It’s that time of year again. You and your kids are looking for fun Halloween activities, and you can’t do much better than Poe’s Pumpkin Patch, an afternoon of Poe-themed fun and games for children eleven and under. The event will take place in the Poe Museum’s garden on Sunday, October 28 from 2-5 P.M. Be sure to dress up for the costume contest and practice your technique for the mummy wrapping contest. Don’t forget to pick up a pumpkin (while supplies last). Make sure your kids grow up weird by taking them to Poe’s Pumpkin Patch!
Event is included in price of Poe Museum general admission. For more information, call the Poe Museum at 804-648-5523.
On October 25 from 6 to 9 P.M. the Poe Museum will celebrate Poe’s horror masterpiece “The Masque of the Red Death” with an Unhappy Hour featuring live music by Little Black Rain Clouds and Robert Andrew Scott, paranormal investigation demonstrations by Spirited History, psychic readings by Miss Emma, a performance, a costume contest, the ever popular cash bar, and a new exhibit of artwork inspired by the story. Be sure not to miss the only Halloween party in Richmond with real ghosts. Wear your weirdest costumes for the costume contest. Admission is by an optional $5 donation. Overflow parking is available at the Holocaust Museum parking lot at 21st and Canal Street.
For more information, call 888-21-EAPOE or write firstname.lastname@example.org.
(Artwork above by Abigail Larson)
Be sure to visit the Poe Museum today before you miss the chance to see the Poe Museum’s strange new temporary exhibit “Hop-Frog,” which brings Poe’s classic revenge horror/comedy to life with sights and sounds provided by haunted house attraction operators Haunts of Richmond. The exhibit is included in the price of Poe Museum general admission, and this Thursday’s Unhappy Hour will be a perfect time to see it.
The exhibit’s last day will be this Saturday, September 29, and deinstallation will begin on Sunday in preparation of the Poe Museum’s next show “The Masque of the Red Death in Stained Glass.” We do not want to give away too much of what you can expect from this weird exhibit, but here is a photograph of part of the display.
The Poe Museum is pleased to announce the upcoming exhibition of new artwork inspired by Edgar Allan Poe’s short story “The Masque of the Red Death.” The show will open on October 7 and run through December 31. In honor of the show, the Poe Museum will host a special “Masque of the Red Death” Unhappy Hour on October 25 from 6-9 P.M. The highlight of the exhibit will be a stained glass window (pictured above) created by award-winning Wisconsin glass artist David Fode. Earlier this year, Fode displayed the piece at the American Glass Guild’s juried members’ exhibit in Pittsburg. David Fode was trained in drawing and illustration at the American Academy of Art in Chicago and began his career illustrating various periodicals in the United States and Europe. In 1999 Fode began working exclusively in stained glass, primarily in restoration and conservation. Fascinated by the idea of using light itself as a medium, Fode made a careful study of traditional means and methods used to manipulate light in painted designs. Fode currently designs and paints new stained glass for churches, businesses and private homes using the styles and traditional techniques found in the 19th century works that originally inspired him. More examples of his work can be found here.
In addition to Fode’s work, the exhibit will feature a series of lithographs (pictured above) by Indre McCraw, who works as a freelance glass painter and is based in NY. She started her stained glass training as a stained glass conservation intern at St. Ann’s for Restoration and the Arts in Brooklyn in 1993 while getting her BFA in Illustration and Art Education from Parsons School of Design (1994). She was hired as the third staff apprentice of the St. Ann’s program in 1996. She does a good deal of replication work through various studios for churches, historic places, and the Cloisters/Metropolitan Museum of Art, as well as new work of her own and for others.
Complementing the new artwork by Fode and McCraw will be select pieces from the Poe Museum’s collection by Michael DeMarco, Berni Wrightson, and others.
The Poe Museum’s exhibit will build upon the museum’s tradition of bringing to Richmond the best in contemporary visual art inspired by the works of Edgar Allan Poe. Since 1922 (when the Poe Museum worked with Mt. Rushmore sculptor Gutzon Borghlum in the development of a portrait bust of Poe) the Poe Museum has brought the best in contemporary art to Richmond. While visiting the Poe Museum to see “The Masque of the Red Death,” guests can also see the Poe Museum’s outstanding permanent collections and its other temporary exhibit “Picturing Poe: Portraits from the Poe Museum’s Collection” featuring portraits of Poe done by a variety of artists from 1884 to 2009.
This is the last day of the Community Foundation’s Amazing Raise. You have until 6 P.M. today to help the Poe Museum win prizes in this exciting fundraising competition. Your donation of $50 could win us thousands in prizes.
Why support the Poe Museum? For over ninety years, the Poe Museum has been inspiring audiences of all ages to love reading. As Virginia’s only literary museum, the Poe Museum is an invaluable resource to both teachers and students. Your donation today helps the Poe Museum continue to provide services like guided tours, exhibits, off-site programs, a young writers’ conference, and more to a global audience.
Please consider making a contribution to the Poe Museum today using this form.
