In observance of National Poetry Month, the Poe Museum will profile a different poem each week in April. The first is one of Poe’s last poems and a favorite of the Poe Museum staff. Poe scholar called “Eldorado” the “noblest of Poe’s poems, the most universal in implication, and the most intensely personal. It is utterly simple, yet rich in suggestion and allusion.” Poe’s biographer Arthur Hobson Quinn, however, thought the poem “is mainly interesting because it reveals once more Poe’s inspiration for a poem through current American events.”
El Dorado is a mythical city of gold hidden somewhere in South America. In the sixteenth century, the Conquistadors searched for it in vain, and the name eventually became synonymous with unattainable goals and treasures. “Eldorado” is not the first time a reference to the city had appeared in Poe’s poetry. In his 1844 poem “Dream-Land,” one stanza reads:
For the heart whose woes are legion
‘Tis a peaceful, soothing region —
For the spirit that walks in shadow
O! it is an Eldorado!
But the traveller, travelling through it,
May not — dare not openly view it;
Never its mysteries are exposed
To the weak human eye unclosed;
So wills its King, who hath forbid
The uplifting of the fringed lid;
And thus the sad Soul that here passes
Beholds it but through darkened glasses.
By the time Poe wrote “Eldorado” in 1849, Eldorado (shortened to one word) was a nickname for California, where fortunes were made and lives, lost during the California Gold Rush. Whether or not Poe ever considered joining the Gold Rush, he wrote his friend F.W. Thomas in February 1849, “I shall be a littérateur, at least, all my life; nor would I abandon the hopes which still lead me on for all the gold in California.” The poem was first published a couple months later in the April 21, 1849 issue of Boston’s The Flag of Our Union. Here is the text:
A gallant knight,
In sunshine and in shadow,
Had journeyed long,
Singing a song,
In search of Eldorado.
But he grew old —
This knight so bold —
And o’er his heart a shadow
Fell, as he found
No spot of ground
That looked like Eldorado.
And, as his strength
Failed him at length,
He met a pilgrim shadow —
‘Shadow,’ said he,
‘Where can it be —
This land of Eldorado?’
‘Over the Mountains
Of the Moon,
Down the Valley of the Shadow,
Ride, boldly ride,’
The shade replied, —
‘If you seek for Eldorado!’
We will be profiling a different poem each week during National Poetry Month, so, if you have a favorite Poe poem you would like us to feature, let us know.
April is National Poetry Month, so the poet Joanna Lee (who will be speaking at this summer’s Edgar Allan Poe Young Writers’ Conference AND giving a reading at this month’s Unhappy Hour) compiled this list of ways to make the month more poetic.
10 Ways to Add Some Poetry to your April
1. Put poetry somewhere unexpected. Transcribe your favorite verse in chalk on the sidewalk. Add a quick poem to your child’s lunch bag. Dropping off clothes to a charity? Slip a couple of lines in a note in the pocket.
2. Attend an event. Step outside your box and check out an open mic. Go hear a poet you’ve never heard of. Try a workshop or a class. (Ideas: Check out visiting poets at VCU or U of R. Local spoken word team Slam Richmond has a workshop & open mic every Saturday night. Or simply click here for the plethora of readings, workshops and critique groups we’ve got going on all April long.)
3. Revisit a poem from your youth. Pull out that dusty volume of Frost or Whitman and re-discover an old gem.
4. Go out of your way for poetry… with a road trip (a personal goal for me in April 2014). RVA is a great place for poetry– to hear it and to share it– but not the only place. There are ever-growing communities all around us, planted & watered by great folks who love the written & spoken word. The Tidewater area has something going on just about every night, or head north to Fredericksburg (look for Commonwealth Slam on Facebook) and beyond.
5. Slip some poetry in your technology. Add a favorite verse to your email signature. Tweet a micropoem–you’d be surprised at the creativity you can find in 140 characters or less– and check out hashtags like #micropoetry, #haiku, #americansentence. Caption a verse to your next Instagram.
6. Support a poet! Buy a book or chap and immerse yourself in the soul of someone you’ve never met. Double points if you pick it up from an indie seller. Triple points if you contact the poet and let them know what you think. And just so you know, poets tend not to keep score… so the points don’t really matter.
