Pastel by Kailee Cross
In a departure from the darkness and mystery usually associated with the works of author Edgar Allan Poe, the Poe Museum in Richmond will feature an exhibit celebrating the beauty of nature and gardens. From April 23 until June 21, 2015, the Edgar Allan Poe Museum in Richmond will host Painting the Enchanted Garden 2, its second annual exhibition of new paintings, drawings, and photographs of its legendary Enchanted Garden. In honor of the current restoration of this ninety-three year old landmark by the Garden Club of Virginia, artists were challenged to visit the garden beginning in March in order to produce new work to display in time for the exhibit opening at 6 p.m. on April 23. The artists who took up the challenge in order to participate in the exhibit are David Bromley, Clarise Carnahan, Kailee Cross, Bill Dompke, Kim Hall, Linda Hollett, Chris Ludke, and Dwight M. Paulett.
The Poe Museum’s Enchanted Garden was based on a description of Paradise in Edgar Allan Poe’s poem “To One in Paradise.” The flowers, trees, and shrubs planted there are ones named in Poe’s poems and short stories. Even the paving stones, benches, and bricks were salvaged from buildings in which Poe lived or worked in Richmond and New York. Over the past nine decades, the Enchanted Garden has inspired poems, novels, and visual art from generations of artists. It has even inspired a replica garden in South Carolina.
According to Poe Museum Curator Chris Semtner, “Since the garden was inspired by Poe’s writing, it is fitting that the garden continues to inspire new artists and authors. This exhibit is a fitting document of that legacy of inspiration.”
The paintings in this exhibit will be for sale, and proceeds from the sale benefit the Poe Museum’s educational programs.
View of last year's exhibit with painting by Chris Ludke
You can be a part of the Poe Museum’s next exhibit. After the success of last year’s Painting the Enchanted Garden, the Edgar Allan Poe Museum in Richmond, Virginia is calling on artists to visit the Museum’s legendary Enchanted Garden to sketch, paint, collage, or photograph the site for a the exhibit Painting the Enchanted Garden 2, which will run from April 23 until June 21, 2015. A portion of the proceeds from the sale of the artwork will benefit the Poe Museum’s educational programming.
The exhibit is open to all artists, including ones who participated last year. Since the first call for artists was so well received, the Museum will be displaying this year’s exhibit in a larger gallery on the first floor of the changing exhibits building.
If the weather permits, artists can begin working in the Garden on March 15 and must have their completed works ready for display by April 19. In order to avoid conflict with the Museum’s special events and facility rentals, artists must schedule their painting or sketching visits with the Museum’s curator Chris Semtner by writing him a [email protected] or by calling 804-648-5523. For those interested in joining a group painting session, the Museum will host one on Sunday, April 12 from 2-5 p.m. with artist Chris Semtner.
Interested artists can learn more about this opportunity by contacting [email protected] or calling 804-648-5534. In order to participate, please register for the show by April 1.
A copy of the prospectus can be found here: Prospectus for Painting the Enchanted Garden 2015
Artwork by Chris Ludke
Who will be the next Edgar Allan Poe? The Poe Museum in Richmond, Virginia intends to find out. From June 21-27, 2015, the Museum will host its annual Edgar Allan Poe Young Writers’ Conference for high school students. Designed and founded in 2004 by Edgar™ Award-winning author and Edgar Allan Poe’s cousin, Dr. Harry Lee Poe, the Edgar Allan Poe Young Writers’ Conference attracts students from across the country to take part in a unique and intensive writing experience. In addition to participating in daily workshops, the students will learn from writing professionals including award-winning novelists, editors, journalists, poets, and playwrights. What makes the conference special is its Poe connection. Richmond, Virginia was home to Edgar Allan Poe for thirteen years, and it is here that he began his literary career. Students will learn from and be inspired by Poe by studying his craft as well as by visiting the sites that inspired or served as settings for his greatest works.
Past speakers have included Nero, Lefty, and Shamus Award-winning author Brad Parks; Hammett Prize winning novelist and journalist Howard Owen; Edgar Award™ winning biographer and educator Dr. Harry Lee Poe; and Theresa Pollack Award winning editor Mary Flinn.