Do you love literature and want to instill a love of reading and writing in future generations? Here’s something you can do today to help the Poe Museum cultivate that love of the written word for years to come: From 6 A.M. on September 19 until 6 P.M. on September 20, the Poe Museum is participating in the Amazing Raise, a great fundraising opportunity and competition for non-profits in the Greater Richmond area. Each organization in the Amazing Raise competes to get the most donors to contribute to their organization during the 36-hour period. In addition to receiving these donations, each organization also competes for prizes offered by the Community Foundation of Greater Richmond. These prizes include bonuses for the highest number of donations, the organization with the first 50 unique donations, the organization which gets the donation closest to sunset, and the longest distance donation. The donation form is located below, and you can also find it on the Community Foundation’s website.
Why help the Poe Museum?
Especially in today’s very competitive academic and professional environments, excellent written and oral communication skills are a necessity, but many students have difficulty in these disciplines because they lack interest in reading comprehension and writing. Many teachers tell us they struggle to convince their students to read—until they study Poe. Very often, Poe’s works are the first that students actually enjoy reading. As such, his works provide the perfect opportunity for educators to inspire a life-long love of reading in their students. Regrettably, these same educators have little time to focus on researching any individual author while trying to cover as many writers as possible in an effort to meet the requirements of standardized tests. That is where the Poe Museum can help. By providing guided tours, teleconference programs, off-site educational programs, educator information packets, educator workshops, and a website full of accurate information on Poe’s life and work, the Edgar Allan Poe Museum has become an invaluable aid to both teachers and students. By offering a multidisciplinary approach to interpreting literature, the Poe Museum’s programs address the standards of learning in a number of different disciplines including English, History, Art, and Science. For these reasons, the Poe Museum has become a trusted resource for educators around the globe. Just last week, we hosted a guided tour for a German group and sent educator information packets to teachers in 21 different states as well as educators in the Dominican Republic and Canada. In the month ahead, we will host tours for thousands of students and travel to sites throughout Virginia and Maryland to conduct off-site programs.
As the Poe Museum enters its ninety-first year, it faces new challenges. With corporate and local government support on the decline, expenses are on the increase. Rather than pass those expenses on to the already cash-strapped schools, the Poe Museum is seeking the support of those who believe in the importance of the Poe Museum’s mission. We hope we can count on your support today. Even a small donation can make a big difference. For more information, you can view the Poe Museum’s profile here, or you can visit our website.
If you are a high school student who loves writing, get ready for a unique week-long residential writing experience. On June 16-22, 2013, young writers from around the country will come to Richmond to meet professional novelists, journalists, poets, and editors who will share their expertise and advice. Over the course of the week, conferees will learn and practice the craft of writing. By visiting the sites Poe knew best and by learning more about Poe’s early years, attendees will become immersed in the inspiration and experiences that shaped Edgar Allan Poe when he was a teenager. The conference director is Edgar Award-winning author Dr. Harry Lee Poe, Charles Colson Chair of Faith and Culture at Union University in Jackson, Tennessee, and author of several books including Evermore: Edgar Allan Poe and the Mystery of the Universe. You can see from photos from the 2012 conference here.
Here is what a past conferee wrote us about her experience at the conference:
“ I returned from the young writers’ conference on sunday and just wanted to write and say what an amazing time i had! it was so much fun and i learned a lot. hope to see ya’ll next year. –“
Here is what the mother of one of the conferees had to say:
“Dear Mr. Poe,
Now that A____ is back home and we have had some time to talk about the trip and the Conference itself, I cannot but thank you and your staff for having provided A_____ with a wonderful educational experience. He enjoyed every activity, lecture, and workshop. We truly appreciate your generosity and the time you (and the Museum’s staff) devoted to not only discuss various interesting topics with A____, but to advise him on practical and career paths.”
Mark your calendars. The application will be online soon. For more information, please write us at email@example.com.
Students have long had a fascination with Edgar Poe. Every year the Poe Museum receives numerous calls and emails from students writing papers on their favorite author. Less frequently, the Museum hears from students working on visual art, dance, or film projects honoring Poe. Now a group of Virginia Commonwealth University students is combining dance, music, visual art, and film in a project that has already been two years in the making. At 8:30 P.M. during the September 27 Unhappy Hour, Poe Museum visitors will be the first to preview this new short film about Edgar Allan Poe by Christine Stoddard and David Fuchs, who won a VCUarts Undergraduate Research Grant in 2010 to produce the project. Entitled “The Persistence of Poe,” the twenty-two minute documentary will explore the influence Poe’s works have had on Richmond writers and artists of today.
According to the film’s official website, “The whole style of the film is done with a collage feel because Poe led such a patchwork existence. Through its use of live action, animation, writing, narration, music, dance, and theatre, the film demonstrates the range, power, and ability of interdisciplinary art. Cut-out animation is superimposed over photographs of present-day locations concerning Poe; animation sequences break up some of the live-action scenes. Interpretative readings of select Poe works that allude to or were written in Richmond break up the film’s biographical elements. Combined animation and live action recordings of dancing to his poetry accompany these readings. Coverage on how Poe still affects Richmond in the modern day would be essential, as well.”
