Get all the latest Poe Museum news with the Spring 2013 issue of our newsletter Evermore. This issue features updates on new acquisitions, upcoming events, and the Poe Museum kittens. spring2013newsletter
This June 24-26, the Poe Museum and the UVA Small Special Collections Library will host the first-ever Positively Poe Conference devoted to Poe’s life affirming and benefitial contributions to art, literature, culture, and science. This unique conference promises to change the way you think about Poe’s life and work. An international group of the leading Poe scholars, artists, and scientists will converge on the University of Virginia for a new kind of conference to be held in the shadow of some of the very sites that influenced Poe’s greatest works. Conferees will attend a dinner only a short distance from Poe’s dorm room and a picnic in the very Ragged Mountains that appear in Poe’s “A Tale of the Ragged Mountains.” A wide array of speakers will explore previously overlooked aspects of America’s most famous and most misunderstood author. The response so far has been great, and people from around the world have already registered. Don’t miss this opportunity to be a part of this groundbreaking event in Poe studies. You can register for the conference online today. For more information, contact the conference organizer Alexandra Urakova at firstname.lastname@example.org. A tentative schedule appears below.
Monday, June 24, 2013
7:00 Dinner – Rotunda Room.
Tuesday, June 25, 2013
All paper sessions in the Harrison Institute/Small Special Collections Library auditorium
9:00 Session One – The Boy Next Door
Chair – Stephen Rachman, Michigan State University
A. Richard Kopley
“Edgar Allan Poe, the Boy Next Door”
B. Chris Semtner
“A Young Girl’s Recollections of Edgar Allan Poe”
C. Jerome McGann,
“Verse and Reverse. Poe and the Poetry of Codependence”.
11:00 Session Two – Literary Circles, Friends and Followers
Chair – Jerome McGann, University of Virginia
A. Philip Phillips
“Yankee Neal and Edgar Poe: The Fruits of a Literary Friendship”
B. John Gruesser
“Poe, Whitman, and Melville in New York and Beyond”
C. Emron Esplin and Margarida Vale de Gato
“‘Excellent system(s) of positive translation(s)’: Why Poe’s Translators Have Neither Been Invisible nor Ephemeral”
12:30 Lunch break
1:30 Session Three – Poe and Art
Chair – Stephen Railton, University of Virginia
A. Scott Peeples
“Poe in Love”
B. Sonya Isaak
“When Music Affects Us to Tears”: Poe’s Silent Music – Divine Aspiration and Lasting Inspiration
C. Anne Margaret Daniel
“Bob Dylan: ‘like being in an Edgar Allan Poe story’”
3:30 Session Four: Collecting Poe
Susan Tane and Harry Lee Poe
6:00 Picnic – The Ragged Mountain (Beth Sweeney’s readers’ theater)
Wednesday, June 26, 2013
All paper sessions in the Harrison Institute/Small Special Collections Library auditorium
9:00 Session One – The Comic Side of Poe
Chair – Richard Kopley, Penn State University
A. Barbara Cantalupo
“‘a little China man having a large stomach’: Poe’s Homely Details in ‘The Devil in the Belfry’
B. Alexandra Urakova
“Shreds and patches”: Poe, Fashion, and The Godey’s Lady’s Book
C. Elina Absalyamova
“A Comic Poe: European Success Story”
11:00 Session Two – Tales: Rethinking the Gothic
Chair – Bill Engel, University of the South
A. Bonnie Shannon McMullen
“The ‘sob from the . . .ebony bed’: The Reanimation of the Gothic Tale in ‘Ligeia’”
B. Susan Beth Sweeney
“Positive Images: Poe and the Daguerreotype”
C. William E. Engel
“Jaunty dialogs with the non-human: a Closer Look at Dogs in the Works of E.A. Poe”
12:30 Lunch break
1:30 Session Three – Poe and Ethics
Chair – Margarida Vale de Gato, University of Lisboa
A. Gero Guttzeit,
“‘Constructive Power’: Poe’s Mythology and Ethics of Authorship”
B. Katherine Rose Keenan,
“You Can’t Escape Yourself”: Poe’s Use of Moral Doppelgangers”
C. Shawn McAvoy and Heather Myrick Stocker
“Selective Symbolism: Poe’s Romantic Theology”
3.30 Session Four – Poetry, Science, and Eureka
Panel Chair – Harry Lee Poe, Union University
A. Stephen Rachman
“From “Al Aaraaf” to the Universe of Stars: Poe, the Arabesque, and Cosmology”
B. René van Slooten
“Religion, Science and Philosophy in Eureka”
C. Murray Ellison
“Judging Edgar Allan Poe’s Eureka after the Author’s Death”
Think Poe was just a tortured soul who only wrote scary stories? Think again. Poe invented the detective story, helped develop the science fiction genre, and made many other positive contributions to science and culture. On June 24-26, 2013 in Charlottesville, Virginia, the Poe Museum and the UVA Small Special Collections Library will co-sponsor the first Positively Poe Conference devoted to an exploration of how Poe made the world a better place. Be a part of this first-ever Positively Poe Conference by registering today. Here is more information about this exciting event:
