Here is the latest issue of the Poe Museum’s newsletter Evermore. This issue features information about the museum’s upcoming Poe Birthday Bash, its new exhibit on “The Tell-Tale Heart,” and the kittens found in the Enchanted Garden.
Dear Friend of the Poe Museum,
This morning two busloads of students arrived at the Poe Museum. In addition to touring the museum’s exhibits, the groups participated in a scavenger hunt, watched a performance of “The Tell-Tale Heart,” and took a walking tour of neighborhood Poe sites. These are just a few of the programming options we now offer teachers in order to address the ever changing needs of their students. When classes are unable to visit the museum, we bring activities to schools and libraries throughout the Mid-Atlantic region or hold video conferences with schools outside the region. As teachers’ needs evolve, the Poe Museum will continue to adapt and to find new ways to cultivate a lifelong love of reading in audiences of all ages. This is one reason the Poe Museum has continued to serve for the past ninety years, and this is how it will thrive for the next ninety.
With all the changes taking place in its exhibits and programming, now is a great time to be a part of the Poe Museum. Earlier this year, we hosted a major exhibit of dozens of Poe manuscripts and letters which boosted our summer admissions by 26%. In June, students from across the country travelled to Richmond for the Fifth Annual Edgar Allan Poe Young Writers’ Conference. In October, we placed a marker on the grave of Poe’s first and last fiancée Elmira Royster Shelton because the legend on her gravestone has completely worn away. Throughout the year, the museum’s renowned collection continued to grow with the major acquisitions of the first printing of “The Tell-Tale Heart,” the only surviving manuscript for Poe’s poem “To Helen,” and several important books about Poe’s life and work from the collection of influential early twentieth century Poe scholar James Southall Wilson. In the year ahead, we look forward to hosting another Young Writers’ Conference as well as the first Positively Poe Conference, at which leading Poe scholars will explore Poe’s life affirming contributions to the arts and culture. We are already booking group tours for the spring semester and preparing for next year’s exhibits.
As the Poe Museum prepares for another exciting year, we continue to face challenges ranging from recent severe weather that caused the cancellation of several tours and off-site programs to the expenses associated with maintaining both our artifacts and the two-hundred sixty-year-old building that houses them. The Poe Museum has lasted ninety years because generations of donors have supported it along the way, and the museum will continue to promote Poe’s legacy for another ninety years with the help of you and future generations of members and donors. We are mindful that the City of Baltimore has closed the Poe House. As a private museum, we do not take our supporters for granted. If you have not made your annual donation to the Poe Museum this year, now is a perfect time to do so. You can donate right now by clicking this link. Your gift of $20, $50, $100, $500, or more can help us keep the Poe Museum’s programs available and affordable for audiences of all ages.
Harry Lee Poe
Even after ninety years, the Poe Museum’s collection continues to grow. Here are a few of the recent acquisitions made possible by the Poe Museum’s friends.
Almost everyone has read Edgar Allan Poe’s most famous short story of madness and murder, but this week the Poe Museum in Richmond finally acquired the coveted first printing of “The Tell-Tale Heart.” The story first appeared in the inaugural issue (January 1843) of the Boston magazine The Pioneer, edited by poet James Russell Lowell (1819-1891). Since only three issues were published before Lowell discontinued the magazine, copies are now relatively rare. Considered the most ambitious literary journal of Antebellum America, The Pioneer’s three issues contained contributions by Poe, Lowell, Nathaniel Hawthorne, John Greenleaf Whittier, and Elizabeth Barrett Browning. Poe Museum President Dr. Harry Lee Poe commented on the Poe Museum’s acquisition of the important first printing, “This is a prize for any collection especially because it is the story that is included in all the anthologies.” The piece will will go on display at the Poe Museum during the Museum’s day-long celebration of Poe’s birthday on January 19, 2013 from noon until midnight.
Though the story is a favorite with today’s readers, “The Tell-Tale Heart” was rejected the first time Poe tried to publish it– the publishers of the Boston Miscellany writing in their rejection letter, “If Mr. Poe would condescend to furnish more quiet articles, he would be a most desirable correspondent.” Lowell, however, liked the story and acquired it for the first issue of his own magazine, paying Poe ten dollars for the work. A number of magazines soon reprinted the story, but, owing to the lax copyright laws of the time, Poe did not receive any royalties for these unauthorized reprints. Two years later, the editor of Poe’s next collection of short stories did not select it for inclusion in what would be the last collection of Poe’s tales published during his lifetime.
