Museum News


Tell Us Your Favorite Poe Story


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What’s your favorite Poe story? The Poe Museum is determined to find out which is Poe’s Greatest Hit, and you can help. Just vote right now for your favorite Poe story from the finalists on this list. Voting continues until January 16 at 5 p.m. Eastern. The winning story will be announced at 5:30 p.m. during Poe’s Birthday Bash on January 16 at the Poe Museum in Richmond, and we’ll post it on our blog and social media.

What will the winning short story receive? The Poe Museum will feature it in the new exhibit Poe’s Greatest Hits and will develop special programming around that story in the near future.

Here are the finalists. You can click each one to read or reread it.

“Berenice”
“The Black Cat”
“The Cask of Amontillado”
“The Facts in the Case of M. Valdemar”
“The Fall of the House of Usher”
“The Gold-Bug”
“Hop-Frog”
“Ligeia”
“The Man That Was Used Up”
“The Masque of the Red Death”
“The Murders in the Rue Morgue”
“Never Bet the Devil Your Head”
“The Oval Portrait”
“The Pit and the Pendulum”
“The Purloined Letter”
“Some Words with a Mummy”
“The Tell-Tale Heart”
“William Wilson”

Vote below for your favorite Poe story.




Picture Yourself Inside a Poe Story


Ever want to feel what it’s like to get bricked up behind a wall or buried under the floorboards? Here is your chance to step inside Edgar Allan Poe’s greatest terror tales in the Poe Museum of Richmond’s chilling new exhibit “Poe’s Greatest Hits.” Visitors to the exhibit will be able to interact with life-size recreations of iconic scenes from Poe’s popular stories “The Tell-Tale Heart,” “The Pit and the Pendulum,” “The Black Cat,” and “The Cask of Amontillado.”

On January 16, 2016, the Poe Museum in Richmond’s new exhibit “Poe’s Greatest Hits” will open, allowing museum visitors to walk inside and interact with Edgar Allan Poe’s popular short stories “The Tell-Tale Heart,” “The Cask of Amontillado,” “The Black Cat,” and “The Pit and the Pendulum.” (Click here to see people enjoying our current exhibit.) After exploring life-size recreations of iconic scenes from each story, museum visitors will vote for their choice for Poe’s Greatest Short Story. The exhibit opening will take place during Poe’s Birthday Bash on January 16 from noon-midnight, the world’s largest Edgar Allan Poe birthday celebration. The exhibit will be on view until April 24.

Scene from "The Cask of Amontillado"

Scene from “The Cask of Amontillado”




Don’t Miss Poe’s 207th Birthday Bash on January 16!


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Already the world’s largest celebration of author Edgar Allan Poe’s birthday, the Poe Museum of Richmond’s annual Poe Birthday Bash will outdo itself this January 16 from noon to midnight with twelve straight hours counting down Poe’s greatest hits with performance, film, music, readings, exhibits, and more for just $5 per person.

New exhibits opening that day include the interactive “Poe’s Greatest Hits” in which the visitor gets to be part of a Poe story. There will also be a display of original artwork from the new film Extraordinary Tales. Live music includes fan favorites The Embalmers and more great bands. There will be readings and performances throughout the day in addition to neighborhood tours, museum tours, and historical interpreters. We will be joined by James River Writers and Sisters in Crime for readings and the announcement of the winner of the inaugural Poe Inspires Award for flash fiction and poetry at 5:30 p.m. Guests will vote for Poe’s greatest short story, and the winner will be announced at 6 p.m.

There will be crafts and games for the kids, a sad poetry reading contest for all ages, and a midnight champagne toast for the adults. Other highlights of the day include a screening of the film Extraordinary Tales, The Embalmers playing live music to accompany screenings of silent Poe films, a walking tour the neighborhood by Poe’s mother, and readings by members of Sisters in Crime. A cash bar will be provided by Center of the Universe.

