Get all the latest Poe Museum news with the Spring 2013 issue of our newsletter Evermore. This issue features updates on new acquisitions, upcoming events, and the Poe Museum kittens. spring2013newsletter
This June 24-26, the Poe Museum and the UVA Small Special Collections Library will host the first-ever Positively Poe Conference devoted to Poe’s life affirming and benefitial contributions to art, literature, culture, and science. This unique conference promises to change the way you think about Poe’s life and work. An international group of the leading Poe scholars, artists, and scientists will converge on the University of Virginia for a new kind of conference to be held in the shadow of some of the very sites that influenced Poe’s greatest works. Conferees will attend a dinner only a short distance from Poe’s dorm room and a picnic in the very Ragged Mountains that appear in Poe’s “A Tale of the Ragged Mountains.” A wide array of speakers will explore previously overlooked aspects of America’s most famous and most misunderstood author. The response so far has been great, and people from around the world have already registered. Don’t miss this opportunity to be a part of this groundbreaking event in Poe studies. You can register for the conference online today. For more information, contact the conference organizer Alexandra Urakova at email@example.com. A tentative schedule appears below.
Monday, June 24, 2013
7:00 Dinner – Rotunda Room.
Tuesday, June 25, 2013
All paper sessions in the Harrison Institute/Small Special Collections Library auditorium
9:00 Session One – The Boy Next Door
Chair – Stephen Rachman, Michigan State University
A. Richard Kopley
“Edgar Allan Poe, the Boy Next Door”
B. Chris Semtner
“A Young Girl’s Recollections of Edgar Allan Poe”
C. Jerome McGann,
“Verse and Reverse. Poe and the Poetry of Codependence”.
11:00 Session Two – Literary Circles, Friends and Followers
Chair – Jerome McGann, University of Virginia
A. Philip Phillips
“Yankee Neal and Edgar Poe: The Fruits of a Literary Friendship”
B. John Gruesser
“Poe, Whitman, and Melville in New York and Beyond”
C. Emron Esplin and Margarida Vale de Gato
“‘Excellent system(s) of positive translation(s)’: Why Poe’s Translators Have Neither Been Invisible nor Ephemeral”
12:30 Lunch break
1:30 Session Three – Poe and Art
Chair – Stephen Railton, University of Virginia
A. Scott Peeples
“Poe in Love”
B. Sonya Isaak
“When Music Affects Us to Tears”: Poe’s Silent Music – Divine Aspiration and Lasting Inspiration
C. Anne Margaret Daniel
“Bob Dylan: ‘like being in an Edgar Allan Poe story’”
3:30 Session Four: Collecting Poe
Susan Tane and Harry Lee Poe
6:00 Picnic – The Ragged Mountain (Beth Sweeney’s readers’ theater)
Wednesday, June 26, 2013
All paper sessions in the Harrison Institute/Small Special Collections Library auditorium
9:00 Session One – The Comic Side of Poe
Chair – Richard Kopley, Penn State University
A. Barbara Cantalupo
“‘a little China man having a large stomach’: Poe’s Homely Details in ‘The Devil in the Belfry’
B. Alexandra Urakova
“Shreds and patches”: Poe, Fashion, and The Godey’s Lady’s Book
C. Elina Absalyamova
“A Comic Poe: European Success Story”
11:00 Session Two – Tales: Rethinking the Gothic
Chair – Bill Engel, University of the South
A. Bonnie Shannon McMullen
“The ‘sob from the . . .ebony bed’: The Reanimation of the Gothic Tale in ‘Ligeia’”
B. Susan Beth Sweeney
“Positive Images: Poe and the Daguerreotype”
C. William E. Engel
“Jaunty dialogs with the non-human: a Closer Look at Dogs in the Works of E.A. Poe”
12:30 Lunch break
1:30 Session Three – Poe and Ethics
Chair – Margarida Vale de Gato, University of Lisboa
A. Gero Guttzeit,
“‘Constructive Power’: Poe’s Mythology and Ethics of Authorship”
B. Katherine Rose Keenan,
“You Can’t Escape Yourself”: Poe’s Use of Moral Doppelgangers”
C. Shawn McAvoy and Heather Myrick Stocker
“Selective Symbolism: Poe’s Romantic Theology”
3.30 Session Four – Poetry, Science, and Eureka
Panel Chair – Harry Lee Poe, Union University
A. Stephen Rachman
“From “Al Aaraaf” to the Universe of Stars: Poe, the Arabesque, and Cosmology”
B. René van Slooten
“Religion, Science and Philosophy in Eureka”
C. Murray Ellison
“Judging Edgar Allan Poe’s Eureka after the Author’s Death”
Renowned comic artist Michael Golden, whose illustrations for a comic book adaptation of “The Tell-Tale Heart” are featured in the Poe Museum’s current exhibit “Still Beating: ‘The Tell-Tale Heart’ Turns 170,” will be visiting the Poe Museum on Thursday, March 14 from 6-10 P.M. for a book signing and a lecture on his career and the art of sequential storytelling. This will be a great opportunity to meet one of the world’s leading comic artists.
