“The Lake” by Cat the Cat (France)
For over a century, Edgar Allan Poe’s literary works have inspired great visual art from around the globe, the Poe Museum in Richmond, Virginia wants to promote Poe’s legacy of inspiration in all the arts. That is why, in conjunction with the Poe Film Festival (a tribute to Poe’s influence on cinema), the Poe Museum of Richmond and the Good Goat Gallery of Ohio have collaborated on “A Poe-tic Tribute,” an exhibit of contemporary Poe-inspired art by a group of international artists opening on September 22 with a special Unhappy Hour at the Poe Museum. Each artist was challenged to make a work of visual art inspired by one of Poe’s poems. The participants include:
Alexandra Soury (France)
Valency Elise Genis (New Mexico)
Ann Lim (California)
Lisa Snellings (Oregon)
Enzo Marra (England)
Sean Kelly (Ohio)
Cat the Cat (France)
Tom Haney (Georgia)
Domenico Scalisi (Italy)
Scott Radke (Ohio)
Chris Semtner (from Parts Unknown)
A. Nancy Cintron (Ohio)
Lindsay Stanley (Ohio)
Forlorn Dolls (aka Samantha Meyers of Ohio)
Ana Luisa Sanchez (Ohio)
Mike Bell (New Jersey)
“Deep in Earth” by Scott Radke (USA)
The exhibit continues until January 8 and is included in the price of Poe Museum general admission. All works will be for sale with the proceeds benefiting the Poe Museum and a special art scholarship program started by Victoria Price, daughter of screen legend Vincent Price.
“The Conqueror Worm” by Valency Genis (USA)
“The Sleeper” by Enzo Marra (UK)
For the third year in a row, the Edgar Allan Poe Museum in Richmond, Virginia is inviting artists to paint, sketch, or photograph the museum’s legendary Enchanted Garden for its exhibit Painting the Enchanted Garden 3, which opens May 26 and runs until July 17. The great quality and variety of the artists in the first two Painting the Enchanted Garden exhibits has encouraged the Poe Museum to bring back the popular show.
Art by Dwight Paulette
The rules of entering the exhibit are simple. Interested artists sign up by April 1 by emailing the Poe Museum’s curator Chris Semtner at [email protected] Then the artists can visit the museum to sketch, photograph, or paint the museum’s garden. Artists interested in working in a group painting session can join Semtner on April 24 from 2 to 5 p.m. The finished artwork should be delivered ready to hang between May 17 through 22 during regular business hours. A portion of the proceeds from the artwork will benefit the Poe Museum. Click here for the complete prospectus. Click here to see the consignment agreement.
About the Poe Museum’s Enchanted Garden:
Landscaped in 1921 and opened in April 1922, the Poe Museum’s Enchanted Garden is Virginia’s first monument to a writer. The layout of the garden was inspired by Poe’s poem “To One in Paradise,” and the building materials were salvaged from different structures in which Poe lived or worked. The Garden Club of Virginia is in the process of restoring the Enchanted Garden to its original beauty, ensuring that the museum’s visitors continue to see the garden very much as it would have appeared in the 1920s. Click here to read more about the Enchanted Garden.
Painting the Enchanted Garden 2 in 2015
Click this link for an Exhibit Prospectus:
Prospectus for Painting the Enchanted Garden 2016
Click the following link for an Artwork Consignment Form:
Painting the Enchanted Garden 2016 Incoming Loan Agreement
Artwork by Bill Dompke
From January 17 until May 24, 2015, the Edgar Allan Poe Museum in Richmond, Virginia will host the contemporary art exhibit Chambers of the Red Death: A Study in Light and Shadows by Nicole Pisaniello. Artist and Illustrator, Nicole Pisaniello, will be using cut paper, paint, and lighting effects to interpret Edgar Allan Poe’s short story “The Masque of the Red Death.” Nicole graduated with a Bachelor of Arts from VCU. Her work has been published in two fantasy art collections as well as in Faerie Magazine, and displayed in several galleries. She is a co-host of Dr. Sketchy’s RVA and co-founder of RVA Krampusnacht.
The exhibit will open on January 17, 2015 from noon to midnight as part of the Poe Museum’s 12-hour Poe Birthday Bash, the world’s largest celebration of Edgar Allan Poe’s birthday. For more information call 804-648-5523.
In honor of Edgar Allan Poe’s mother on the bicentennial of her death, a Richmond artist painted these two portraits of Eliza Poe. The first is closely based on the only surviving life portrait of Eliza Poe.
The second portrait was painted from the actress Debbie Phillips during one of her performances as Eliza Poe. This painting is currently hanging in the Poe Museum’s gift shop.
On Thursday, September 22, 2011 from 6-9P.M., the Poe Museum in Richmond, Virginia will celebrate the opening of the United States debut of a new art exhibit, The Raven, Terror & Death, with an Unhappy Hour devoted to Edgar Allan Poe’s 1845 poem “The Raven.” Guests will enjoy raven readings, films, music, games, and, of course, this unique artistic tribute to the poem featuring over 60 artists from the United States and Mexico. The Raven, Terror & Death was first exhibited earlier this year at Escuela Nacional de Artes Plásticas in Mexico. In addition to showcasing a wide variety of different contemporary artists’ responses to Poe’s poem, the exhibit also offers a rare opportunity for Richmonders to see new art by some of Mexico’s most respected artists.
Exhibit organizers, George Rivera, PhD, Professor of Art and Art History at the University of Colorado, and Dr. José Daniel Manzano Águila, Director of the Escuela Nacional de Artes Plásticas, offered a select group of contemporary artists the challenge of creating work in response to Poe’s poem, “The Raven.”
According to Rivera, “Since art has the capacity to build bridges between people by addressing what is universal among human beings, the exhibition of “El Cuervo” [“The Raven”] in the United States is timely… Dr. Manzano understands the importance of the artistic spirit in the New Millennium. The artists who he has gathered from the Escuela Nacional de Artes Plásticas have created excellent examples of art that transcends borders.”
The Co-Curator, Manzano says of the Mexican artists in the exhibit, “This sample integrated with 24 works created by the same number of participants, all educators of the National School of Plastic Arts of the UNAM, will contribute in the promotion and diffusion of the artistic work and will serve as a homage to the highly esteemed writer Edgar Allan Poe, who bequeathed the humanity an extraordinary abundance of literary works. It is also our desire that this exposition serve to preserve the Poe Museum, where the literary creator lived part of his life, carrying out the magisterial work that can be found translated into almost all the languages of the world.”
Professor Rivera will be attendance at the exhibit opening to answer questions about the extraordinary range of works on view. The exhibit will continue through January 1, 2012. Admission is free during the exhibit opening and thereafter is included with Poe Museum general admission.
Below are a few samples of the work to be displayed.