Poe’s reputation as a tortured, tragic figure, melancholic poet and the “master of the macabre” has fueled his popularity for over a century and a half, while debunking stereotypes and myths associated with that reputation has always been an essential part of Poe criticism. Going beyond the debunking of the popular caricature, we would like to discover the “positive” side of Poe’s life and work. Just as his life had its ups and downs, his writing, too, reflects a wide range of experience, not exclusively the dark and dismal. We therefore invite papers on a broad diversity of subjects with a focus on the life-affirming and vital elements in Poe’s work. Papers may cover (but are not limited by) such themes as:
Poe and ethics (his ideas of love, friendship, manners)
Poe and art (aesthetic ideas in literature and criticism)
Science, philosophy, Eureka
Social and family life
Literary circles, friends and followers
Success stories of Poe’s poems and tales at home and abroad.
For more information, contact Alexandra Urakova at email@example.com.
Here is the latest issue of the Poe Museum’s newsletter Evermore. This issue features information about the museum’s upcoming Poe Birthday Bash, its new exhibit on “The Tell-Tale Heart,” and the kittens found in the Enchanted Garden.
Dear Friend of the Poe Museum,
This morning two busloads of students arrived at the Poe Museum. In addition to touring the museum’s exhibits, the groups participated in a scavenger hunt, watched a performance of “The Tell-Tale Heart,” and took a walking tour of neighborhood Poe sites. These are just a few of the programming options we now offer teachers in order to address the ever changing needs of their students. When classes are unable to visit the museum, we bring activities to schools and libraries throughout the Mid-Atlantic region or hold video conferences with schools outside the region. As teachers’ needs evolve, the Poe Museum will continue to adapt and to find new ways to cultivate a lifelong love of reading in audiences of all ages. This is one reason the Poe Museum has continued to serve for the past ninety years, and this is how it will thrive for the next ninety.
With all the changes taking place in its exhibits and programming, now is a great time to be a part of the Poe Museum. Earlier this year, we hosted a major exhibit of dozens of Poe manuscripts and letters which boosted our summer admissions by 26%. In June, students from across the country travelled to Richmond for the Fifth Annual Edgar Allan Poe Young Writers’ Conference. In October, we placed a marker on the grave of Poe’s first and last fiancée Elmira Royster Shelton because the legend on her gravestone has completely worn away. Throughout the year, the museum’s renowned collection continued to grow with the major acquisitions of the first printing of “The Tell-Tale Heart,” the only surviving manuscript for Poe’s poem “To Helen,” and several important books about Poe’s life and work from the collection of influential early twentieth century Poe scholar James Southall Wilson. In the year ahead, we look forward to hosting another Young Writers’ Conference as well as the first Positively Poe Conference, at which leading Poe scholars will explore Poe’s life affirming contributions to the arts and culture. We are already booking group tours for the spring semester and preparing for next year’s exhibits.
As the Poe Museum prepares for another exciting year, we continue to face challenges ranging from recent severe weather that caused the cancellation of several tours and off-site programs to the expenses associated with maintaining both our artifacts and the two-hundred sixty-year-old building that houses them. The Poe Museum has lasted ninety years because generations of donors have supported it along the way, and the museum will continue to promote Poe’s legacy for another ninety years with the help of you and future generations of members and donors. We are mindful that the City of Baltimore has closed the Poe House. As a private museum, we do not take our supporters for granted. If you have not made your annual donation to the Poe Museum this year, now is a perfect time to do so. You can donate right now by clicking this link. Your gift of $20, $50, $100, $500, or more can help us keep the Poe Museum’s programs available and affordable for audiences of all ages.