Michael Golden is one of the world’s most popular comic artists, having provided artwork for G.I. Joe, The Adventures of Superman, Batman, The Micronauts, and many other groundbreaking series, including The ‘Nam. He is the co-creator of Rogue from the X-Men as well as Bucky O’Hare and Spartan X. He has served as an editor at DC Comics as well as Senior Art Director at Marvel Comics. In addition to continuing to create sequential stories, he also conducts classes in storytelling at venues around the world. The artwork in the Poe Museum’s exhibit, which is among his earliest published work, was printed in Marvel Classics #28 in 1977.
The Poe Museum in Richmond’s annual Poe Birthday Bash has been getting bigger and better every year, attracting visitors from around the globe; but this year’s celebration promises to be bigger than ever because it will be celebrating the birthdays of both Edgar Allan Poe and his horror classic “The Tell-Tale Heart.”
On January 19, 2013 from noon to midnight, the Poe Museum will celebrate its biggest Poe Birthday Bash ever to honor both Poe’s 204th birthday and the 170th anniversary of the first printing of his greatest horror story, “The Tell-Tale Heart,” with a day of festivities featuring no fewer than six performances, five tours, four historical interpreters, two films, a Poe trivia showdown, and the opening of the first public exhibition of the Museum’s most recently acquired artifact, the coveted first printing of “The Tell-Tale Heart.” In addition to this prized artifact, the exhibit will also feature sixteen original illustrations for comic book adaptations of the story by acclaimed artists Richard Corben and Michael Golden.
What’s Happening at Poe’s Birthday Bash:
Among the activities going on at the Poe Birthday Bash will be a reading of “The Tell-Tale Heart” at twelve-thirty; a walking tour of neighborhood Poe sites at one; a living history performance by Poe’s fiancées Sarah Helen Whitman, Elmira Shelton, and Virginia Clemm Poe at three; birthday cake with Poe’s cousin Dr. Harry Lee Poe at four-thirty; a multilingual reading of “The Raven” at five, a performance of Poe’s works by English actor Tony Parkin at five-thirty; and a candlelight walking tour of neighborhood Poe sites by an actress portraying Poe’s fiancée Sarah Helen Whitman at eight. Guided tours of the museum will be available throughout the day, and live music will be performed after nine. The evening with conclude with an actress portraying Sarah Helen Whitman, who was a devoted Spiritualist, attempting to contact Poe’s spirit at eleven fifteen and a champagne toast to Poe at midnight.
12:00 pm: Guided tour. Gift shop sale: select items, up to 50% off! In store only, not valid for online purchases. Ongoing until 4:00 P.M.