Here is the schedule so far:

11:00 a.m. to Dark
Crafts

11:30 a.m.
Walking Tour with Poe’s Fiancee Elmira Shelton

Begins and ends at Poe Museum and includes a stop at St. John’s Church.

Noon to 1:30 p.m.
Live Music

With Margot MacDonald
12:45 p.m.
Museum Tour

1:30 p.m.
“The Conqueror Worm”
Performed by Dean Knight

1:45 p.m.
Museum Tour

2:00 p.m.
Walking Tour of Shockoe Bottom with Poe’s Mother
Begins and ends at Poe Museum with a stop at the oldest continuously used Masonic Lodge in the country.

2:30 p.m.
Reading

3:00 p.m.
Sisters in Crime
Talk and Book Signing

4:00 p.m.
Talk by the Poe Museum’s curator

4:30 p.m.
Birthday Cake Served

4:45 p.m.
Curator’s Corner
See some little known oddities and rarities from the collection taken out of the vault just for this event!

5:15 p.m.
Sad Poetry Reading Contest, Reading Activities

“Poe Inspired” Contest Presentation with Poe Museum and James River Writers
Poe’s Greatest Hit Countdown Announcement

6:30 p.m. Walking Tour
Poe’s Last Night in Richmond

Retrace Poe’s path during his final night in Richmond, just over a week before his death.

6:30 p.m. to 8:00 p.m.
Live Music
With Ocean Versus Daughter


7:00 p.m. Museum Tour

7:15 p.m.
“Berenice” Reading by Dean Knight
“The Raven” Reading by Michael Fawcett

8:00 p.m. – 9:15 p.m.
Extraordinary Tales

9:30 p.m. Museum Tour

10:00 p.m. to 11:30 p.m.
Live Music by Embalmers and Silent Films

Midnight
Champagne Toast in the Poe Shrine

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Pipsqueaks Populate Poe’s Pumpkin Patch


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This Halloween kids enjoyed decorating pumpkins, making raven puppets, and playing fun games at the annual Poe’s Pumpkin Patch in the Poe Museum’s legendary Enchanted Garden. Guests of all ages got to choose, decorate, and take home their very own pumpkins. Here some pictures from the event.

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Poe Museum Presents Major New Poe Film


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This Halloween night at 6 p.m. the Edgar Allan Poe Museum in Richmond, Virginia will premiere the new animated Poe adaptation Extraordinary Tales featuring the voice talents of film legends Christopher Lee (in one of his very last roles), Roger Corman (director of series of Poe films), Guillermo del Toro (director of Crimson Peak and Pan’s Labyrinth) and Bela Lugosi (the original Dracula from the 1931 film of that name). The film, directed by Raul Garcia, features adaptations of five of Poe’s greatest short stories. Click here to see a preview of the film.

Admission is just five dollars. The film will be shown on the big inflatable screen in the Poe Museum’s legendary Enchanted Garden. For more information, please call the Poe Museum at 804.648.5523 or [email protected]

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Nobody Does Halloween Like the Poe Museum


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Halloween just isn’t Halloween without Edgar Allan Poe. In addition to inventing the detective story and revolutionizing science fiction, Poe developed the modern tale of psychological terror. Readings of “The Tell-Tale Heart” and screenings of the countless screen adaptations of Poe’s works are staples of the Halloween season—guaranteed to send shivers down your spine. This October, the Edgar Allan Poe Museum in Richmond is the place to get your Poe fix with a selection of events for the whole family. Here is a schedule.

October 9 at 5:30 p.m. at the Poe Museum, Richmond
Richmond Strange Stories Walking Tour
See the forgotten places and meet the overlooked people who represent the dark side of Richmond history. This week’s tour will visit Church Hill where you will learn about “Crazy Bette” Van Lew, George Wythe, and Poe’s first love. Click here for more information.

Bowman Body Hosts House on Haunted Hill and City of the Dead
October 10 at noon at the Byrd Theatre in Richmond
The Bowman Body, legendary horror movie host from Channel 8’s Shock Theater, will host an afternoon of classic horror featuring House on Haunted Hill and City of the Dead. One dollar from each ticket sold will go to support the Poe Museum’s educational programs. Click here for more information.