7. Take a poem out to lunch. Slip a quiet volume in your purse or pocket for whenever you have (or need!) an inspiration break.
8. Visit a poetry landmark. The Poe Museum is right downtown. Or fire up the concord to see Shelley’s grave in Rome. Either way.
9. Speaking of Poe… (Warning: shameless plug here.) Add some inspiration to your morning caffeine kick. Pick up a cup (or a pound!) of Nevermore, the Poets’ Blend. Roasted right here in Richmond by Blanchards’ Coffee Co., this eye-opening writer fuel gives a nod to our poetic roots. Plus, a portion of online sales supports poetry in the River City. How cool is that?
10. Write a poem. Duh! Whether it’s a masterpiece you’ll want to share with the world or a private line to tuck into a notebook somewhere, allow yourself the luxury of finding your own language. Get it out. Put it on paper. The world needs more poetry.
You can be a part of the Poe Museum’s upcoming exhibit Painting the Enchanted Garden. If you are an artist, your pictures of the Poe Museum’s Enchanted Garden could be displayed this May 22-July 20 at the Poe Museum. Click here to read more about this historic garden. Read below for more information about the exhibition opportunity.
Painting by S. Shelton, 1924
This year, the Garden Club of Virginia will restore the Poe Museum’s legendary Enchanted Garden to its original 1920s beauty. In honor of this historic restoration, the Poe Museum invites artists of all skill levels to paint, draw, or photograph the Enchanted Garden for inclusion in its new exhibit Painting the Enchanted Garden, opening May 22 and continuing through July 20. Beginning April 27, artists may bring their easels, drawing pads, or tripods to the Poe Museum to make pieces for inclusion in the show.
Because the garden is often used for special events, interested artists should contact the Museum’s curator Chris Semtner at 804-648-5523 or firstname.lastname@example.org to schedule their visits. Artists must confirm their participation with Chris Semtner at the Poe Museum by May 1 in order to participate in the exhibit, but they will have until May 18 to deliver their work to the Museum. Paint must be dry by the time of delivery, and all works must be professionally presented/framed with picture wire for hanging. The Poe Museum retains the right not to display any work that is deemed inappropriate for the exhibit or is not properly presented. Works may be for sale, and the Poe Museum will retain a 40% commission from these sales to help support the Museum’s educational mission.
Those interested in more formal painting sessions may attend a plein air (outdoors) painting workshop with landscape painter Charles Philip Brooks on April 27 from 2 to 6 P.M. at a cost of $90 or a guided painting session with painter Chris Semtner on May 11 from 2 to 6 P.M. at a cost of $25. You can reserve a spot at Brooks’s workshop by clicking here. You can reserve a spot at Semtner’s workshop by clicking here. Artists participating in the exhibit are not required to attend one of these workshops, but they must confirm their participation with the Poe Museum by May 1 in order to participate in the exhibit.
For more information and a prospectus, contact Chris the Poe Museum at 804-648-5523 or email@example.com.
Sketch by W.J. Moll, 1922
Among the respected authors scheduled to speak at this summer’s Edgar Allan Poe Young Writers’ Conference (June 22-28, 2014) is novelist Brad Parks, the only writer to ever win the Shamus Award, the Nero Award, AND the Lefty Award. He received the Shamus (for best first private eye novel) and the Nero (for best American mystery) for his debut, Faces of the Gone, the first book in history to take both awards. The Lefty (for best humorous mystery) went to his third book, The Girl Next Door. His novels have received starred reviews from Booklist, Library Journal, and Kirkus Reviews. Shelf-Awareness has deemed the Carter Ross books “perfect for the reader who loves an LOL moment but wants a mystery that’s more than empty calories” and Library Journal has called the series “essential reading” and “a refreshing tonic for the mystery soul.” RT Book Reviews opined, “Parks has quietly entered the top echelon of the mystery field.” Parks is a graduate of Dartmouth College and spent a dozen years as a reporter for The Washington Post and The Newark, N.J., Star-Ledger.