Harry Lee Poe
It’s that time of year again. You and your kids are looking for fun Halloween activities, and you can’t do much better than Poe’s Pumpkin Patch, an afternoon of Poe-themed fun and games for children eleven and under. The event will take place in the Poe Museum’s garden on Sunday, October 28 from 2-5 P.M. Be sure to dress up for the costume contest and practice your technique for the mummy wrapping contest. Don’t forget to pick up a pumpkin (while supplies last). Make sure your kids grow up weird by taking them to Poe’s Pumpkin Patch!
Event is included in price of Poe Museum general admission. For more information, call the Poe Museum at 804-648-5523.
As we approach the anniversary of Poe’s death (October 7) we are no closer to determining the precise cause of his mysterious demise. Fortunately, junior high students from around the country have stepped forward to provide their theories about Poe’s death. Below are some of the recent submissions. Click here if you would like to study the clues and offer your own theory. To see some of the earlier submissions, click here.
My theory is that Edgar Allen Poe died of bieng drugged. See, he was sick before he went to that little restaurant called ‘Saddler’s’ and I suppose it was just a little fever. I think someone must have recognized him at the restuarant and drugged his meal. Surely, they must have been a tad bit jealous and just drugged him.
my theory is that when mr,poe was danosed with the tumor is whas all ready killing him, it was then when he contracted cholera that he body started working overtime to fight both the tumor and the sickness. cholera . the infection in his intestant caused him to vomit and have watery diarrhea which both led to dihidration followed by hullucinations. that he had. , fighting both tumor sickness and the infectio was causing a major probem to his body and not to menntion he proble drinking., he was basically commiting suicide withiut knowing t. hence why o body know why he died.
My theory starts out with him not having a regular heart bet. When someone has an irregular heart thing would be different for them in their body with out even knowing about it. In some cases with the heart when it is like this alchol will make it worse. So as he drank his heart got worse. If your heart is messed up and you don’t know about it then it can do damage to other parts of your body because that is where blood gets pumped through to get to the rest or the body. When blood dose not get to where it needs to be it can cause a toumer. In most cases a tuoumer will form in the brian. So it is possible for Edgar Allen Poe to have a brain toumer.
As far as the brain when it gets defected in some way it will try to heal its self. In the prossecs of that it may happen but it may just make it worse then it already is and the brain will slowly start to die and the person thinking nothing has changed will go one with their daily life. The problem with this is that everything will be the same to them like they have been doing it forever but in reality everything the person is doing is starnge. Some examples of this is a person could get rapped heart bets along with cold sweet and be very on edge. Another thing that could happen is that the person will start to forget the simplest things and not notice them when they normaly would. Something eles that could happen is the brain will start to play trick on the person like seeing and hearing things; basically hillunotions.
As the brain does this the body its self will stop working and the person could be easily talked into doing anything such as drinking. It would be very easy to talk some one like this into drinking if they already drink. Once the person is drunk they can get them to do any thing. In this case it was election day and people were heired to kidnapp people and take them to different places and make them vote for the same person over and over again so that person would have a better change of winning. When they tokk this person to all the voting places they could go to they would just leave that person some where till someone eles found them.
In which how Edgar Allen Poe’s heart was messed up already it was to much for his body to handle and he had to get sent to the hospital. While he was in there he’s brain kept him alive as long as it could till it fainly quit worked and the person died. This is my theroy.
Ithink he died from his very sick diesase and had a brain tumor.
I think he died beacause of his brain tunmor.I think his brain had got off track and his heart started beating to fast.
He died from drinking at a bar room, he was drunk
I think he died from overdose of his medication because he was depressed that his wife died. So he wanted to blank it out and forget bout her death.
I think Poe died from old age and too much stress.
I think he died of depression from his family and wife dieing and to much stress
I think he died from his addiction because it said he could not consume achohol without producing insanity
my theory was that through his years of tourture and neglect before he was famous affected him mentaly to the point that he would write scary stories that expressed his inner torment so that the world would know exactly what he was feeling inside. when he died he was probably feeling so much inside that he died due to a mental shutdown of his important vessels and nerves in his brain.althogh this has not been proven this is my theory and i stand by it 100%.
