Get all the latest Poe Museum news with the Spring 2013 issue of our newsletter Evermore. This issue features updates on new acquisitions, upcoming events, and the Poe Museum kittens. spring2013newsletter
On May 16, 1836, Edgar Allan Poe and his young fiancée Virginia Clemm were joined by a few close friends for a small wedding ceremony at a home near Capitol Square. According to different sources, the event took place at either Mrs. Yarrington’s boarding house at Eleventh and Bank Streets or the home of Amasa Converse at Eighth and Franklin Streets. The guests included Virginia’s mother and Poe’s aunt Maria Poe Clemm, Poe’s boss at the Southern Literary Messenger Thomas White, White’s daughter Eliza, a pressman named Thomas W. Cleland and his wife, the printer of the Messenger William McFarlane, an apprentice in the Messenger office named John W. Fergusson, the owner of the boarding house in which Poe lived Mrs. James Yarrington, one of Virginia’s friends Jane Foster, and a few others.
In addition to the number of guests associated with the Southern Literary Messenger, another magazine writer, Rev. Amasa Converse, performed the ceremony. In addition to editing the Southern Religious Telegraph, Converse was a Presbyterian minister. He later recalled Poe’s bride as “polished, dignified and agreeable in her bearing… [possessing] a pleasing manner but…very young.” Of course, Virginia was half the age of her twenty-seven year-old groom, but Converse noted she had given “her consent freely.” Unfortunately, her father’s death a few years earlier had prevented him from giving her his permission to marry, so, earlier on his wedding day, Poe had signed a marriage bond verifying Virginia was twenty-one and able to marry without her father’s consent. Cleland co-signed the document.
In a 1904 letter to T. Pendleton Cummings, Rev. Converse’s son F.B. Converse wrote that Poe “was married by my father…in my father’s parlor…at the Southeast corner of Main and Eighth Streets, Richmond…Edgar Allan Poe came to the house, and the wedding was performed in the parlor, my father standing, according to the impressions which I have received, near the mantel piece and Edgar Allan Poe and his bride coming in at the front. There were very few persons present at the wedding, my mother and the members of the family, and perhaps one or two more companions, which they brought with them.”
Poe collector James H. Whitty later interviewed Jane Foster about the wedding, and he reported, “Mrs. Jane [Foster] Stocking was present at the wedding, which took place in the parlor of the Yarrington home, where Poe boarded, Mrs. Stocking, then but a slip of a girl, was full of thrills with thoughts of seeing so young a girl, like her own self, getting married; and also like Virginia, she was so little, that she found her best view of the ceremony was from the hallway door, where she obtained a reflection of the entire scene through a large old-fashioned mirror, which tilted forward a bit from over the mantle. All the boarders of the home, and all the poet’s friends, including Mr. Thomas W. White and his daughter Eliza, were present. Virginia was attired in a new traveling dress, and…hat. After the ceremony and congratulations the newly wedded entered a hack, waiting on the outside, and went to a train for Petersburg, Va., where they spent their honeymoon…Mrs. Stocking at the time of the wedding was both young and shy, and on the occasion she said, that she could only look, and look about in bewilderment — for in that short ceremony of a few minutes she was picturing her little companion of the day before suddenly transported into matured womanhood; like in the fairy tales, she was wondering why Virginia didn’t grow taller and look different, à la Cinderella; that’s what bothered little Jane Foster the most; but Virginia looked natural, and never changed an iota.”
After the ceremony, the guests ate wedding cake baked by Mrs. Clemm. Then some of the guests accompanied the newlyweds to the train station where they boarded a train to their honeymoon at the home of magazine editor Hiram Haines in Petersburg.
A few days later, on May 20, the Richmond Whig reported, “Married, on Monday May 16th, by the Reverend Mr. Converse, Mr. Edgar A. Poe to Miss Virginia Clemm.” Other papers in Richmond and Norfolk carried similar announcements.
Contemporary accounts attest that Poe was a devoted husband to his adoring wife. Their friend, the poet Frances Osgood, wrote, “Of the charming love and confidence that existed between his wife and himself, always delightfully apparent to me, in spite of the many little poetical episodes, in which the impassioned romance of his temperament impelled him to indulge; of this I cannot speak too earnestly — too warmly. I believe she was the only woman whom he ever truly loved.”