12:30 pm: Performance of “the Tell-Tale Heart”
1:00 pm: Lecture on The 170th Anniversary of “the Tell-Tale Heart” by Chris Semtner, Curator of the Poe Museum
2:00 pm: Walking tour of Poe’s Richmond led by Chris Semtner. Guided tour
2:00 pm: Instrumental music inspired by Poe’s poem “The Valley of Unrest” composed and performed by Victor X. Haskins on the trumpet
3:00 pm: Showdown of Poe’s Brides
4:00 pm: Art sale at the bar. Ongoing until 11:00 pm, featuring works by the Clockwork Collective and Abigail Larson. Guided tour
4:30 pm: Cutting of Poe’s Birthday Cake
5:00 pm: Reading of “the Raven” and other poems
5:30 pm: Live from London via telecast, a performance of “the Tell-Tale Heart” and other Poe stories by actor Tony Parkin
6:00 pm: Guided Tour
6:30 pm: Film screening of a 2010 animated short of “the Tell-Tale Heart” directed by Michael Swertfager. Guided tour
7:00 pm: Film screening of a 1928 experimental silent version of “the Fall of the House of Usher” directed by James Sibley Watson and Melville Webber
7:30 pm: Poe Trivia (with Poe Museum merchandise prizes)
8:00 pm: Living History Walking tour of Poe’s Richmond led by Poe’s fiance, the poetess Sarah Helen Whitman.
9:00 pm: Live music by The Blue and the Grey
10:00 pm: Reading of “The Black Cat”
10:15 pm: Live music continues
11:15 pm: Living History Seance performed by Sarah Helen Whitman
12:00 am: Champagne toast
Click here for photos from last year’s Poe Birthday Bash.
Even after ninety years, the Poe Museum’s collection continues to grow. Here are a few of the recent acquisitions made possible by the Poe Museum’s friends.
Almost everyone has read Edgar Allan Poe’s most famous short story of madness and murder, but this week the Poe Museum in Richmond finally acquired the coveted first printing of “The Tell-Tale Heart.” The story first appeared in the inaugural issue (January 1843) of the Boston magazine The Pioneer, edited by poet James Russell Lowell (1819-1891). Since only three issues were published before Lowell discontinued the magazine, copies are now relatively rare. Considered the most ambitious literary journal of Antebellum America, The Pioneer’s three issues contained contributions by Poe, Lowell, Nathaniel Hawthorne, John Greenleaf Whittier, and Elizabeth Barrett Browning. Poe Museum President Dr. Harry Lee Poe commented on the Poe Museum’s acquisition of the important first printing, “This is a prize for any collection especially because it is the story that is included in all the anthologies.” The piece will will go on display at the Poe Museum during the Museum’s day-long celebration of Poe’s birthday on January 19, 2013 from noon until midnight.
Though the story is a favorite with today’s readers, “The Tell-Tale Heart” was rejected the first time Poe tried to publish it– the publishers of the Boston Miscellany writing in their rejection letter, “If Mr. Poe would condescend to furnish more quiet articles, he would be a most desirable correspondent.” Lowell, however, liked the story and acquired it for the first issue of his own magazine, paying Poe ten dollars for the work. A number of magazines soon reprinted the story, but, owing to the lax copyright laws of the time, Poe did not receive any royalties for these unauthorized reprints. Two years later, the editor of Poe’s next collection of short stories did not select it for inclusion in what would be the last collection of Poe’s tales published during his lifetime.
The twentieth century’s leading Poe scholar Thomas Ollive Mabbott called Poe’s short story “The Tell-Tale Heart” “a supreme artistic achievement,” and the tale has long been a favorite among readers. A staple at readings of Poe’s works, the story has been adapted several times to film, including the 2009 movie “Tell-Tale” starring Josh Lucas and the upcoming “The Tell-Tale Heart” starring Rose McGowan. It even inspired an episode of the television program “The Simpsons” in which Lisa built a diorama based on the story.
On October 25, the outgoing Curator of the Poe House and Museum of Baltimore, Jeff Jerome, presented the Poe Museum with a piece of horse hair from the Poe House. The plaster was removed from the interior east wall of the front room during a wall repair, and Jerome saved a few pieces of the plaster the repairmen discarded at that time. This piece, which measures about seven inches in width, may be a remnant of the house’s original (ca. 1830) plaster and would, therefore, date to the time of Poe’s residence in the building from early 1833 until August 1835. During Poe’s residence there, he wrote some of his major early tales including his first horror story “Berenice.” He lived in the house with his grandmother Elizabeth Poe, his cousin Henry Clemm, his aunt (and future mother-in-law) Maria Poe Clemm, and his cousin (and future wife) Virginia Clemm.