The conference is designed to empower students to be leaders, educators, and writing professionals. So far, past students have become published authors and have been accepted into prestigious university writing programs.
To learn more about the conference or to apply, please click here of call the Edgar Allan Poe Museum at 804-648-5523 or [email protected] Click here to download an application. Applications are due April 1.
More Information about the Young Writers’ Conference:
The Edgar Allan Poe Young Writers’ Conference empowers high school students with the skills they need to become the next generation of great writers. In the tradition of Edgar Allan Poe, who encouraged and inspired young writers in his own time, the Poe Museum’s annual conference brings together students with professional journalists, editors, novelists, poets, and others who have devoted their lives to writing. The program is designed to encourage future innovation, expression, and leadership in Richmond’s literary community.
The participants will learn from the professionals who have devoted their lives to writing. Each morning of the conference, professional editors, technical writers, journalists, playwrights, novelists, and poets will share their experiences and advice with the participants. These speakers have included winners of such prestigious awards as the Edgar™, the Nero, the Lefty, and the Shamus.
Each day of the conference, the students will practice the craft of writing by participating in group writing exercises with an advanced writing instructor.
Practicing the Craft
Each day’s rigorous schedule would not be complete without time for attendees to practice their newly learned skills by crafting a composition that will be completed by the end of the week.
Focus on Poe
We believe great writing is grounded in an appreciation and understanding of the writers who came before us. Therefore, each day of the conference, time is dedicated to special field trips and activities focused on learn about the art and techniques of Edgar Allan Poe’s writing.
Art is not created in a vacuum but is the result of the sharing of ideas and experiences. Each evening of the conference is devoted to building a fellowship and cooperation among the participants as well as enabling them to one become leaders in the larger writing community.
Young Writers’ Conference Points of Interest
Fifty eight students have completed in the conference in its eight years
Many graduates of the conference have been accepted to prestigious writing programs and Virginia Commonwealth University, the University of Virginia, and elsewhere.
Two Notable Conferees:
Joy Thomas’s work has been published in Style Weekly.
Rachel Martens has published a series of novels called The Poe Series.
Over nine hundred people gathered at the Poe Museum for its annual Poe Birthday Bash, which featured twelve hours of entertainment and tours. One of the days highlights was the Poe Birthday Cake (pictured above). Below is a shot the people lining up for a slice of cake.
Kids enjoyed fun and games throughout the day. Here is a photo of the craft table staffed by historical interpreter Debbie Phillips, dressed as Poe’s last fiancée Elmira Royster Shelton.
One little girl came dressed as a raven.
Some kids enjoyed the model of Poe’s Richmond.
Some liked the Richard Corben exhibit.
Others just liked the hitching post.
Adults also got into the act by making their own Poe mustaches.
Three bands performed, including The Embalmers.
Actors Michael Fawcett, Davide Michero, Dean Knight, and Debbie Phillips performed Poe’s works including “The Raven,” “The Cask of Amontillado,” “The Tell-Tale Heart,” and “Berenice.”
Guests also enjoyed walking tours of Poe sites in the neighborhood. Here is one of the groups visiting the Church Hill Overlook.
Here they are at St. John’s Church.
The Sisters in Crime discussed the art of mystery writing.
Professor M. Thomas Inge from Randolph-Macon College gave an interesting presentation about the Poe illustrations of Richard Corben, whose work is now on display in the Poe Museum’s Exhibit Building.
Poe’s last fiancée returned from the dead to give a performance and tour of the sites she and Edgar used to visit together.
The evening culminated with the midnight toast to Poe in the Poe Shrine.
The Poe Museum would like to thank everyone who joined us for Poe’s Birthday Bash, and we look forward to seeing everybody back here next year.
The Poe Museum is proud to announce that M. Thomas Inge of Randolph-Macon College will deliver a presentation about Richard Corben’s Poe illustrations at 5p.m. at the Edgar Allan Poe Museum in Richmond, Virginia in conjunction with the opening of a new exhibit exploring four decades of the illustrator Richard Corben’s Poe-inspired artwork. The event will be part of the Poe Museum’s annual Poe Birthday Bash, which features twelve hours of Poe performances, historical interpreters, live music, walking tours, and more. Admission for the day is five dollars.