Killeen , Texas
He was beaten & then used to place votes.
Poe was murdered by a literary rival.
He might’ve died of head trauma.
He had cholera, and died.
Poe must’ve had brain cancer. Since it wasn’t treated quickly, or they didn’t have equipment to abolish cancer, the tumor grew, and eventually, he died.
San Fransisco, California
Edgar Allan Poe may of been murdered by one of his family members.
i think poe was deppressed about losing his wife to the samething he lost his mother and brother to. i think losing his wife brought up some unwanted memories so his body started shuting down and slowly stopped working till he died
He died of a brain tumor
i think that poe had manic depression along with an irreguler heart beat and possibly alergic to some of the chemicals in alchol (since it does contain many toxins i am not shure witch one) and he died during a fit of depression after drinking he just simply gave up
or the depresent that is alchol threw off his hesrt so much in that one instant that his heartbeat was even more irreguler.
That Poe died from all the medicine the docters were giving him. That he probably started out with a really bad cold or flu and then when he went to the docter they said it was something else, and they gave him medicine and the medicine just kept making it worse! So eventually after all the medicine and procedures he died.
Poe’s immune system was faulty from the extreme amounts of liquor he consumed daily. With the over-bearing thoughts of depression,he was pushed into mania, causing his hallucinations in his death bed. I would assume Poe was not a careful person nor fearful of strangers. Drinking before leaving Richmond with strangers at the height and end of his career, he was sure death was calling. “Rynolds” a fan, loved the idea of having Poe over to his home. Poe had the strange idea of wanting to be unknown and traded clothes with the stranger before taking off into the night. Poe in a drunken stupor fell and knocked himself unconscious. his body weary, his liver spotted, and his mind injured, he\’s taken to the hospital with death ringing his ear.
I think that since Virgina Clemm dies at only 24 years old, he probably abused her to the point of death. A close family member or friend of Virgina who knows about the abuse could have hired someone that was with Poe on his trip to poison him.
Melrose , Illnoise
They are many clues that he may died of depression. From having his true love die and being a lonely orphan.
Port Charlotte, Florida
Edgar Allan Poe’s death is caused by alcohol and beating. After his wife’s death in 1847, Poe became depressed and drank large amounts of alcohol. This led him to insanity. When seeing him drunk men began to beat him. The beatings and the alcohol only made is pre-existing condition even worse. Thus leading to his death.
Port Charlotte, Florida
He was Murdered.
I belive that he had a blood clot in the vessel going in to his heart wtich made his heart beat slower witch made it harder for the blood to get to other parts of his body . so he might have ben doing an exersize or running that his body wasnt use to so his heart beat faster and its not use to that so it stoped
When he drank he probably had a panic attack because he did live in a small house so he probably developed claustrophobia wich may have caued a heart-attack which triggered his brain tumer to hurt even more, so he drank even more thinking that he would feel better but made it worse. He also may have seen some things that scared him which caused him to die.
Edgar Allan Poe boarded a ship during his strange disappearance. In a drunken stupor, he swam in and out of conciousness not knowing the difference between fantasy and reality. His nightmares became so realistic that he began to live them. After being found in the bar and being taken to the hospital, Edgar’s visions drove him mad, but not to the point of death. While on his journey, Poe made a pact with the devil that in exchange for his soul, he would be given the ability to write better than anyone in history. After falling into a deep sleep, Lucifer took Poe’s soul for his own keeping, and the doctors did not accurately assess his death and he was buried alive.
I think that someone was after his poems. Only because he made them with all his heart. And they all generate from what he knew. Poe most likely got beat to death. Also he could’ve have been making one about that person.
This is the last day of the Community Foundation’s Amazing Raise. You have until 6 P.M. today to help the Poe Museum win prizes in this exciting fundraising competition. Your donation of $50 could win us thousands in prizes.
Why support the Poe Museum? For over ninety years, the Poe Museum has been inspiring audiences of all ages to love reading. As Virginia’s only literary museum, the Poe Museum is an invaluable resource to both teachers and students. Your donation today helps the Poe Museum continue to provide services like guided tours, exhibits, off-site programs, a young writers’ conference, and more to a global audience.