Poe and his wife would be married for eleven years before Virginia succumbed to tuberculosis at the age of twenty-four. Poe followed her just two years later. Though both died in different cities, their remains were reunited over thirty years later, and they are now buried together in Westminster Burying Grounds in Baltimore.
Today marks the 177th anniversary of Poe’s wedding, and it seems appropriate to conclude this post with Poe’s poem “Eulalie,” a tribute to the joys of married life:
EULALIE — A SONG.
I DWELT alone
In a world of moan,
And my soul was a stagnant tide,
Till the fair and gentle Eulalie became my blushing bride —
Till the yellow-haired young Eulalie became my smiling bride.
Ah, less — less bright
The stars of the night
Than the eyes of the radiant girl!
And never a flake
That the vapor can make
With the moon-tints of purple and pearl,
Can vie with the modest Eulalie’s most unregarded curl —
Can compare with the bright-eyed Eulalie’s most humble and careless curl.
Now Doubt — now Pain
Come never again,
For her soul gives me sigh for sigh,
And all day long
Shines, bright and strong,
Astarté within the sky,
While ever to her dear Eulalie upturns her matron eye —
While ever to her young Eulalie upturns her violet eye.
If you are interested in learning more about Poe’s marriage, visit the Poe Museum to see a display of artifacts owned by Virginia Clemm Poe. You can also learn more about Poe’s honeymoon in Petersburg at the May 23 Unhappy Hour when Jeffrey Abugel, author of Edgar Allan Poe’s Petersburg, will be here for a book signing.
This June 24-26, the Poe Museum and the UVA Small Special Collections Library will host the first-ever Positively Poe Conference devoted to Poe’s life affirming and benefitial contributions to art, literature, culture, and science. This unique conference promises to change the way you think about Poe’s life and work. An international group of the leading Poe scholars, artists, and scientists will converge on the University of Virginia for a new kind of conference to be held in the shadow of some of the very sites that influenced Poe’s greatest works. Conferees will attend a dinner only a short distance from Poe’s dorm room and a picnic in the very Ragged Mountains that appear in Poe’s “A Tale of the Ragged Mountains.” A wide array of speakers will explore previously overlooked aspects of America’s most famous and most misunderstood author. The response so far has been great, and people from around the world have already registered. Don’t miss this opportunity to be a part of this groundbreaking event in Poe studies. You can register for the conference online today. For more information, contact the conference organizer Alexandra Urakova at email@example.com. A tentative schedule appears below.
Monday, June 24, 2013
7:00 Dinner – Rotunda Room.
Tuesday, June 25, 2013
All paper sessions in the Harrison Institute/Small Special Collections Library auditorium
9:00 Session One – The Boy Next Door
Chair – Stephen Rachman, Michigan State University
A. Richard Kopley
“Edgar Allan Poe, the Boy Next Door”
B. Chris Semtner
“A Young Girl’s Recollections of Edgar Allan Poe”
C. Jerome McGann,
“Verse and Reverse. Poe and the Poetry of Codependence”.