Richmond Strange Stories Walking Tour
October 16 at 5:30 p.m. at the Poe Museum, Richmond

Follow Richmond’s historic canal to learn the role it played in making Richmond the center of weirdness it is today. Click here for more information. Click here for more information.

Fancy Me Mad
October 17 at 6:30 p.m. at St. John’s Church, Richmond
Join us for a walking tour of the graveyard, meet some of our most famous spirits, and then join Edgar Allan Poe in the church for ghostly tales.
Among the spirits represented: Edgar’s mother Eliza Poe, George Wythe and his murderous nephew, Daniel Denoon, who shares the story of his death at the hands of his employer James McNaught, and hear from a Confederate Soldier looking for Union spy Elizabeth Van Lew.
The cost is $5. You may pay at the gate or purchase advance tickets at http://www.brownpapertickets.com/event/2074296 or go to browpapertickets.com and search Fancy Me Mad
5:00 pm Gates open for self-guided tour
6:00 pm Church doors open and music begins seating is first come, first served basis
6:30 pm Poe tells stories in the church
The Visitor Center will be open for shopping featuring items from The Poe Museum and St. John’s Church – and serving refreshments.
Click here for more information.

October Unhappy Hour: “The Cask of Amontillado”
October 22 from 6-9 p.m. at the Poe Museum, Richmond
Join us in the Poe Museum’s Enchanted Garden for the final Unhappy Hour of the year. This is also the spookiest one of the season and will feature live music by Connor Wood, a cash bar, food, and performances. Halloween costumes are encouraged, although not required! The theme for this Unhappy Hour is Poe’s story “The Cask of Amontillado.” Cost: $5 Click here to see photos from our Unhappy Hour Poe Photo Booth.

Exhibit: The Cask of Amontillado
October 22 at the Poe Museum, Richmond

Poe’s classic comes to life as you learn the story behind the story in this chilling exhibit.

Richmond Strange Stories Walking Tour
October 23 at 5:30 p.m. at the Poe Museum, Richmond
Learn the dark history of Capitol Square. Click here for more information.

Poe Alive! The Cask of Amontillado
October 23 at 8 p.m. at the Poe Museum, Richmond
The entire Poe Museum garden becomes the stage, and the audience must travel through it to experience this unique interpretation of Poe’s classic horror story “The Cask of Amontillado” presented by Free Jambalaya. Click here for more information.

Richmond’s Strange Stories Walking Tour
October 30 at 5:30 p.m. at the Poe Museum, Richmond
Catch the last Strange Stories walking tour of 2015. Click here for more information.

Poe Alive! The Cask of Amontillado
October 30 at 8 p.m. at the Poe Museum, Richmond

The entire Poe Museum garden becomes the stage, and the audience must travel through it to experience this unique interpretation of Poe’s classic horror story “The Cask of Amontillado” presented by Free Jambalaya. Click here for more information.

Poe’s Pumpkin Patch
October 31 from noon to 4 p.m. at the Poe Museum, Richmond

Make sure your kids grow up weird by taking them to this fun-filled afternoon of Poe-themed games and crafts. Included with Poe Museum admission.

Poe Goes to the Movies: Extraordinary Tales
October 31 from 6 to 9 p.m. at the Poe Museum, Richmond
See the Richmond premiere of the new animated Poe adaptation featuring the voice talents of the legendary Christopher Lee, Roger Corman, and Bela Lugosi. Admission is $5. Here is the preview. Click here for more information.

Poe Alive! The Cask of Amontillado
November 1 at 8 p.m. at the Poe Museum, Richmond

The entire Poe Museum garden becomes the stage, and the audience must travel through it to experience this unique interpretation of Poe’s classic horror story “The Cask of Amontillado” presented by Free Jambalaya. Click here for more information.




