William E. Engel
“Jaunty dialogs with the non-human: a Closer Look at Dogs in the Works of E.A. Poe”
12:30 Lunch break
1:30 Session Three – Poe and Ethics
Chair – Margarida Vale de Gato, University of Lisboa
A. Gero Guttzeit,
“‘Constructive Power’: Poe’s Mythology and Ethics of Authorship”
B. Katherine Rose Keenan,
“You Can’t Escape Yourself”: Poe’s Use of Moral Doppelgangers”
C. Shawn McAvoy and Heather Myrick Stocker
“Selective Symbolism: Poe’s Romantic Theology”
3.30 Session Four – Poetry, Science, and Eureka
Panel Chair – Harry Lee Poe, Union University
A. Stephen Rachman
“From “Al Aaraaf” to the Universe of Stars: Poe, the Arabesque, and Cosmology”
B. René van Slooten
“Religion, Science and Philosophy in Eureka”
C. Murray Ellison
“Judging Edgar Allan Poe’s Eureka after the Author’s Death”
Think Poe was just a tortured soul who only wrote scary stories? Think again. Poe invented the detective story, helped develop the science fiction genre, and made many other positive contributions to science and culture. On June 24-26, 2013 in Charlottesville, Virginia, the Poe Museum and the UVA Small Special Collections Library will co-sponsor the first Positively Poe Conference devoted to an exploration of how Poe made the world a better place. Be a part of this first-ever Positively Poe Conference by registering today. Here is more information about this exciting event:
Poe’s reputation as a tortured, tragic figure, melancholic poet and the “master of the macabre” has fueled his popularity for over a century and a half, while debunking stereotypes and myths associated with that reputation has always been an essential part of Poe criticism. Going beyond the debunking of the popular caricature, we would like to discover the “positive” side of Poe’s life and work. Just as his life had its ups and downs, his writing, too, reflects a wide range of experience, not exclusively the dark and dismal. We therefore invite papers on a broad diversity of subjects with a focus on the life-affirming and vital elements in Poe’s work. Papers may cover (but are not limited by) such themes as:
Poe and ethics (his ideas of love, friendship, manners)
Poe and art (aesthetic ideas in literature and criticism)
Science, philosophy, Eureka
Social and family life
Literary circles, friends and followers
Success stories of Poe’s poems and tales at home and abroad.
For more information, contact Alexandra Urakova at email@example.com.
Here is the latest issue of the Poe Museum’s newsletter Evermore. This issue features information about the museum’s upcoming Poe Birthday Bash, its new exhibit on “The Tell-Tale Heart,” and the kittens found in the Enchanted Garden.
Dear Friend of the Poe Museum,
This morning two busloads of students arrived at the Poe Museum. In addition to touring the museum’s exhibits, the groups participated in a scavenger hunt, watched a performance of “The Tell-Tale Heart,” and took a walking tour of neighborhood Poe sites. These are just a few of the programming options we now offer teachers in order to address the ever changing needs of their students. When classes are unable to visit the museum, we bring activities to schools and libraries throughout the Mid-Atlantic region or hold video conferences with schools outside the region. As teachers’ needs evolve, the Poe Museum will continue to adapt and to find new ways to cultivate a lifelong love of reading in audiences of all ages. This is one reason the Poe Museum has continued to serve for the past ninety years, and this is how it will thrive for the next ninety.
With all the changes taking place in its exhibits and programming, now is a great time to be a part of the Poe Museum. Earlier this year, we hosted a major exhibit of dozens of Poe manuscripts and letters which boosted our summer admissions by 26%. In June, students from across the country travelled to Richmond for the Fifth Annual Edgar Allan Poe Young Writers’ Conference. In October, we placed a marker on the grave of Poe’s first and last fiancée Elmira Royster Shelton because the legend on her gravestone has completely worn away. Throughout the year, the museum’s renowned collection continued to grow with the major acquisitions of the first printing of “The Tell-Tale Heart,” the only surviving manuscript for Poe’s poem “To Helen,” and several important books about Poe’s life and work from the collection of influential early twentieth century Poe scholar James Southall Wilson. In the year ahead, we look forward to hosting another Young Writers’ Conference as well as the first Positively Poe Conference, at which leading Poe scholars will explore Poe’s life affirming contributions to the arts and culture. We are already booking group tours for the spring semester and preparing for next year’s exhibits.
As the Poe Museum prepares for another exciting year, we continue to face challenges ranging from recent severe weather that caused the cancellation of several tours and off-site programs to the expenses associated with maintaining both our artifacts and the two-hundred sixty-year-old building that houses them. The Poe Museum has lasted ninety years because generations of donors have supported it along the way, and the museum will continue to promote Poe’s legacy for another ninety years with the help of you and future generations of members and donors. We are mindful that the City of Baltimore has closed the Poe House. As a private museum, we do not take our supporters for granted. If you have not made your annual donation to the Poe Museum this year, now is a perfect time to do so. You can donate right now by clicking this link. Your gift of $20, $50, $100, $500, or more can help us keep the Poe Museum’s programs available and affordable for audiences of all ages.
Harry Lee Poe
It’s that time of year again. You and your kids are looking for fun Halloween activities, and you can’t do much better than Poe’s Pumpkin Patch, an afternoon of Poe-themed fun and games for children eleven and under. The event will take place in the Poe Museum’s garden on Sunday, October 28 from 2-5 P.M. Be sure to dress up for the costume contest and practice your technique for the mummy wrapping contest. Don’t forget to pick up a pumpkin (while supplies last). Make sure your kids grow up weird by taking them to Poe’s Pumpkin Patch!
Event is included in price of Poe Museum general admission. For more information, call the Poe Museum at 804-648-5523.