11:00 Session Two – Literary Circles, Friends and Followers
Chair – Jerome McGann, University of Virginia
A. Philip Phillips
“Yankee Neal and Edgar Poe: The Fruits of a Literary Friendship”
B. John Gruesser
“Poe, Whitman, and Melville in New York and Beyond”
C. Emron Esplin and Margarida Vale de Gato
“‘Excellent system(s) of positive translation(s)’: Why Poe’s Translators Have Neither Been Invisible nor Ephemeral”
12:30 Lunch break
1:30 Session Three – Poe and Art
Chair – Stephen Railton, University of Virginia
A. Scott Peeples
“Poe in Love”
B. Sonya Isaak
“When Music Affects Us to Tears”: Poe’s Silent Music – Divine Aspiration and Lasting Inspiration
C. Anne Margaret Daniel
“Bob Dylan: ‘like being in an Edgar Allan Poe story’”
3:30 Session Four: Collecting Poe
Susan Tane and Harry Lee Poe
6:00 Picnic – The Ragged Mountain (Beth Sweeney’s readers’ theater)
Wednesday, June 26, 2013
All paper sessions in the Harrison Institute/Small Special Collections Library auditorium
9:00 Session One – The Comic Side of Poe
Chair – Richard Kopley, Penn State University
A. Barbara Cantalupo
“‘a little China man having a large stomach’: Poe’s Homely Details in ‘The Devil in the Belfry’
B. Alexandra Urakova
“Shreds and patches”: Poe, Fashion, and The Godey’s Lady’s Book
C. Elina Absalyamova
“A Comic Poe: European Success Story”
11:00 Session Two – Tales: Rethinking the Gothic
Chair – Bill Engel, University of the South
A. Bonnie Shannon McMullen
“The ‘sob from the . . .ebony bed’: The Reanimation of the Gothic Tale in ‘Ligeia’”
B. Susan Beth Sweeney
“Positive Images: Poe and the Daguerreotype”
C. William E. Engel
“Jaunty dialogs with the non-human: a Closer Look at Dogs in the Works of E.A. Poe”
12:30 Lunch break
1:30 Session Three – Poe and Ethics
Chair – Margarida Vale de Gato, University of Lisboa
A. Gero Guttzeit,
“‘Constructive Power’: Poe’s Mythology and Ethics of Authorship”
B. Katherine Rose Keenan,
“You Can’t Escape Yourself”: Poe’s Use of Moral Doppelgangers”
C. Shawn McAvoy and Heather Myrick Stocker
“Selective Symbolism: Poe’s Romantic Theology”
3.30 Session Four – Poetry, Science, and Eureka
Panel Chair – Harry Lee Poe, Union University
A. Stephen Rachman
“From “Al Aaraaf” to the Universe of Stars: Poe, the Arabesque, and Cosmology”
B. René van Slooten
“Religion, Science and Philosophy in Eureka”
C. Murray Ellison
“Judging Edgar Allan Poe’s Eureka after the Author’s Death”
Renowned comic artist Michael Golden, whose illustrations for a comic book adaptation of “The Tell-Tale Heart” are featured in the Poe Museum’s current exhibit “Still Beating: ‘The Tell-Tale Heart’ Turns 170,” will be visiting the Poe Museum on Thursday, March 14 from 6-10 P.M. for a book signing and a lecture on his career and the art of sequential storytelling. This will be a great opportunity to meet one of the world’s leading comic artists.
Michael Golden is one of the world’s most popular comic artists, having provided artwork for G.I. Joe, The Adventures of Superman, Batman, The Micronauts, and many other groundbreaking series, including The ‘Nam. He is the co-creator of Rogue from the X-Men as well as Bucky O’Hare and Spartan X. He has served as an editor at DC Comics as well as Senior Art Director at Marvel Comics. In addition to continuing to create sequential stories, he also conducts classes in storytelling at venues around the world. The artwork in the Poe Museum’s exhibit, which is among his earliest published work, was printed in Marvel Classics #28 in 1977.
Think Poe was just a tortured soul who only wrote scary stories? Think again. Poe invented the detective story, helped develop the science fiction genre, and made many other positive contributions to science and culture. On June 24-26, 2013 in Charlottesville, Virginia, the Poe Museum and the UVA Small Special Collections Library will co-sponsor the first Positively Poe Conference devoted to an exploration of how Poe made the world a better place. Be a part of this first-ever Positively Poe Conference by registering today. Here is more information about this exciting event:
Poe’s reputation as a tortured, tragic figure, melancholic poet and the “master of the macabre” has fueled his popularity for over a century and a half, while debunking stereotypes and myths associated with that reputation has always been an essential part of Poe criticism. Going beyond the debunking of the popular caricature, we would like to discover the “positive” side of Poe’s life and work. Just as his life had its ups and downs, his writing, too, reflects a wide range of experience, not exclusively the dark and dismal. We therefore invite papers on a broad diversity of subjects with a focus on the life-affirming and vital elements in Poe’s work. Papers may cover (but are not limited by) such themes as:
Poe and ethics (his ideas of love, friendship, manners)
Poe and art (aesthetic ideas in literature and criticism)
Science, philosophy, Eureka
Social and family life
Literary circles, friends and followers
Success stories of Poe’s poems and tales at home and abroad.
For more information, contact Alexandra Urakova at firstname.lastname@example.org.
The Poe Museum in Richmond’s annual Poe Birthday Bash has been getting bigger and better every year, attracting visitors from around the globe; but this year’s celebration promises to be bigger than ever because it will be celebrating the birthdays of both Edgar Allan Poe and his horror classic “The Tell-Tale Heart.”