The twentieth century’s leading Poe scholar Thomas Ollive Mabbott called Poe’s short story “The Tell-Tale Heart” “a supreme artistic achievement,” and the tale has long been a favorite among readers. A staple at readings of Poe’s works, the story has been adapted several times to film, including the 2009 movie “Tell-Tale” starring Josh Lucas and the upcoming “The Tell-Tale Heart” starring Rose McGowan. It even inspired an episode of the television program “The Simpsons” in which Lisa built a diorama based on the story.
On October 25, the outgoing Curator of the Poe House and Museum of Baltimore, Jeff Jerome, presented the Poe Museum with a piece of horse hair from the Poe House. The plaster was removed from the interior east wall of the front room during a wall repair, and Jerome saved a few pieces of the plaster the repairmen discarded at that time. This piece, which measures about seven inches in width, may be a remnant of the house’s original (ca. 1830) plaster and would, therefore, date to the time of Poe’s residence in the building from early 1833 until August 1835. During Poe’s residence there, he wrote some of his major early tales including his first horror story “Berenice.” He lived in the house with his grandmother Elizabeth Poe, his cousin Henry Clemm, his aunt (and future mother-in-law) Maria Poe Clemm, and his cousin (and future wife) Virginia Clemm.
This piece will be a welcome addition to the Poe Museum’s collection of building materials from various buildings (most of which have been demolished) in which Poe lived or worked. Among the Poe-related building materials already in the Poe Museum’s collection are bricks from the office in which Poe worked for the Southern Literary Messenger, bricks from the headquarters of Poe’s foster father’s firm Ellis and Allan, granite from the home in which Poe was married, bricks from Poe’s home in New York City, a mantle from Poe’s bedroom in Richmond, locks and hinges from other Richmond buildings associated with Poe, lumber from the Southern Literary Messenger office, an urn from the garden in which Poe courted his first fiancée, and the staircase from Poe’s boyhood home. The Poe Museum’s collection of furnishings from Poe-related buildings includes the author’s bed, the chair on which he sat while editing the Southern Literary Messenger, and paintings from his home.
An Article about Poe
Another fine addition to the Poe Museum’s collection was the recent gift of Michael Blankenship of Roanoke, Virginia. The gift, the April 1891 issue of Frank Leslie’s Popular Monthly contains the article “Some Memorials of Edgar Allan Poe” by Clara Dargan Maclean, who reports on her visits to the surviving residences of Poe and her interviews with people who knew him. The article contains some fine engravings as well as some interesting details about Poe’s death. Maclean was a proponent of the theory that Poe’s death resulted from cooping, the practice of abducting and drugging of men to force them to vote multiple times. The actual cause of Poe’s disappearance and death remains a mystery.
Appropriately enough, Blankenship donated the piece to the Poe Museum on Halloween. This magazine will be added to the Poe Museum’s reference library, which boasts already thousands of books and periodicals about Edgar Allan Poe’s life and works.
Below are some of the beautiful engravings from the article.
Join us on Friday, November 30 from 6-10 P.M. when the Poe Museum’s historic Enchanted Garden comes alive with thousands of lights as the Museum rings in the holiday season with the free “Poe Illumination.” Guests will enjoy hot apple cider and traditional Christmas music while costumed interpreters show them what Christmas was like during Poe’s time. Additionally, the Poe Museum will be displaying some of the actual gifts Poe gave his friends and family in Richmond. Included in the display will be a small watercolor Poe himself might have painted and a book of children’s stories he autographed and gave to a young girl. Kids can enjoy making Victorian Christmas crafts while adults can visit our cash bar for mulled wine. Click here for photos of last year’s Poe Illumination.
It’s that time of year again. You and your kids are looking for fun Halloween activities, and you can’t do much better than Poe’s Pumpkin Patch, an afternoon of Poe-themed fun and games for children eleven and under. The event will take place in the Poe Museum’s garden on Sunday, October 28 from 2-5 P.M. Be sure to dress up for the costume contest and practice your technique for the mummy wrapping contest. Don’t forget to pick up a pumpkin (while supplies last). Make sure your kids grow up weird by taking them to Poe’s Pumpkin Patch!
Event is included in price of Poe Museum general admission. For more information, call the Poe Museum at 804-648-5523.
On October 25 from 6 to 9 P.M. the Poe Museum will celebrate Poe’s horror masterpiece “The Masque of the Red Death” with an Unhappy Hour featuring live music by Little Black Rain Clouds and Robert Andrew Scott, paranormal investigation demonstrations by Spirited History, psychic readings by Miss Emma, a performance, a costume contest, the ever popular cash bar, and a new exhibit of artwork inspired by the story. Be sure not to miss the only Halloween party in Richmond with real ghosts. Wear your weirdest costumes for the costume contest. Admission is by an optional $5 donation. Overflow parking is available at the Holocaust Museum parking lot at 21st and Canal Street.