Beloved Horror Host Returns to Support Poe Museum


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On October 10 at the Byrd Theater in Richmond VA, fans of legendary horror movie host, the Bowman Body, will have a unique opportunity to see both newly shot footage and surviving footage from the popular local show “Shock Theatre” and help a worthy cause at the same time.

Director Sean Kotz of Horse Archer Productions produced new episodes of Shock Theater in August featuring an upgraded set, familiar characters and Colonial Heights’ own Bill Bowman as the Bowman Body. The episodes are wrapped around two classic horror films, “House on Haunted Hill” and “City of the Dead” and available on DVD but Kotz said he wanted to provide something very special for the longtime fans.

“Back in 2011, we did a documentary on the Bowman Body called ‘Hi There Horror Movie Fans’ and tracked down the surviving footage from the WXEX days,” Kotz stated, “but we cut up most of the footage for the documentary leaving a lot of it unseen by the fans.”

“So we decided to put together something we are calling, ‘Them’s the Breaks, Bowman Body’ that lets folks see what remains of the old show’s breaks as well as what Bowman is doing now.”

Fans can expect to see the Bowman Body clowning with guests, playing his ukulele and the famous “basketball incident” in which Bowman was accidentally knocked out of his trademark coffin by a wayward basketball. Other rarities and bloopers will be part of the show too and Bill Bowman will be in attendance.

Tickets are $10 at the door and one dollar of every sale goes to the Poe Museum to help support its educational outreach programs.

Afterward, fans wanting to meet Bill Bowman in person are invited to a public party at The Bucket Trade in Chester at 5 pm on the 10th where they can sample special Bowman inspired brews from Isley Brewing, get autographs and check out the new DVDs.

More information is available at www.thebowmanbody.com.

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Edgar Allan Poe Comes to Life this October


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The Poe Museum and St. John’s Church have teamed up to bring Edgar Allan Poe back to life in the very place he often came to visit his beloved mother’s grave. Join us on Saturday, October 17 at 5 p.m. at St. John’s Church at 2401 East Broad Street in Richmond, Virginia for a walking tour of the historic graveyard where you will meet some of our most famous spirit before you join Edgar Allan Poe in the church for a performance of some of his ghostly tales. Among the spirits represented are Edgar’s mother Eliza Poe, George Wythe and his murderous nephew, Daniel Denoon and his killer James McNaught, and a Confederate Soldier looking for Union spy Elizabeth Van Lew.

The cost is $5. You may pay at the gate or purchase advance tickets here or go to browpapertickets.com and search Fancy Me Mad.

Fancy Me Mad – Tales from Edgar Allan Poe and Graveyard Tours
Saturday, October 17, 2016
5:00 – 7:00 PM
St. John’s Church
2401 E. Broad Street
Richmond VA 23223

Sponsored by: St. John’s Church Foundation and The Poe Museum

Schedule:
5:00 p.m. Gates open for self-guided tour
6:00 p.m. Church doors open and music begins seating is first come, first served basis
6:30 p.m. Poe tells stories in the church

(The Visitor Center will be open for shopping featuring items from The Poe Museum and St. John’s Church – and serving refreshments.)

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Experience Poe’s Classic Chiller in a Whole New Way


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On October 23 and 30 at 8 p.m. at the Poe Museum in Richmond, Virginia, Free Jambalaya will present a new interpretation of Poe’s terror classic “The Cask of Amontillado.” The audience will follow the actors through the Museum’s garden in this unique performance. Tickets are $15 and are available at the Poe Museum.

The piece will be directed by Rebecca Anne Muhleman and will feature Freddy Kaufman, Dean Knight, Katy McCormack, and Lesie Pumphrey.

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Rewrite Poe’s obituary and win a signed copy of nEvermore!


When Edgar Allan Poe died in 1849, his obituary painted him as a friendless misanthrope whose death would “startle many, but few [would] be grieved by it.” Ouch. This notoriously unflattering piece was published under the pseudonym “Ludwig,” though we know its author was Rufus Griswold, Poe’s literary executor who ended up maligning Poe’s character not only in this obituary but in a subsequent biography.