On January 19, 2013 from noon to midnight, the Poe Museum will celebrate its biggest Poe Birthday Bash ever to honor both Poe’s 204th birthday and the 170th anniversary of the first printing of his greatest horror story, “The Tell-Tale Heart,” with a day of festivities featuring no fewer than six performances, five tours, four historical interpreters, two films, a Poe trivia showdown, and the opening of the first public exhibition of the Museum’s most recently acquired artifact, the coveted first printing of “The Tell-Tale Heart.” In addition to this prized artifact, the exhibit will also feature sixteen original illustrations for comic book adaptations of the story by acclaimed artists Richard Corben and Michael Golden.
What’s Happening at Poe’s Birthday Bash:
Among the activities going on at the Poe Birthday Bash will be a reading of “The Tell-Tale Heart” at twelve-thirty; a walking tour of neighborhood Poe sites at one; a living history performance by Poe’s fiancées Sarah Helen Whitman, Elmira Shelton, and Virginia Clemm Poe at three; birthday cake with Poe’s cousin Dr. Harry Lee Poe at four-thirty; a multilingual reading of “The Raven” at five, a performance of Poe’s works by English actor Tony Parkin at five-thirty; and a candlelight walking tour of neighborhood Poe sites by an actress portraying Poe’s fiancée Sarah Helen Whitman at eight. Guided tours of the museum will be available throughout the day, and live music will be performed after nine. The evening with conclude with an actress portraying Sarah Helen Whitman, who was a devoted Spiritualist, attempting to contact Poe’s spirit at eleven fifteen and a champagne toast to Poe at midnight.
12:00 pm: Guided tour. Gift shop sale: select items, up to 50% off! In store only, not valid for online purchases. Ongoing until 4:00 P.M.
12:30 pm: Performance of “the Tell-Tale Heart”
1:00 pm: Lecture on The 170th Anniversary of “the Tell-Tale Heart” by Chris Semtner, Curator of the Poe Museum
2:00 pm: Walking tour of Poe’s Richmond led by Chris Semtner. Guided tour
2:00 pm: Instrumental music inspired by Poe’s poem “The Valley of Unrest” composed and performed by Victor X. Haskins on the trumpet
3:00 pm: Showdown of Poe’s Brides
4:00 pm: Art sale at the bar. Ongoing until 11:00 pm, featuring works by the Clockwork Collective and Abigail Larson. Guided tour
4:30 pm: Cutting of Poe’s Birthday Cake
5:00 pm: Reading of “the Raven” and other poems
5:30 pm: Live from London via telecast, a performance of “the Tell-Tale Heart” and other Poe stories by actor Tony Parkin
6:00 pm: Guided Tour
6:30 pm: Film screening of a 2010 animated short of “the Tell-Tale Heart” directed by Michael Swertfager. Guided tour
7:00 pm: Film screening of a 1928 experimental silent version of “the Fall of the House of Usher” directed by James Sibley Watson and Melville Webber
7:30 pm: Poe Trivia (with Poe Museum merchandise prizes)
8:00 pm: Living History Walking tour of Poe’s Richmond led by Poe’s fiance, the poetess Sarah Helen Whitman.
9:00 pm: Live music by The Blue and the Grey
10:00 pm: Reading of “The Black Cat”
10:15 pm: Live music continues
11:15 pm: Living History Seance performed by Sarah Helen Whitman
12:00 am: Champagne toast
Click here for photos from last year’s Poe Birthday Bash.
From January 19 until March 31, 2013, the Poe Museum in Richmond, Virginia will feature a special exhibit celebrating the 170th anniversary of Edgar Allan Poe’s horror masterpiece “The Tell-Tale Heart.” Opening on Poe’s birthday, January 19, the exhibit brings together the Poe Museum’s recently acquired first printing of the story and loans of sixteen original drawings for comic book adaptations of the story by acclaimed illustrators Richard Corben and Michael Golden.
Michael Golden is one of the world’s most popular comic artists, having provided artwork for G.I. Joe, The Adventures of Superman, Batman, The Micronauts, and several other series. The artwork in the exhibit, which is among his earliest published work, was printed in Marvel Classics #28 in 1977.