Another important writer sharing her insights into writing is Tina Eshleman, the Managing Editor of Richmond Magazine. Eshleman is a journalist with more than 20 years of experience in writing and editing a range of topics and leading teams of reporters. Before joining Richmond Magazine, she was Deputy Editor of the Richmond Times-Dispatch, and she has also edited the Daily Progress and the York Town Crier/Poquoson Post.
Dr. Harry Lee Poe, Founder of the Conference
Founded and designed in 2004 by Edgar™ Award-winning author Dr. Harry Lee Poe, the Edgar Allan Poe Young Writers’ Conference brings high school students from across the country to Richmond, Virginia for an intensive week-long residential writing experience. Each day of the conference, the students meet a different writing professional including editors, poets, novelists, and playwrights. This year’s visiting speakers will include novelist Brad Parks, editor Tina Eshleman, poet Joanna Lee, and more.
This year’s conference leader will be Austin Lange. Lange earned her MFA in Poetry from Converse College. She has work forthcoming in The South Carolina Review and was nominated for an AWP Intro Journal Award in 2011. She currently serves as the Assistant Poetry Editor for the online literary journal, South85. She currently works in Alamance County for a local non profit and spends as much time possible writing, reading and hiking the beautiful area nature trails.
In addition to workshops and writing time, Writers’ Conference attendees will find inspiration by visiting the sites that inspired Edgar Allan Poe’s stories and poems. A tour of Edgar Allan Poe sites in Richmond will be given by Poe Museum Curator Chris Semtner, who has written two books about Edgar Allan Poe’s Richmond (one of which was nominated for a Library of Virginia Literary Award for Nonfiction), and a tour of the site of Poe’s honeymoon in Petersburg will be led by Jeffrey Abugel, who wrote the book Edgar Allan Poe’s Petersburg. Attendees will also visit Poe’s dorm room, the setting of “A Tale of the Ragged Mountains,” and collections of rarely seen Poe artifacts.
Attendees of the 2013 Conference with Edgar
The Edgar Allan Poe Young Writers’ Conference is now accepting applications until April 15, 2014. For more information, please call Chris Semtner at the Poe Museum at 804-648-5523, email firstname.lastname@example.org , or click here. An application is available here.
Attendees of the 2012 Conference Touring Shockoe Hill Cemetery
The Edgar Allan Poe Young Writers’ Conference has extended its application deadline to April 15. In light of the several recent snow days, the Poe Museum has decided to give potential applicants more time to collect their recommendation forms and complete their applications for this summer’s conference.
Held June 22-28, 2014 in Richmond, Virginia, the Edgar Allan Poe Young Writers’ Conference is a week-long residential writing conference designed to develop the writing skills of high school students. Designed by Edgar™ Award-winning author Dr. Harry Lee Poe, the Conference brings students together with editors, novelists, journalists, poets, and other writing professionals who can share their advice and experience. Attendees will also find inspiration by visiting the places Poe spent time and by exploring rarely seen collections of the author’s manuscripts and possessions.
Since its inception in 2004, the Edgar Allan Poe Young Writers’ Conference had accepted students from across the United States. Last year alone, students from eight different states attended the Conference.
If you or someone you know might be interested in attending this unique writing experience, please call Chris Semtner at the Poe Museum at 888-21-EAPOE, email email@example.com, or visit our website. You can also download an application here.
To give the public a better idea of the variety of artifacts and memorabilia that makes up the Poe Museum’s world renowned collection, we will be profiling a different object each month. Some of these objects may be long-time favorites like Poe’s bed or Poe’s vest, but others may be lesser known pieces that are rarely, if ever, displayed. When making the list of items to profile, we began by asking which pieces tell stories or reveal unknown aspects of Poe’s life or work. We then considered which objects we wish could receive more attention or more time on display. Finally, we wondered which would be the first item to be profiled.
It made perfect sense to begin with a little known object that nonetheless attracts, repulses, and intrigues many of the guests who see it. Our tour guides regularly point it out on their tours because it is small enough to go unnoticed but too important to miss.
That is why the Poe Museum’s first Object of the Month is a lock of Eliza White’s hair.