We think Edgar deserves better! Poe isn’t around to defend himself, but we invite you to speak on his behalf and rewrite his obituary. Submit your Poe-bituaries to us at [email protected] by midnight on Wednesday, October 7, 2015, and we’ll select a winner to publish on our blog and share via our Facebook page. The winner will also receive a copy of the brand new anthology nEvermore! signed by authors J. Madison Davis, Nancy Kilpatrick, and Caro Soles.

Griswold’s infamous article is copied below. May it inspire you to write something better!

October 7 is the anniversary of Poe’s death. Here at the museum, we’ll be honoring Poe with a reading and signing of nEvermore! with J. Madison Davis, Nancy Kilpatrick, and Caro Soles. Please join us from 6-9 that evening!

 

Death of Edgar A. Poe.

EDGAR ALLAN POE is dead. He died in Baltimore the day before yesterday. This announcement will startle many, but few will be grieved by it. The poet was well known, personally or by reputation, in all this country; he had readers in England, and in several of the states of Continental Europe; but he had few or no friends; and the regrets for his death will be suggested principally by the consideration that in him literary art has lost one of its most brilliant but erratic stars.

The family of Mr. Poe — we learn from Griswold’s “Poets and Poetry of America,” from which a considerable portion of the facts in this notice are derived — was one of the oldest and most respectable in Baltimore. David Poe, his paternal grandfather, was a Quartermaster-General in the Maryland line during the Revolution, and the intimate friend of Lafayette, who, during his last visit to the United States, called personally upon the General’s widow, and tendered her acknowledgments for the services rendered to him by her husband. His great-grandfather, John Poe, married in England, Jane, a daughter of Admiral James McBride, noted in British naval history, and claiming kindred with some of the most illustrious English families. His father and mother, — both of whom were in some way connected with the theater, and lived as precariously as their more gifted and more eminent son — died within a few weeks of each other, of consumption, leaving him an orphan, at two years of age. Mr. John Allan, a wealthy gentleman of Richmond, Virginia, took a fancy to him, and persuaded his grandfather to suffer him to adopt him. He was brought up in Mr. Allan’s family; and as that gentleman had no other children, he was regarded as his son and heir. In 1816 he accompanied Mr. and Mrs. Allen [[Allan]] to Great Britain, visited every portion of it, and afterward passed four or five years in a school kept at Stoke Newington, near London, by Rev. Dr. Bransby. He returned to America in 1822, and in 1825 went to the Jefferson University, at Charlottesville, in Virginia, where he led a very dissipated life, the manners of the college being at that time extremely dissolute. He took the first honors, however, and went home greatly in debt. Mr. Allan refused to pay some of his debts of honor, and he hastily quitted the country on a Quixotic expedition to join the Greeks, then struggling for liberty. He did not reach his original destination, however, but made his way to St. Petersburg, in Russia, when he became involved in difficulties, from which he was extricated by the late Mr. Henry Middleton, the American Minister at that Capital. He returned home in 1829, and immediately afterward entered the Military Academy at West-Point. In about eighteen months from that time, Mr. Allan, who had lost his first wife while Mr. Poe was in Russia, married again. He was sixty-five years of age, and the lady was young; Poe quarreled with her, and the veteran husband, taking the part of his wife, addressed him an angry letter, which was answered in the same spirit. He died soon after, leaving an infant son the heir to his property, and bequeathed Poe nothing.