Richard Corben began his career in animation before turning to underground comics. In 1976 he adapted a Robert E. Howard story into what is considered the first graphic novel, Bloodstar. His illustrious career has included work in album covers and movie posters, collaboration on a graphic novel with rock musician and filmmaker Rob Zombie, and an award-winning short film Neverwhere. The artwork on display was printed in Edgar Allan Poe’s Haunt of Horror #2 in 2006. One of the pieces will be an unpublished alternative cover design.
Admission to the exhibit is included in the price of Poe Museum general admission. The January 19 opening will coincide with the Poe Museum’s annual Poe Birthday Bash running from noon to midnight and featuring readings, live music, and a lecture about the legacy of “The Tell-Tale Heart.”
The exhibit was made possible by loans of artwork from the collections of Richard Corben and James Vacca.
Dear Friend of the Poe Museum,
This morning two busloads of students arrived at the Poe Museum. In addition to touring the museum’s exhibits, the groups participated in a scavenger hunt, watched a performance of “The Tell-Tale Heart,” and took a walking tour of neighborhood Poe sites. These are just a few of the programming options we now offer teachers in order to address the ever changing needs of their students. When classes are unable to visit the museum, we bring activities to schools and libraries throughout the Mid-Atlantic region or hold video conferences with schools outside the region. As teachers’ needs evolve, the Poe Museum will continue to adapt and to find new ways to cultivate a lifelong love of reading in audiences of all ages. This is one reason the Poe Museum has continued to serve for the past ninety years, and this is how it will thrive for the next ninety.
With all the changes taking place in its exhibits and programming, now is a great time to be a part of the Poe Museum. Earlier this year, we hosted a major exhibit of dozens of Poe manuscripts and letters which boosted our summer admissions by 26%. In June, students from across the country travelled to Richmond for the Fifth Annual Edgar Allan Poe Young Writers’ Conference. In October, we placed a marker on the grave of Poe’s first and last fiancée Elmira Royster Shelton because the legend on her gravestone has completely worn away. Throughout the year, the museum’s renowned collection continued to grow with the major acquisitions of the first printing of “The Tell-Tale Heart,” the only surviving manuscript for Poe’s poem “To Helen,” and several important books about Poe’s life and work from the collection of influential early twentieth century Poe scholar James Southall Wilson. In the year ahead, we look forward to hosting another Young Writers’ Conference as well as the first Positively Poe Conference, at which leading Poe scholars will explore Poe’s life affirming contributions to the arts and culture. We are already booking group tours for the spring semester and preparing for next year’s exhibits.
As the Poe Museum prepares for another exciting year, we continue to face challenges ranging from recent severe weather that caused the cancellation of several tours and off-site programs to the expenses associated with maintaining both our artifacts and the two-hundred sixty-year-old building that houses them. The Poe Museum has lasted ninety years because generations of donors have supported it along the way, and the museum will continue to promote Poe’s legacy for another ninety years with the help of you and future generations of members and donors. We are mindful that the City of Baltimore has closed the Poe House. As a private museum, we do not take our supporters for granted. If you have not made your annual donation to the Poe Museum this year, now is a perfect time to do so. You can donate right now by clicking this link. Your gift of $20, $50, $100, $500, or more can help us keep the Poe Museum’s programs available and affordable for audiences of all ages.
Harry Lee Poe
Even after ninety years, the Poe Museum’s collection continues to grow. Here are a few of the recent acquisitions made possible by the Poe Museum’s friends.
Almost everyone has read Edgar Allan Poe’s most famous short story of madness and murder, but this week the Poe Museum in Richmond finally acquired the coveted first printing of “The Tell-Tale Heart.” The story first appeared in the inaugural issue (January 1843) of the Boston magazine The Pioneer, edited by poet James Russell Lowell (1819-1891). Since only three issues were published before Lowell discontinued the magazine, copies are now relatively rare. Considered the most ambitious literary journal of Antebellum America, The Pioneer’s three issues contained contributions by Poe, Lowell, Nathaniel Hawthorne, John Greenleaf Whittier, and Elizabeth Barrett Browning. Poe Museum President Dr. Harry Lee Poe commented on the Poe Museum’s acquisition of the important first printing, “This is a prize for any collection especially because it is the story that is included in all the anthologies.” The piece will will go on display at the Poe Museum during the Museum’s day-long celebration of Poe’s birthday on January 19, 2013 from noon until midnight.
