Last Sunday, the members of the Poe Museum were invited to a special Poe-themed tour of Richmond’s Shockoe Hill Cemetery led by Jeffry Burden, President of the Friends of Shockoe Hill Cemetery. In the above photo, some of the guests are visiting the grave of Supreme Court Chief Justice John Marshall. In the below photo, Jeffry Burden shows members Union spy Elizabeth Van Lew’s monument. (Notice the guest sporting a new Poe Museum tote bag.)
In addition to the graves of Poe’s first love Jane Stanard and his foster father John Allan, Burden showed the group the lesser known graves of other Poe acquaintances. Below is a photo of the grave of John Carter, the doctor Poe visited his last night in Richmond. Poe left his walking stick at Carter’s house on East Broad Street, and it was from Carter’s heirs that the Poe Museum acquired the walking stick. According to a later account by Carter, published in November 1902 in Lippincott’s Monthly Magazine, “On this evening [Poe] sat for some time talking, while playing with a handsome Malacca sword-cane recently presented to me by a friend, and then, abruptly rising, said, ‘I think I will step over to Saddler’s (a popular restaurant in the neighborhood) for a few moments,’ and so left without any further word, having my cane still in his hand. From this manner of departure I inferred that he expected to return shortly, but did not see him again, and was surprised to learn next day that he had left for Baltimore by the early morning boat. I then called on Saddler, who informed me that Poe had left his house at exactly twelve that night, starting for the Baltimore boat in company with several companions whom he had met at Saddler’s, and giving as a reason therefore the lateness of the hour and the fact that the boat was to leave at four o’clock. According to Saddler he was in good spirits and sober, though it is certain that he had been drinking and that he seemed oblivious of his baggage, which had been left in his room at the Swan Tavern. These effects were after his death forwarded by one of Mrs. Mackenzie’s sons to Mrs. Clemm in New York, and through the same source I received my cane, which Poe in his absent-mindedness had taken away with him.”
The next images shows the recently damaged monument of Rev. John McCabe, a poet who contributed his work to the Southern Literary Messenger while the journal was under Poe’s editorship. In his “Chapter on Autography,” Poe wrote, “Dr. JOHN C. MCCABE, of Richmond, Virginia, has written much and generally well, in prose and poetry, for the periodicals of the day — for the ‘Southern Literary Messenger’ in especial, and other journals.” In a March 3, 1836 letter to McCabe, Poe (who has just rejected one of McCabe’s poems for publication in the Messenger) writes, “I feel exceedingly desirous that you should be even more favorably known to the public than you are at present, and that this object should be accomplished thro’ the medium of the Messenger.”
The next picture shows the unmarked grave of Eliza White, daughter of Poe’s boss and owner of the Southern Literary Messenger Thomas White. Before his marriage to Virginia Clemm, Poe is said to have been a favorite dancing partner of Miss White’s. When Poe married Virginia, Eliza White was one of the few guests invited to the small ceremony. Over a decade later, she visited Poe and his wife at their cottage in Fordham, New York.
If you did not have a chance to join us for last weekend’s tour but still would like to visit historic Shockoe Hill Cemetery, you should come to the dedication on October 7 at 1 P.M. of a plaque honoring Poe’s first and last fiancee Elmira Royster Shelton.
As a way of thanking our members for all their support, we will be hosting a special members-only Poe-themed guided tour of Richmond’s historic Shockoe Hill Cemetery on Sunday, September 9 at 2 P.M. Our guide, Jeffry Burden of the Friends of Shockoe Hill Cemetery, will show participants the graves of those Poe knew best, including his first love, his first and last fiancée, his foster parents, and his childhood friends. Shockoe Hill Cemetery is the final resting place of several prominent historical figures in this very historical city, so you will also learn more about US Supreme Court Chief Justice John Marshall, Revolutionary War Hero Peter Francisco, and more. The tour meets at the caretaker’s cabin at 1:45 P.M.
If you would like to join the tour, reserve your spot today by writing firstname.lastname@example.org or by calling 888-21-EAPOE. If you are not already a member, sign up today and get a free tote bag. You can’t beat $25* for a tour and tote bag. (*$15 for students and teachers, $35 for a couple, $50 for a family)
On August 23 from 6-9 P.M., the Poe Museum will host an Unhappy Hour featuring Poe’s classic revenge tale “Hop-Frog.” Join us for live music by accoustic duo Haze and Dacey, a cash bar, and a special installation of the story by Haunts of Richmond. Admission is free, but a $5 suggested donation is welcomed.
Did you enjoy Treasure Island, The Da Vinci Code, or National Treasure? These and similar tales had their origins in Edgar Allan Poe’s 1843 tale of hidden treasure, invisible messages, cryptograms, riddles, and mysterious clues “The Gold-Bug.” It was Poe’s most popular story during his lifetime and has spawned countless imitations. Find out how it all began with an evening at the Poe Museum’s “Gold-Bug” Unhappy Hour.