For more information, call 888-21-EAPOE or write email@example.com.
(Artwork above by Abigail Larson)
The Poe Museum is pleased to announce the upcoming exhibition of new artwork inspired by Edgar Allan Poe’s short story “The Masque of the Red Death.” The show will open on October 7 and run through December 31. In honor of the show, the Poe Museum will host a special “Masque of the Red Death” Unhappy Hour on October 25 from 6-9 P.M. The highlight of the exhibit will be a stained glass window (pictured above) created by award-winning Wisconsin glass artist David Fode. Earlier this year, Fode displayed the piece at the American Glass Guild’s juried members’ exhibit in Pittsburg. David Fode was trained in drawing and illustration at the American Academy of Art in Chicago and began his career illustrating various periodicals in the United States and Europe. In 1999 Fode began working exclusively in stained glass, primarily in restoration and conservation. Fascinated by the idea of using light itself as a medium, Fode made a careful study of traditional means and methods used to manipulate light in painted designs. Fode currently designs and paints new stained glass for churches, businesses and private homes using the styles and traditional techniques found in the 19th century works that originally inspired him. More examples of his work can be found here.
In addition to Fode’s work, the exhibit will feature a series of lithographs (pictured above) by Indre McCraw, who works as a freelance glass painter and is based in NY. She started her stained glass training as a stained glass conservation intern at St. Ann’s for Restoration and the Arts in Brooklyn in 1993 while getting her BFA in Illustration and Art Education from Parsons School of Design (1994). She was hired as the third staff apprentice of the St. Ann’s program in 1996. She does a good deal of replication work through various studios for churches, historic places, and the Cloisters/Metropolitan Museum of Art, as well as new work of her own and for others.
Complementing the new artwork by Fode and McCraw will be select pieces from the Poe Museum’s collection by Michael DeMarco, Berni Wrightson, and others.
The Poe Museum’s exhibit will build upon the museum’s tradition of bringing to Richmond the best in contemporary visual art inspired by the works of Edgar Allan Poe. Since 1922 (when the Poe Museum worked with Mt. Rushmore sculptor Gutzon Borghlum in the development of a portrait bust of Poe) the Poe Museum has brought the best in contemporary art to Richmond. While visiting the Poe Museum to see “The Masque of the Red Death,” guests can also see the Poe Museum’s outstanding permanent collections and its other temporary exhibit “Picturing Poe: Portraits from the Poe Museum’s Collection” featuring portraits of Poe done by a variety of artists from 1884 to 2009.
If you are a high school student who loves writing, get ready for a unique week-long residential writing experience. On June 16-22, 2013, young writers from around the country will come to Richmond to meet professional novelists, journalists, poets, and editors who will share their expertise and advice. Over the course of the week, conferees will learn and practice the craft of writing. By visiting the sites Poe knew best and by learning more about Poe’s early years, attendees will become immersed in the inspiration and experiences that shaped Edgar Allan Poe when he was a teenager. The conference director is Edgar Award-winning author Dr. Harry Lee Poe, Charles Colson Chair of Faith and Culture at Union University in Jackson, Tennessee, and author of several books including Evermore: Edgar Allan Poe and the Mystery of the Universe. You can see from photos from the 2012 conference here.
Here is what a past conferee wrote us about her experience at the conference:
“ I returned from the young writers’ conference on sunday and just wanted to write and say what an amazing time i had! it was so much fun and i learned a lot. hope to see ya’ll next year. –“
Here is what the mother of one of the conferees had to say:
“Dear Mr. Poe,
Now that A____ is back home and we have had some time to talk about the trip and the Conference itself, I cannot but thank you and your staff for having provided A_____ with a wonderful educational experience. He enjoyed every activity, lecture, and workshop. We truly appreciate your generosity and the time you (and the Museum’s staff) devoted to not only discuss various interesting topics with A____, but to advise him on practical and career paths.”
Mark your calendars. The application will be online soon. For more information, please write us at firstname.lastname@example.org.
Students have long had a fascination with Edgar Poe. Every year the Poe Museum receives numerous calls and emails from students writing papers on their favorite author. Less frequently, the Museum hears from students working on visual art, dance, or film projects honoring Poe. Now a group of Virginia Commonwealth University students is combining dance, music, visual art, and film in a project that has already been two years in the making. At 8:30 P.M. during the September 27 Unhappy Hour, Poe Museum visitors will be the first to preview this new short film about Edgar Allan Poe by Christine Stoddard and David Fuchs, who won a VCUarts Undergraduate Research Grant in 2010 to produce the project. Entitled “The Persistence of Poe,” the twenty-two minute documentary will explore the influence Poe’s works have had on Richmond writers and artists of today.