The army, in the opinion of the young cadet, was not a place for a poor man; so he left West-Point abruptly, and determined to maintain himself by authorship. He printed, in 1827, a small volume of poems, most of which were written in early youth. Some of these poems are quoted in a reviewal by Margaret Fuller, in The Tribune in 1846, and are justly regarded as among the most wonderful exhibitions of the precocious development of genius. They illustrated the character of his abilities, and justified his anticipations of success. For a considerable time, however, though he wrote readily and brilliantly, his contributions to the journals attracted little attention, and his hopes of gaining a livelihood by the profession of literature were nearly ended at length in sickness, poverty and despair. But in 1831, the proprietor of a weekly gazette, in Baltimore, offered two premiums, one for the best story in prose, and the other for the best poem. — In due time Poe sent in two articles, and he waited anxiously for the decision. One of the Committee was the accomplished author of “Horseshoe Robinson,” John P. Kennedy, and his associates were scarcely less eminent than he for wit and critical sagacity. Such matters are usually disposed of in a very off hand way: Committees to award literary prizes drink to the payer’s health, in good wines, over the unexamined MSS, which they submit to the discretion of publishers, with permission to use their names in such a way as to promote the publisher’s advantage[[.]] So it would have been in this case, but that one of the Committee, taking up a little book in such exquisite calligraphy as to seem like one of the finest issues of the press of Putnam, was tempted to read several pages, and being interested, he summoned the attention of the company to the half-dozen compositions in the volume. It was unanimously decided that the prizes should be paid to the first of geniuses who had written legibly. Not another MS. was unfolded. Immediately the ‘confidential envelop’ was opened, and the successful competitor was found to bear the scarcely known name of Poe.

The next day the publisher called to see Mr. Kennedy, and gave him an account of the author that excited his curiosity and sympathy, and caused him to request that he should be brought to his office. Accordingly he was introduced: the prize money had not yet been paid, and he was in the costume in which he had answered the advertisement of his good fortune. Thin, and pale even to ghastliness, his whole appearance indicated sickness and the utmost destitution. A tattered frock-coat concealed the absence of a shirt, and the ruins of boots disclosed more than the want of stockings[[.]] But the eyes of the young man were luminous with intelligence and feeling, and his voice, and conversation, and manners, all won upon the lawyer’s regard. Poe told his history, and his ambition, and it was determined that he should not want means for a suitable appearance in society, nor opportunity for a just display of his abilities in literature. Mr. Kennedy accompanied him to a clothing store, and purchased for him a respectable suit, with changes of linen, and sent him to a bath, from which he returned with the suddenly regained bearing of a gentleman.

The late Mr. Thomas W. White had then recently established The Southern Literary Messenger, at Richmond, and upon the warm recommendation of Mr. Kennedy, Poe was engaged, at a small salary — we believe of $500 a year — to be its editor. He entered upon his duties with letters full of expressions of the warmest gratitude to his friends in Baltimore, who in five or six weeks were astonished to learn that with characteristic recklessness of consequences, he was hurriedly married to a girl as poor as himself. Poe continued in this situation for about a year and a half, in which he wrote many brilliant articles, and raised the Messenger to the first rank of literary periodicals.

He next moved to Philadelphia, to assist William E. Burton in the editorship of the Gentleman’s Magazine, a miscellany that in 1840 was merged in Graham’s Magazine, of which Poe became one of the principal writers, particularly in criticism, in which his papers attracted much attention, by their careful and skillful analysis, and generally caustic severity. At this period, however, he appeared to have been more ambitious of securing distinction in romantic fiction, and a collection of his compositions in this department, published in 1841, under the title of “Tales of the Grotesque and Arabesque,” established his reputation for ingenuity, imagination and extraordinary power in tragical narration.

Near the end of 1844 Poe removed to New-York, where he conducted for several months a literary miscellany called “The Broadway Journal.” In 1845 he published a volume of “Tales” in Wiley and Putnam’s Library of American Books, and in the same series a collection of his poems. Besides these volumes he was the author of “Arthur Gordon Pym,” a romance: “A New Theory of Versification;” “Eureka,” an essay on the spiritual and material universe: a work which he wished to have “judged as a poem;” and several extended series of papers in the periodicals, the most noticeable of which are “Marginalia”, embracing opinions of books and authors; “Secret Writing,” “Autography,” and “Sketches of the Literati of New-York.”