On Thursday, July 26 from 6-9 P.M., the Poe Museum will host an Unhappy Hour and Carnival inspired by Poe’s classic treasure-hunt mystery “The Gold-Bug.” Guests can look forward to live music, Poe-themed carnival games, a performance of “The Gold-Bug,” a cash bar, and more. You can join the fun for a suggested donation of only five dollars. This is the perfect opportunity to rediscover “The Gold-Bug,” a forgotten treasure of world literature.
Click here to see photos and video from last summer’s carnival at the Poe Museum. This month’s event promises to be bigger and better.
Below are photos of the original illustrations for the first printing of the story as it appeared in the Philadelphia Dollar Newspaper in June 1843. Poe won a prize of $100 for the tale, and it was so popular it was reprinted in magazines around the world and even adapted into a play during the author’s lifetime.
From June 17 until June 23, the 2012 Edgar Allan Poe Young Writers’ Conference brought students from across the country to the Poe Museum for a week focused on the craft of writing. When not taking seminars from professional writers—including award-winning poet J. Ron Smith, editor Mary Flinn, and novelist David Lawrence—the group, which included only one Virginian, toured area Poe sites around the Commonwealth.
In the above photo, the students are visiting Fort Monroe, at which Poe was stationed from December 1828 until April 1829. It was there that Poe attained the rank of Regimental Sergeant Major.
Here the students are visiting the University of Virginia, where they will see Poe’s dorm room and some of the Poe artifacts housed in the school’s library.
In this photo, the conferees are standing atop the mountain featured in Poe’s short story “A Tale of the Ragged Mountains.”
The conference director was Edgar Award-winning author and Poe Foundation President Dr. Harry Lee Poe, who is pictured here in the Ragged Mountains.
In the foreground is the grave of Elmira Royster Shelton, Poe’s first and last fiancée. It is just one of the important graves to be found in Shockoe HIll Cemetery. Following in Poe’s footsteps, the students also visited Elmira Shelton’s house, Poe’s mother’s grave, the birthplace of Jane Stanard (inspiration for “To Helen”) and more Richmond places familiar to Poe.
The students also visited a number of other Poe sites in Richmond as well as the Library of Virginia, where they saw some rare documents with the Director of Special Collections Tom Camden.
At the end of the week, each student read the works he or she wrote during the conference. Afterwards, they enjoyed refreshments at a reception held in their honor.
We would like to thank all those who made this year’s conference a success.
If you are interested in attending the 2013 conference, please let us know by emailing us at email@example.com or by calling us at 888-21-EAPOE. Information about next year’s conference will be posted on this website in the fall.
Hear tomorrow’s great writers read their latest work. The Poe Museum will host a public reading by the participants in this year’s Edgar Allan Poe Young Writers’ Conference on Friday, June 22 from 7 to 8:30 P.M. This year, the conference accepted nine high school students from seven different states into a week-long intensive writing program for promising young writers. During the conference, the students are challenged to produce a work that can be read at the week-end public reading. Each day of the conference, attendees will have an opportunity to learn more about American writers Edgar Allan Poe by visiting the places he lived and worked or by taking special tours of prominent collections of Poe artifacts.
Directed by Edgar™ Award-winning author and Edgar Allan Poe cousin Dr. Harry Lee Poe, this exclusive conference is now entering its fifth year and has so far attracted students from across the country to spend a week learning the craft of writing from a variety of profession writers and editors. This year’s applicants hail from Arizona, Florida, Massachusetts, Michigan, New York, Wisconsin, and Virginia.
Admission to the reading and reception is free. Join us in supporting tomorrow’s great writers today.
The evenings festivities centered around a dramatic performance of the tale produced in cooperation with Haunts of Richmond and we were honored that Jeff Jerome of the Baltimore Poe House & Museum came down to see us and even graced each performance of the story with an informative introduction.
Poe curators – Chris Semtner of the Richmond Poe Museum and Jeff Jerome of the Baltimore Poe House – posing outside the Old Stone House
Jeff Jerome getting into the spirit of the event with our “Berenice” actors
Richmond’s own Ethio-Jazz and World Groove powerhouse, Rattlemouth provided the evening’s musical accompaniment and their performance was much enjoyed by our guests.
Museum docent, Jessy Mullins educated and horrified guests with a brief presentation about 19th century dental practices and folks enjoyed wandering through our exhibits and taking in the ambience of the Enchanted Garden throughout the evening (despite there being a bit of rain).
Jessy grossing people out about 19th century dentistry
Unhappy Hour atmosphere
It was a splendid evening full of bite and was enjoyed by all!
Box o’ teeth used in the performance
As always, you can see more photos from the event (or share some of your own) by paying a visit to the Poe Museum’s flickr group.
Thanks to all who helped to make our May Unhappy Hour such a success!