Please consider making a contribution to the Poe Museum today using this form.
Do you love literature and want to instill a love of reading and writing in future generations? Here’s something you can do today to help the Poe Museum cultivate that love of the written word for years to come: From 6 A.M. on September 19 until 6 P.M. on September 20, the Poe Museum is participating in the Amazing Raise, a great fundraising opportunity and competition for non-profits in the Greater Richmond area. Each organization in the Amazing Raise competes to get the most donors to contribute to their organization during the 36-hour period. In addition to receiving these donations, each organization also competes for prizes offered by the Community Foundation of Greater Richmond. These prizes include bonuses for the highest number of donations, the organization with the first 50 unique donations, the organization which gets the donation closest to sunset, and the longest distance donation. The donation form is located below, and you can also find it on the Community Foundation’s website.
Why help the Poe Museum?
Especially in today’s very competitive academic and professional environments, excellent written and oral communication skills are a necessity, but many students have difficulty in these disciplines because they lack interest in reading comprehension and writing. Many teachers tell us they struggle to convince their students to read—until they study Poe. Very often, Poe’s works are the first that students actually enjoy reading. As such, his works provide the perfect opportunity for educators to inspire a life-long love of reading in their students. Regrettably, these same educators have little time to focus on researching any individual author while trying to cover as many writers as possible in an effort to meet the requirements of standardized tests. That is where the Poe Museum can help. By providing guided tours, teleconference programs, off-site educational programs, educator information packets, educator workshops, and a website full of accurate information on Poe’s life and work, the Edgar Allan Poe Museum has become an invaluable aid to both teachers and students. By offering a multidisciplinary approach to interpreting literature, the Poe Museum’s programs address the standards of learning in a number of different disciplines including English, History, Art, and Science. For these reasons, the Poe Museum has become a trusted resource for educators around the globe. Just last week, we hosted a guided tour for a German group and sent educator information packets to teachers in 21 different states as well as educators in the Dominican Republic and Canada. In the month ahead, we will host tours for thousands of students and travel to sites throughout Virginia and Maryland to conduct off-site programs.
As the Poe Museum enters its ninety-first year, it faces new challenges. With corporate and local government support on the decline, expenses are on the increase. Rather than pass those expenses on to the already cash-strapped schools, the Poe Museum is seeking the support of those who believe in the importance of the Poe Museum’s mission. We hope we can count on your support today. Even a small donation can make a big difference. For more information, you can view the Poe Museum’s profile here, or you can visit our website.
Students have long had a fascination with Edgar Poe. Every year the Poe Museum receives numerous calls and emails from students writing papers on their favorite author. Less frequently, the Museum hears from students working on visual art, dance, or film projects honoring Poe. Now a group of Virginia Commonwealth University students is combining dance, music, visual art, and film in a project that has already been two years in the making. At 8:30 P.M. during the September 27 Unhappy Hour, Poe Museum visitors will be the first to preview this new short film about Edgar Allan Poe by Christine Stoddard and David Fuchs, who won a VCUarts Undergraduate Research Grant in 2010 to produce the project. Entitled “The Persistence of Poe,” the twenty-two minute documentary will explore the influence Poe’s works have had on Richmond writers and artists of today.
According to the film’s official website, “The whole style of the film is done with a collage feel because Poe led such a patchwork existence. Through its use of live action, animation, writing, narration, music, dance, and theatre, the film demonstrates the range, power, and ability of interdisciplinary art. Cut-out animation is superimposed over photographs of present-day locations concerning Poe; animation sequences break up some of the live-action scenes. Interpretative readings of select Poe works that allude to or were written in Richmond break up the film’s biographical elements. Combined animation and live action recordings of dancing to his poetry accompany these readings. Coverage on how Poe still affects Richmond in the modern day would be essential, as well.”
Please join us on September 27 as we see this exciting new film and encourage these promising young filmmakers. The screening will be preceded by our regularly scheduled September Unhappy Hour featuring live music by Goldrush. Admission to the Unhappy Hour and film screening is by optional $5 donation. A cash bar will be available. Overflow parking is available one block south of the Poe Museum at the Virginia Holocaust Museum at 20th and Cary Streets.