His wife died in 1847, at Fordham, near this City, and some of our readers will remember the paragraphs in the papers of the time, upon his destitute condition. His wants were supplied by the liberality of a few individuals. We remember that Col. Webb collected in a few moments fifty or sixty dollars for him at the Union Club; Mr. Lewis, of Brooklyn, sent a similar sum from one of the Courts, in which he was engaged when he saw the statement of the poet’s poverty; and others illustrated in the same manner the effect of such an appeal to the popular heart.

Since that time Mr. Poe has lived quietly, and with an income from his literary labors sufficient for his support. A few weeks ago he proceeded to Richmond[[,]] in Virginia, where he lectured upon the poetical character, &c.; and it was understood by some of his correspondents here that he was this week to be married, most advantageously, to a lady of that city: a widow, to whom he had been previously engaged while a student in the University. [column 4, top:]

The character of Mr. Poe we cannot attempt to describe in this very hastily written article. We can but allude to some of its more striking phases.

His conversation was at times almost supra-mortal in its eloquence. His voice was modulated with astonishing skill, and his large and variably expressive eyes looked repose [[sic]] or shot fiery tumult into theirs who listened, while his own face glowed, or was changeless in pallor, as his imagination quickened his blood or drew it back frozen to his heart. His imagery was from the worlds which no mortal can see but with the vision of genius. Suddenly starting from a proposition exactly and sharply defined in terms of utmost simplicity and clearness, he rejected the forms of customary logic, and by a crystalline process of accretion, built up his occular demonstrations in forms of gloomiest and ghastliest grandeur, or in those of the most airy and delicious beauty — so minutely, and distinctly, yet so rapidly, that the attention which was yielded to him was chained till it stood among his wonderful creations — till he himself dissolved the spell, and brought his hearers back to common and base existence, by vulgar fancies or by exhibitions of the ignoblest passion.

He was at all times a dreamer — dwelling in ideal realms — in heaven or hell — peopled with creatures and the accidents of his brain. He walked the streets, in madness or melancholy, with lips moving in indistinct curses, or with eyes upturned in passionate prayers, (never for himself, for he felt, or professed to feel, that he was already damned), but for their happiness who at the moment were objects of his idolatry — or, with his glances introverted to a heart gnawed with anguish, and with a face shrouded in gloom, he would brave the wildest storms; and all night, with drenched garments and arms wildly beating the winds and rains, he would speak as if to spirits that at such times only could be evoked by him from the Aidenn close by whose portals his disturbed soul sought to forget the ills to which his constitution subjugated him — close by that Aidenn where were those he loved — the Aidenn which he might never see, but in fitful glimpses, as its gates opened to receive the less fiery and more happy natures whose destiny to sin did not involve the doom of death.

He seemed, except when some fitful pursuit subjected his will and engrossed his faculties, always to bear the memory of some controlling sorrow. The remarkable poem of The Raven was probably much more nearly than has been supposed, even by those who were very intimate with him, a reflexion and an echo of his own history. He was that bird’s

  —— Unhappy master,

Whom unmerciful disaster

Followed fast and followed faster,

Till his songs the burden bore —

Till the dirges of his hope, the

Melancholy burden bore

Of “Nevermore,” of “Nevermore.”

Every genuine author in a greater or less degree leaves in his works, whatever their design, traces of his personal character: elements of his immortal being, in which the individual survives the person. While we read the pages of theFall of the House of Usher, or of Mesmeric Revelations, we see in the solemn and stately gloom which invests one, and in the subtle metaphysical analysis of both, indications of the idiosyncrasies, — of what was most remarkable and peculiar — in the author’s intellectual nature. But we see here only the better phases of this nature, only the symbols of his juster action, for his harsh experience had deprived him of all faith in man or woman. He had made up his mind upon the numberless complexities of the social world, and the whole system with him was an imposture. This conviction gave a direction to his shrewd and naturally unamiable character. Still, though he regarded society as composed altogether of villains, the sharpness of his intellect was not of that kind which enabled him to cope with villainy, while it continually caused him by overshots to fail of the success of honesty. He was in many respects like Francis Vivian in Bulwer’s novel of “The Caxtons.” “Passion, in him, comprehended many of the worst emotions which militate against human happiness. You could not contradict him, but you raised quick choler; you could not speak of wealth, but his cheek paled with gnawing envy. The astonishing natural advantages of this poor boy — his beauty, his readiness, the daring spirit that breathed around him like a fiery atmosphere — had raised his constitutional self-confidence into an arrogance that turned his very claims to admiration into prejudice against him. Irascible, envious — bad enough, but not the worst, for these salient angles were all varnished over with a cold repellant cynicism, his passions vented themselves in sneers. There seemed to him no moral susceptibility; and, what was more remarkable in a proud nature, little or nothing of the true point of honor. He had, to a morbid excess, that desire to rise which is vulgarly called ambition, but no wish for the esteem or love of his species; only the hard wish to succeed — not shine, not serve — succeed, that he might have the right to despise a world which galled his self conceit.”