Don’t forget to mark your calendars for our NEXT Unhappy Hour, which is coming up on June 28th, 2012 and will be themed around “The Oval Portrait”. This 1842 tale by Poe inspired Oscar Wilde to write The Picture of Dorian Gray and the event should make an indelible impression on all who attend.
The Poe Museum first opened its doors to the public on April 26th, 1922.
On April 26, 2012, the museum celebrated its 90th birthday with a 1920s themed Unhappy Hour.
Poe Museum volunteers (the esteemed Heather and Courtney) posing as “Cigarette Girls” to collect donations to keep the Poe Museum around for another 90 years
For such an auspicious occasion we wanted to do something extra special so we managed to arrange for some 1920s authors to travel through time (perhaps in an old Ford a la Midnight In Paris?) and regale guests with tales of their lives and work as well as their interest in Poe. F. Scott Fitzgerald, Zelda Fitzgerald, Gertrude Stein, H.P. Lovecraft and James Branch Cabell were all on hand to pay tribute to Poe and to mingle with Unhappy Hour guests. (Many thanks to our wonderful living history actors that helped us bring them to life!)
The Fitzgeralds and Gertrude Stein at Unhappy Hour
Author H. P. Lovecraft of Providence, Rhode Island, reading his poem “In a Sequester’d Providence Churchyard Where Once Poe Walk’d
Richmond author James Branch Cabell enjoying the company of our lovely “Cigarette” Girls
State Delegate Jennifer McClellan in the Enchanted Garden during the event
In addition to our 1920s authors State Delegate Jennifer McClellan was kind enough to pay us a visit and was gracious enough to help us out in acting as a judge for our 1920s costume contest (along with Scott and Sandi Bergman, owners of Haunts of Richmond).
1920s Costume Contest Participants
Many guests really got into the spirit of the event and there were many lovely 1920s style costumes in evidence throughout the evening.
Assorted guests getting into the spirit of the evening
A great jazz accompaniment to the festivities was provided by the John Winn Duo.
Guests were able to get a chance to see our new exhibit “From Poe’s Quill: The Letters and Manuscripts of Edgar Allan Poe” which provides a unique opportunity to examine dozens of Edgar Allan Poe’s original manuscripts, including several never before displayed in public, a heretofore unknown draft version of his poem “To Helen” and even an alleged manuscript written by Poe frombeyond the grave transcribed with the help of a medium!
It was a wonderful celebration and we at the Poe Museum are very grateful to everyone who came out to enjoy and make it a success. As usual, you can check out more photos (and even share some of your own if you have some you’d like to share!) on the Poe Museum’s flickr group.
And get ready because our 90th Anniversary celebrations will be continuing all year – our NEXT Unhappy Hour will take place on May 24th and will feature Poe’s short story “Berenice”. Music will be provided by Richmond’s celebrated world jazz ensemble Rattlemouth.
The Poe Museum’s new exhibit From Poe’s Quill: The Letters and Manuscripts of Edgar Allan Poe, which will run from April 26 until July 11, 2012, promises viewers the closest thing to standing over Poe’s shoulder while he writes his famous tales. Visitors will have the rare opportunity to study Poe’s unique handwriting and follow his thought process by exploring dozens of original documents culled from a number of public and private collections. Some of these pieces have never been publicly displayed. Others have only recently been discovered. The Poe Museum will celebrate the exhibit opening with an Unhappy Hour on Thursday, April 26 from 6-9 P.M.
The exhibit will include Poe’s handwritten letters, short stories, poetry, essays, and notes. Among the highlights of the exhibit are a letter written by Poe to American author Washington Irving (“The Legend of Sleepy Hollow”), Poe’s autobiography, the earliest Poe manuscript in private hands, Poe’s last letter, and the only complete manuscript for a Poe tale in a private collection. The exhibit will also reunite fragments of manuscripts that have long been separated and owned by different collectors. An especially unusual piece will be poem supposedly written by Poe’s spirit (with the help of a medium) a decade after Poe’s death. This manuscript once belonged to Poe fan and collector Vincent Price.
The Poe Museum’s Curator Christopher Semtner says of the exhibit, “The Poe Museum will be celebrating its 90th anniversary this year, and we want to have an exhibit worthy of the occasion. Poe’s manuscripts are the most sought after manuscripts in American literature. Because he died young and because his works were not always appreciated during his lifetime, Poe’s letters and manuscripts are now relatively rare.”
When the exhibit opens on April 26, Poe Museum visitors will be able to see it an another “once-in-a-lifetime” exhibit Stormier, Wilder, and More Weird: James Carling and “The Raven,” which features, for the first time since 1975, the complete set of English artist James Carling’s circa 1883 drawings for Poe’s most famous poem. The Raven exhibit, which opened January 14, continues through May 1, 2012.
Samples from the upcoming exhibit are below.
The Spirits of the Dead
First Page of Manuscript for Epimanes
The Streets of Baltimore
Among the lenders to this exhibit are Susan Jaffe Tane, the Museum of the Macabre, and Anonymous Private Collectors.