Though the story is a favorite with today’s readers, “The Tell-Tale Heart” was rejected the first time Poe tried to publish it– the publishers of the Boston Miscellany writing in their rejection letter, “If Mr. Poe would condescend to furnish more quiet articles, he would be a most desirable correspondent.” Lowell, however, liked the story and acquired it for the first issue of his own magazine, paying Poe ten dollars for the work. A number of magazines soon reprinted the story, but, owing to the lax copyright laws of the time, Poe did not receive any royalties for these unauthorized reprints. Two years later, the editor of Poe’s next collection of short stories did not select it for inclusion in what would be the last collection of Poe’s tales published during his lifetime.
The twentieth century’s leading Poe scholar Thomas Ollive Mabbott called Poe’s short story “The Tell-Tale Heart” “a supreme artistic achievement,” and the tale has long been a favorite among readers. A staple at readings of Poe’s works, the story has been adapted several times to film, including the 2009 movie “Tell-Tale” starring Josh Lucas and the upcoming “The Tell-Tale Heart” starring Rose McGowan. It even inspired an episode of the television program “The Simpsons” in which Lisa built a diorama based on the story.
On October 25, the outgoing Curator of the Poe House and Museum of Baltimore, Jeff Jerome, presented the Poe Museum with a piece of horse hair from the Poe House. The plaster was removed from the interior east wall of the front room during a wall repair, and Jerome saved a few pieces of the plaster the repairmen discarded at that time. This piece, which measures about seven inches in width, may be a remnant of the house’s original (ca. 1830) plaster and would, therefore, date to the time of Poe’s residence in the building from early 1833 until August 1835. During Poe’s residence there, he wrote some of his major early tales including his first horror story “Berenice.” He lived in the house with his grandmother Elizabeth Poe, his cousin Henry Clemm, his aunt (and future mother-in-law) Maria Poe Clemm, and his cousin (and future wife) Virginia Clemm.
This piece will be a welcome addition to the Poe Museum’s collection of building materials from various buildings (most of which have been demolished) in which Poe lived or worked. Among the Poe-related building materials already in the Poe Museum’s collection are bricks from the office in which Poe worked for the Southern Literary Messenger, bricks from the headquarters of Poe’s foster father’s firm Ellis and Allan, granite from the home in which Poe was married, bricks from Poe’s home in New York City, a mantle from Poe’s bedroom in Richmond, locks and hinges from other Richmond buildings associated with Poe, lumber from the Southern Literary Messenger office, an urn from the garden in which Poe courted his first fiancée, and the staircase from Poe’s boyhood home. The Poe Museum’s collection of furnishings from Poe-related buildings includes the author’s bed, the chair on which he sat while editing the Southern Literary Messenger, and paintings from his home.
An Article about Poe
Another fine addition to the Poe Museum’s collection was the recent gift of Michael Blankenship of Roanoke, Virginia. The gift, the April 1891 issue of Frank Leslie’s Popular Monthly contains the article “Some Memorials of Edgar Allan Poe” by Clara Dargan Maclean, who reports on her visits to the surviving residences of Poe and her interviews with people who knew him. The article contains some fine engravings as well as some interesting details about Poe’s death. Maclean was a proponent of the theory that Poe’s death resulted from cooping, the practice of abducting and drugging of men to force them to vote multiple times. The actual cause of Poe’s disappearance and death remains a mystery.
Appropriately enough, Blankenship donated the piece to the Poe Museum on Halloween. This magazine will be added to the Poe Museum’s reference library, which boasts already thousands of books and periodicals about Edgar Allan Poe’s life and works.
Below are some of the beautiful engravings from the article.
It’s that time of year again. You and your kids are looking for fun Halloween activities, and you can’t do much better than Poe’s Pumpkin Patch, an afternoon of Poe-themed fun and games for children eleven and under. The event will take place in the Poe Museum’s garden on Sunday, October 28 from 2-5 P.M. Be sure to dress up for the costume contest and practice your technique for the mummy wrapping contest. Don’t forget to pick up a pumpkin (while supplies last). Make sure your kids grow up weird by taking them to Poe’s Pumpkin Patch!
Event is included in price of Poe Museum general admission. For more information, call the Poe Museum at 804-648-5523.