Eliza White (ca.1820-1888) was the daughter of Poe’s employer, Thomas White, the owner of the Southern Literary Messenger. What little is known of Eliza White is a mixture of exaggeration, legend, and an occasional fact. Poe’s friend Susan Archer Talley Weiss wrote in her notoriously unreliable 1907 book Home Life of Poe, “When I was a girl I more than once heard of Eliza White and her love affair with Edgar Poe. ‘She was the sweetest girl that I ever knew,’ said a lady who had been her schoolmate; ‘a slender, graceful blonde, with deep blue eyes, who reminded you of the Watteau Shepherdesses upon fans. She was a great student, and very bright and intelligent. She was said to be engaged to Poe, but they never appeared anywhere together. It was soon broken off on account of his dissipation. I don’t think she ever got over it. She had many admirers, but is still unmarried.’”
Susan Archer Talley
According to Weiss, when Poe moved to Richmond in 1835 to work at the Southern Literary Messenger, “Mr. White, as a safeguard from the temptation to evil habits, received him as an inmate of his own home, where he immediately fell in love with the editor’s youngest daughter, ‘little Eliza,’ a lovely girl of eighteen [actually twenty-three]. It was said that the father, who idolized his daughter, and was also very fond of Poe, did not forbid the match, but made his consent conditional upon the young man’s remaining perfectly sober for a certain length of time. All was going well, and the couple were looked upon as engaged, when [Poe’s aunt] Mrs. Clemm, who kept a watchful eye upon her nephew, may have received information of the affair, and we have seen the result…Poe now, at once, plunged into the dissipation which was, according to general report, the occasion of Mr. White’s prohibition of his attentions to his daughter. It was she to whom the lines, ‘To Eliza,’ now included in Poe’s poems, were addressed.”
For her 1906 article “Some Memories of Poe” in Bob Taylor’s Magazine, Tula D. Pendleton interviewed Ms. White’s cousin, Miss Bell Lynes, a niece of Thomas H. White. In the resulting article, Cummings reports that, “Eliza, the handsome young daughter of Mr. White, inspired Poe with great admiration, and it was said that he singed his wings at the candles of her shrine. ‘To Eliza’ is his tribute to this fair girl.”
The poem “To Eliza,” originally published in the Southern Literary Messenger under the title “Lines Written in an Album,” reads:
Eliza! — let thy generous heart
From its present pathway part not!
Being every thing which now thou art,
Be nothing which thou art not.
So with the world thy gentle ways —
Thy unassuming beauty —
And truth shall be a theme of praise
Forever — and love a duty.
Though this poem was likely dedicated to Eliza White at that time, Poe had already written it in the album of his cousin Eliza Herring. He would later dedicate the poem to Frances S. Osgood and publish it under yet another name.
Thomas W. White
Of the supposed love affair between Poe and Ms. White, Pendleton continues, “But Mr. White would hear none of Poe as a suitor for his daughter. Miss White rarely spoke of the poet. ‘But,’ said Miss Lynes, ‘Eliza never married…’ Miss Lynes remembers seeing Poe at a party at her ‘Uncle White’s’ house. He and the fair girl made such a handsome couple that all present remarked upon it. “Mr. Poe was the most enthusiastic dancer I ever saw,” said Miss Lynes, “although he remained cold and calm, showing his delight only in his eyes.”
Poe and White remained friends for the rest of his life. She even visited Poe while he was living in Fordham, New York. In an April 22, 1859 letter to Poe’s friend Sarah Helen Whitman, Poe’s mother-in-law Maria Clemm writes of Eliza White, “She passed many months with us at Fordham, before and after Virginia’s death, but he never felt or professed other than friendship for her.”
If Poe’s relationship with White was not romantic, the two certainly shared an affinity for poetry. White’s poems appeared a number of times in the pages of the Southern Literary Messenger. Here is a poem of hers in the December 1835 issue.
The first mention of this lock of Eliza White’s hair comes from the above mentioned article by Tula D. Pendleton. The author writes of Ms. White, “Her greatest physical charm was her beautiful hair. Miss Lynes showed me a long braid of exquisite texture and of a fairness so extreme that when laid upon her own silver head there was scarcely any perceptible difference of shade. This hair was cut from Eliza White’s head many years before her death, which occurred about ten years ago.”