We have suggested the influence of his aims and vicissitudes upon his literature. It was more conspicuous in his later than his earlier writing. Nearly all that he wrote in the last two or three years — including much of his best poetry — was in some sense biographical; in draperies of his imagination, those who had taken the trouble to trace his steps, could perceive, but slightly concealed, the figure of himself.

There are perhaps some of our readers who will understand the allusions of the following beautiful poem. Mr. Poe presented it in MS. to the writer of these paragraphs, just before he left New-York recently, remarking that it was the last thing he had written:

ANNABEL LEE.

It was many and many a year ago,

In a kingdom by the sea

That a maiden there lived whom you may know

By the name of ANNABEL LEE;

And this maiden she lived with no other thought

Than to love and be loved by me.

I was a child and she was a child,

In this kingdom by the sea.

But we loved with a love that was more than love —

I and my ANNABEL LEE

With a love that the wingëd seraphs of heaven

Coveted her and me.

And this was the reason that, long ago,

In this kingdom by the sea,

A wind blew out of a cloud, chilling

My beautiful ANNABEL LEE;

So that her highborn kinsmen came

And bore her away from me,

To shut her up in a sepulchre

In this kingdom by the sea.

The angels, not half so happy in heaven,

Went envying her and me —

Yes! — that was the reason (as all men know,

In this kingdom by the sea)

That the wind came out of the cloud by night,

Chilling and killing my ANNABEL LEE.

But our love it was stronger by far than the love

Of those who were older than we —

Of many far wiser than we —

And neither the angels in heaven above,

Nor the demons down under the sea,

Can ever dissever my soul from the soul

Of the beautiful ANNABEL LEE:

For the moon never beams, without bringing me dreams

Of the beautiful ANNABEL LEE;

And the stars never rise but I feel the bright eyes

Of the beautiful ANNABEL LEE,

And so, all the night-tide, I lie down by the side

Of my darling — my darling — my life and my bride,

In her sepulchre there by the sea —

In her tomb by the sounding sea.

We must omit any particular criticism of Mr. Poe’s works. As a writer of tales it will be admitted generally, that he was scarcely surpassed in ingenuity of construction or effective painting. As a critic, he was more remarkable as a dissecter of sentences than as a commentater upon ideas: he was little better than a carping grammarian. As a poet, he will retain a most honorable rank. Of his “Raven,” Mr. Willis observes, that in his opinion “it is the most effective single example of fugitive poetry ever published in this country, and is unsurpassed in English poetry for subtle conception, masterly ingenuity of versification, and consistent sustaining of imaginative lift.” In poetry, as in prose, he was most successful in the metaphysical treatment of the passions. His poems are constructed with wonderful ingenuity, and finished with consummate art. They illustrate a morbid sensitiveness of feeling, a shadowy and gloomy imagination, and a taste almost faultless in the apprehension of that sort of beauty most agreeable to his temper.

We have not learned of the circumstance of his death. It was sudden, and from the fact that it occurred in Baltimore, it is to be presumed that he was on his return to New-York.

“After life’s fitful fever he sleeps well.”

LUDWIG.