This piece will be a welcome addition to the Poe Museum’s collection of building materials from various buildings (most of which have been demolished) in which Poe lived or worked. Among the Poe-related building materials already in the Poe Museum’s collection are bricks from the office in which Poe worked for the Southern Literary Messenger, bricks from the headquarters of Poe’s foster father’s firm Ellis and Allan, granite from the home in which Poe was married, bricks from Poe’s home in New York City, a mantle from Poe’s bedroom in Richmond, locks and hinges from other Richmond buildings associated with Poe, lumber from the Southern Literary Messenger office, an urn from the garden in which Poe courted his first fiancée, and the staircase from Poe’s boyhood home. The Poe Museum’s collection of furnishings from Poe-related buildings includes the author’s bed, the chair on which he sat while editing the Southern Literary Messenger, and paintings from his home.
An Article about Poe
Another fine addition to the Poe Museum’s collection was the recent gift of Michael Blankenship of Roanoke, Virginia. The gift, the April 1891 issue of Frank Leslie’s Popular Monthly contains the article “Some Memorials of Edgar Allan Poe” by Clara Dargan Maclean, who reports on her visits to the surviving residences of Poe and her interviews with people who knew him. The article contains some fine engravings as well as some interesting details about Poe’s death. Maclean was a proponent of the theory that Poe’s death resulted from cooping, the practice of abducting and drugging of men to force them to vote multiple times. The actual cause of Poe’s disappearance and death remains a mystery.
Appropriately enough, Blankenship donated the piece to the Poe Museum on Halloween. This magazine will be added to the Poe Museum’s reference library, which boasts already thousands of books and periodicals about Edgar Allan Poe’s life and works.
Below are some of the beautiful engravings from the article.
Join us on Friday, November 30 from 6-10 P.M. when the Poe Museum’s historic Enchanted Garden comes alive with thousands of lights as the Museum rings in the holiday season with the free “Poe Illumination.” Guests will enjoy hot apple cider and traditional Christmas music while costumed interpreters show them what Christmas was like during Poe’s time. Additionally, the Poe Museum will be displaying some of the actual gifts Poe gave his friends and family in Richmond. Included in the display will be a small watercolor Poe himself might have painted and a book of children’s stories he autographed and gave to a young girl. Kids can enjoy making Victorian Christmas crafts while adults can visit our cash bar for mulled wine. Click here for photos of last year’s Poe Illumination.
On October 25 from 6 to 9 P.M. the Poe Museum will celebrate Poe’s horror masterpiece “The Masque of the Red Death” with an Unhappy Hour featuring live music by Little Black Rain Clouds and Robert Andrew Scott, paranormal investigation demonstrations by Spirited History, psychic readings by Miss Emma, a performance, a costume contest, the ever popular cash bar, and a new exhibit of artwork inspired by the story. Be sure not to miss the only Halloween party in Richmond with real ghosts. Wear your weirdest costumes for the costume contest. Admission is by an optional $5 donation. Overflow parking is available at the Holocaust Museum parking lot at 21st and Canal Street.
For more information, call 888-21-EAPOE or write firstname.lastname@example.org.
(Artwork above by Abigail Larson)
Be sure to visit the Poe Museum today before you miss the chance to see the Poe Museum’s strange new temporary exhibit “Hop-Frog,” which brings Poe’s classic revenge horror/comedy to life with sights and sounds provided by haunted house attraction operators Haunts of Richmond. The exhibit is included in the price of Poe Museum general admission, and this Thursday’s Unhappy Hour will be a perfect time to see it.