Pendleton acquired the lock from Miss Lynes and donated it to the Poe Museum in 1922. The piece had not been displayed for several years when the present curator, having read about it in the old accessions book, decided to take it out of storage. As a poet and as a friend of Poe’s, Eliza White deserved to have her story told. In the absence of a surviving portrait of her (since her only known portrait was destroyed in a fire in the nineteenth century) this hair serves as a tangible link to this often overlooked figure in Poe’s life.
If you think 2014 has been cold, you should see this picture of Getrude Stein (1874-1946) taken during her February 7, 1935 visit to the Poe Museum.
The poet spent a few days in Richmond during her six-month tour of the United States in 1934-35. While in the River City, she was entertained at the home of Richmond novelist Ellen Glasgow, gave a lecture about English Literature at the University of Richmond, and was given a reception by the board of the Poe Foundation in the Poe Museum’s Tea House (now its Exhibits Building).
Stein’s friend, the photographer and writer Carl Van Vechten (1880-1964), took these photos of her at the Poe Museum. Each photograph is autographed by both Stein and Van Vechten, and Stein wrote captions. Here are the images with their captions.
“To the Poe Foundation with much pleasure”
“For the Poe Shrine and open”
“For the Poe Shrine [illegible]”
This is the same hitching post, in a different location, today.
Stein and Van Vechten are just two of the important literary and cultural figures who have visited the Poe Museum over the past ninety-two years. Others include H.P. Lovecraft, Henry Miller, and Salvador Dali.
Last weekend, Victoria Campbell of Holman Middle School in Glen Allen, Virginia donated an original work of art she made entitled “El dios de los muertos” to the Poe Museum. The artist had visited the Museum the previous week and was inspired to base her school project on the works of Edgar Allan Poe. Her mixed media artwork includes images of Poe and ravens in addition to a sculpted inkwell and quill pen. We would like to thank Victoria for her donation. The Poe Museum is thrilled, not only at receiving such a beautiful work of art, but also at seeing how Poe’s works continue to inspire readers of all ages. We hope teachers will continue to inspire students like Victoria by sharing with them the works of Edgar Allan Poe.
As a service to teachers, the Poe Museum provides an Educator Information Packet accessible here, or you can download the entire packet here. Information about bringing your class to the Poe Museum can be found here. Please contact us at firstname.lastname@example.org or 888-21-EAPOE for more information.
If you love visual art and the works of Edgar Allan Poe, be sure to check out our upcoming exhibit Deep into that Darkness peering, an exploration of Poe’s works through visual art by ten of the world’s leading artists running from April 24 until June 22, or you can sign up for a painting workshop in the Poe Museum’s legendary Enchanted Garden with Charles Philip Brooks on April 27. You can see our upcoming event and exhibit schedule here.
One of the questions the Poe Museum’s tour guides hear most often is, “Who is Annabel Lee?” Since Poe’s classic poem “Annabel Lee” first appeared in print two days after the author’s death in 1849, readers have speculated about whether or not the poem refers to a real person from the author’s life. Opening just in time for Poe’s Birthday Bash on January 18, the Poe Museum’s new exhibit “By the Name of Annabel Lee” will explore the poem and the people who may have inspired it.
The exhibit will profile the multiple women considered to be inspirations for the poem, and visitors will learn in the words of Poe’s close friend Frances S. Osgood who she believed was “the only woman whom he ever truly loved.” Rare artifacts to be displayed include the manuscript for Poe’s essay about Osgood, original letters by Osgood and others, and stunning portraits of Poe’s muses including Sarah Helen Whitman. The show promises to reveal the rarely seen romantic side of Poe and his work.
The exhibit opens during the Poe Birthday Bash on January 18, and, in honor of the exhibit, the day’s festivities will begin with historical interpreters portraying Poe and Osgood reading their love poetry to each other. The show continues until April 20, 2014.
Here is the latest issue of the Poe Museum’s newsletter Evermore. With updates on recent acquisitions, new Poe Foundation officers, and the Poe Birthday Bash. PoeMuseum-winter2013newsletter