According to the film’s official website, “The whole style of the film is done with a collage feel because Poe led such a patchwork existence. Through its use of live action, animation, writing, narration, music, dance, and theatre, the film demonstrates the range, power, and ability of interdisciplinary art. Cut-out animation is superimposed over photographs of present-day locations concerning Poe; animation sequences break up some of the live-action scenes. Interpretative readings of select Poe works that allude to or were written in Richmond break up the film’s biographical elements. Combined animation and live action recordings of dancing to his poetry accompany these readings. Coverage on how Poe still affects Richmond in the modern day would be essential, as well.”
Please join us on September 27 as we see this exciting new film and encourage these promising young filmmakers. The screening will be preceded by our regularly scheduled September Unhappy Hour featuring live music by Goldrush. Admission to the Unhappy Hour and film screening is by optional $5 donation. A cash bar will be available. Overflow parking is available one block south of the Poe Museum at the Virginia Holocaust Museum at 20th and Cary Streets.
Last Sunday, the members of the Poe Museum were invited to a special Poe-themed tour of Richmond’s Shockoe Hill Cemetery led by Jeffry Burden, President of the Friends of Shockoe Hill Cemetery. In the above photo, some of the guests are visiting the grave of Supreme Court Chief Justice John Marshall. In the below photo, Jeffry Burden shows members Union spy Elizabeth Van Lew’s monument. (Notice the guest sporting a new Poe Museum tote bag.)
In addition to the graves of Poe’s first love Jane Stanard and his foster father John Allan, Burden showed the group the lesser known graves of other Poe acquaintances. Below is a photo of the grave of John Carter, the doctor Poe visited his last night in Richmond. Poe left his walking stick at Carter’s house on East Broad Street, and it was from Carter’s heirs that the Poe Museum acquired the walking stick. According to a later account by Carter, published in November 1902 in Lippincott’s Monthly Magazine, “On this evening [Poe] sat for some time talking, while playing with a handsome Malacca sword-cane recently presented to me by a friend, and then, abruptly rising, said, ‘I think I will step over to Saddler’s (a popular restaurant in the neighborhood) for a few moments,’ and so left without any further word, having my cane still in his hand. From this manner of departure I inferred that he expected to return shortly, but did not see him again, and was surprised to learn next day that he had left for Baltimore by the early morning boat. I then called on Saddler, who informed me that Poe had left his house at exactly twelve that night, starting for the Baltimore boat in company with several companions whom he had met at Saddler’s, and giving as a reason therefore the lateness of the hour and the fact that the boat was to leave at four o’clock. According to Saddler he was in good spirits and sober, though it is certain that he had been drinking and that he seemed oblivious of his baggage, which had been left in his room at the Swan Tavern. These effects were after his death forwarded by one of Mrs. Mackenzie’s sons to Mrs. Clemm in New York, and through the same source I received my cane, which Poe in his absent-mindedness had taken away with him.”
The next images shows the recently damaged monument of Rev. John McCabe, a poet who contributed his work to the Southern Literary Messenger while the journal was under Poe’s editorship. In his “Chapter on Autography,” Poe wrote, “Dr. JOHN C. MCCABE, of Richmond, Virginia, has written much and generally well, in prose and poetry, for the periodicals of the day — for the ‘Southern Literary Messenger’ in especial, and other journals.” In a March 3, 1836 letter to McCabe, Poe (who has just rejected one of McCabe’s poems for publication in the Messenger) writes, “I feel exceedingly desirous that you should be even more favorably known to the public than you are at present, and that this object should be accomplished thro’ the medium of the Messenger.”
The next picture shows the unmarked grave of Eliza White, daughter of Poe’s boss and owner of the Southern Literary Messenger Thomas White. Before his marriage to Virginia Clemm, Poe is said to have been a favorite dancing partner of Miss White’s. When Poe married Virginia, Eliza White was one of the few guests invited to the small ceremony. Over a decade later, she visited Poe and his wife at their cottage in Fordham, New York.
If you did not have a chance to join us for last weekend’s tour but still would like to visit historic Shockoe Hill Cemetery, you should come to the dedication on October 7 at 1 P.M. of a plaque honoring Poe’s first and last fiancee Elmira Royster Shelton.