The exhibit’s last day will be this Saturday, September 29, and deinstallation will begin on Sunday in preparation of the Poe Museum’s next show “The Masque of the Red Death in Stained Glass.” We do not want to give away too much of what you can expect from this weird exhibit, but here is a photograph of part of the display.
The Poe Museum is pleased to announce the upcoming exhibition of new artwork inspired by Edgar Allan Poe’s short story “The Masque of the Red Death.” The show will open on October 7 and run through December 31. In honor of the show, the Poe Museum will host a special “Masque of the Red Death” Unhappy Hour on October 25 from 6-9 P.M. The highlight of the exhibit will be a stained glass window (pictured above) created by award-winning Wisconsin glass artist David Fode. Earlier this year, Fode displayed the piece at the American Glass Guild’s juried members’ exhibit in Pittsburg. David Fode was trained in drawing and illustration at the American Academy of Art in Chicago and began his career illustrating various periodicals in the United States and Europe. In 1999 Fode began working exclusively in stained glass, primarily in restoration and conservation. Fascinated by the idea of using light itself as a medium, Fode made a careful study of traditional means and methods used to manipulate light in painted designs. Fode currently designs and paints new stained glass for churches, businesses and private homes using the styles and traditional techniques found in the 19th century works that originally inspired him. More examples of his work can be found here.
In addition to Fode’s work, the exhibit will feature a series of lithographs (pictured above) by Indre McCraw, who works as a freelance glass painter and is based in NY. She started her stained glass training as a stained glass conservation intern at St. Ann’s for Restoration and the Arts in Brooklyn in 1993 while getting her BFA in Illustration and Art Education from Parsons School of Design (1994). She was hired as the third staff apprentice of the St. Ann’s program in 1996. She does a good deal of replication work through various studios for churches, historic places, and the Cloisters/Metropolitan Museum of Art, as well as new work of her own and for others.
Complementing the new artwork by Fode and McCraw will be select pieces from the Poe Museum’s collection by Michael DeMarco, Berni Wrightson, and others.
The Poe Museum’s exhibit will build upon the museum’s tradition of bringing to Richmond the best in contemporary visual art inspired by the works of Edgar Allan Poe. Since 1922 (when the Poe Museum worked with Mt. Rushmore sculptor Gutzon Borghlum in the development of a portrait bust of Poe) the Poe Museum has brought the best in contemporary art to Richmond. While visiting the Poe Museum to see “The Masque of the Red Death,” guests can also see the Poe Museum’s outstanding permanent collections and its other temporary exhibit “Picturing Poe: Portraits from the Poe Museum’s Collection” featuring portraits of Poe done by a variety of artists from 1884 to 2009.
If you are a high school student who loves writing, get ready for a unique week-long residential writing experience. On June 16-22, 2013, young writers from around the country will come to Richmond to meet professional novelists, journalists, poets, and editors who will share their expertise and advice. Over the course of the week, conferees will learn and practice the craft of writing. By visiting the sites Poe knew best and by learning more about Poe’s early years, attendees will become immersed in the inspiration and experiences that shaped Edgar Allan Poe when he was a teenager. The conference director is Edgar Award-winning author Dr. Harry Lee Poe, Charles Colson Chair of Faith and Culture at Union University in Jackson, Tennessee, and author of several books including Evermore: Edgar Allan Poe and the Mystery of the Universe. You can see from photos from the 2012 conference here.
Here is what a past conferee wrote us about her experience at the conference:
“ I returned from the young writers’ conference on sunday and just wanted to write and say what an amazing time i had! it was so much fun and i learned a lot. hope to see ya’ll next year. –“
Here is what the mother of one of the conferees had to say:
“Dear Mr. Poe,
Now that A____ is back home and we have had some time to talk about the trip and the Conference itself, I cannot but thank you and your staff for having provided A_____ with a wonderful educational experience. He enjoyed every activity, lecture, and workshop. We truly appreciate your generosity and the time you (and the Museum’s staff) devoted to not only discuss various interesting topics with A____, but to advise him on practical and career paths.”
Mark your calendars. The application will be online soon. For more information, please write us at email@example.com.