Please join us on September 27 as we see this exciting new film and encourage these promising young filmmakers. The screening will be preceded by our regularly scheduled September Unhappy Hour featuring live music by Goldrush. Admission to the Unhappy Hour and film screening is by optional $5 donation. A cash bar will be available. Overflow parking is available one block south of the Poe Museum at the Virginia Holocaust Museum at 20th and Cary Streets.
Last Sunday, the members of the Poe Museum were invited to a special Poe-themed tour of Richmond’s Shockoe Hill Cemetery led by Jeffry Burden, President of the Friends of Shockoe Hill Cemetery. In the above photo, some of the guests are visiting the grave of Supreme Court Chief Justice John Marshall. In the below photo, Jeffry Burden shows members Union spy Elizabeth Van Lew’s monument. (Notice the guest sporting a new Poe Museum tote bag.)
In addition to the graves of Poe’s first love Jane Stanard and his foster father John Allan, Burden showed the group the lesser known graves of other Poe acquaintances. Below is a photo of the grave of John Carter, the doctor Poe visited his last night in Richmond. Poe left his walking stick at Carter’s house on East Broad Street, and it was from Carter’s heirs that the Poe Museum acquired the walking stick. According to a later account by Carter, published in November 1902 in Lippincott’s Monthly Magazine, “On this evening [Poe] sat for some time talking, while playing with a handsome Malacca sword-cane recently presented to me by a friend, and then, abruptly rising, said, ‘I think I will step over to Saddler’s (a popular restaurant in the neighborhood) for a few moments,’ and so left without any further word, having my cane still in his hand. From this manner of departure I inferred that he expected to return shortly, but did not see him again, and was surprised to learn next day that he had left for Baltimore by the early morning boat. I then called on Saddler, who informed me that Poe had left his house at exactly twelve that night, starting for the Baltimore boat in company with several companions whom he had met at Saddler’s, and giving as a reason therefore the lateness of the hour and the fact that the boat was to leave at four o’clock. According to Saddler he was in good spirits and sober, though it is certain that he had been drinking and that he seemed oblivious of his baggage, which had been left in his room at the Swan Tavern. These effects were after his death forwarded by one of Mrs. Mackenzie’s sons to Mrs. Clemm in New York, and through the same source I received my cane, which Poe in his absent-mindedness had taken away with him.”
The next images shows the recently damaged monument of Rev. John McCabe, a poet who contributed his work to the Southern Literary Messenger while the journal was under Poe’s editorship. In his “Chapter on Autography,” Poe wrote, “Dr. JOHN C. MCCABE, of Richmond, Virginia, has written much and generally well, in prose and poetry, for the periodicals of the day — for the ‘Southern Literary Messenger’ in especial, and other journals.” In a March 3, 1836 letter to McCabe, Poe (who has just rejected one of McCabe’s poems for publication in the Messenger) writes, “I feel exceedingly desirous that you should be even more favorably known to the public than you are at present, and that this object should be accomplished thro’ the medium of the Messenger.”
The next picture shows the unmarked grave of Eliza White, daughter of Poe’s boss and owner of the Southern Literary Messenger Thomas White. Before his marriage to Virginia Clemm, Poe is said to have been a favorite dancing partner of Miss White’s. When Poe married Virginia, Eliza White was one of the few guests invited to the small ceremony. Over a decade later, she visited Poe and his wife at their cottage in Fordham, New York.
If you did not have a chance to join us for last weekend’s tour but still would like to visit historic Shockoe Hill Cemetery, you should come to the dedication on October 7 at 1 P.M. of a plaque honoring Poe’s first and last fiancee Elmira Royster Shelton.
Below is a call for papers for a new kind of Poe conference coming next summer to Charlottesville, Virginia.
Charlottesville, Virginia • June 24-26, 2013
Sponsored by The Poe Museum of Richmond, Virginia
at the Small Special Collections Library of the University of Virginia
CALL FOR PAPERS
Poe’s reputation as a tortured, tragic figure, melancholic poet and the “master of the macabre” has fueled his popularity for over a century and a half, while debunking stereotypes and myths associated with that reputation has always been an essential part of Poe criticism. Going beyond the debunking of the popular caricature, we would like to discover the “positive” side of Poe’s life and work. Just as his life had its ups and downs, his writing, too, reflects a wide range of experience, not exclusively the dark and dismal. We therefore invite papers on a broad diversity of subjects with a focus on the life-affirming and vital elements in Poe’s work. Papers may cover (but are not limited by) such themes as:
Poe and ethics (his ideas of love, friendship, manners)
Poe and art (aesthetic ideas in literature and criticism)
Science, philosophy, Eureka
Social and family life
Literary circles, friends and followers
Success stories of Poe’s poems and tales at home and abroad.
Deadline for submission of proposals is October 31, 2012.
Please submit proposals to Alexandra Urakova at firstname.lastname@example.org.
Organized by Harry Poe email@example.com 731-661-5404 and
Alexandra Urakova firstname.lastname@example.org