The subject of Dr. Inge’s presentation is “Masters of the Macabre: Edgar Allan Poe and Richard Corben.” According to Dr. Inge:
Without Edgar Allan Poe and some of his fellow popular writers, there might not have been a comic book or a graphic novel. That is to say, in the early days of the comic book industry, desperate to meet the insistent and inevitable monthly publication deadlines, writers and artists turned for inspiration, or outright piracy, to the popular short fiction of such authors as O. Henry, Stephen Crane, Ambrose Bierce, or Guy de Maupassant. Before them, the nature and structure of the short story had been fully defined by Poe in his reviews and critical essays in the nineteenth century. Poe did not invent the short story, but he so successfully outlined what an effective piece of short fiction should be that everyone used his standards by which to measure their own work. Reading Poe was like taking a master class in writing fiction.
Little wonder then that the early pioneers of a new art form more frequently turned to Poe than any other author for source material and inspiration. It has been estimated that over 300 adaptations of Poe’s stories and poems have appeared in comic books and graphic novels from 1943 to the present. While nearly every major and most of the minor comic book authors and artists have turned to Poe at one time or another in their careers, only one has dedicated a major part of his life’s work to adapting his poems and tales—Richard Corben. Emerging from the underground comix movement in the 1960s, he quickly became a major force on the larger comic book scene with his work for Heavy Metal magazine and the Warren publications. Those who picked up copies of his early work like Den, Rowlf, or Fantagor, were immediately absorbed by the maturity and beauty of his style. Readers knew that they were in the presence of an extraordinary talent. Corben’s imagination pushed the boundaries of the visual possibilities of aesthetics in comic art in amazing new directions.
Beginning with his adaptations of Poe for Creepy , Eerie, and other Warren titles, especially the brilliantly rendered version of “The Raven” in Creepy No. 67 (December 1974), Corben has proven to be the most acute and creative interpreter of Poe in comics history. All of his comic book work, in fact, has been imbued with the same gothic sensibility and keen eye for the grotesque that possessed Poe himself. Thus his alliance with Poe has been a fortuitous and productive one. It is a marriage made in …, well one hesitates to say heaven. Time and again Corben has turned, or returned, to his favorite poems and stories, each demonstrating an original vision, a new way to interpret or understand Poe’s themes. This paper will provide an appreciative overview of Corben’s fascination with Poe throughout his career and what his vision has added to our general understanding of Poe’s cultural importance. Quite likely Poe would have loved these graphic versions of his work and recognized in Richard Corben a soul-mate.
About Dr. Inge:
M. Thomas Inge is the Robert Emory Blackwell Professor of Humanities at Randolph-Macon College in Ashland, Virginia, where he teaches and writes about American humor and comic art, film and animation, Southern literature and culture, William Faulkner, and Asian literature.
Inge has been writing about the comics and animation for over thirty years. He has written essays for fan publications, popular periodicals, reference works, and scholarly journals. He contributed for over twenty five years a chronology of the history of the comic book to the annual editions of Robert M. Overstreet’s Comic Book Price Guide. His books on the subject include Comics as Culture (1990), Great American Comics (1990), Dark Laughter: The Satiric Art of Oliver W. Harrington (1993), Anything Can Happen in a Comic Strip (1995), Charles M. Schulz: Conversations (2000), The Incredible Mr. Poe: Comic Book Adaptations of the Works of Edgar Allan Poe (2008), and Mark Twain in the Comics (2009). Most recently he edited the collected essays of Charles M. Schulz which appeared as My Life with Charlie Brown (2010). Inge is serving as General Editor of the “Conversations with Comic Artists” and the “Great Comic Artists” series for the University Press of Mississippi.
His publications on animation include “Walt Disney’s Snow White: Art, Adaptation, and Ideology,” Journal of Popular Film and Television, 32 (Fall 2004); “Mickey Mouse” in American Icons (Greenwood 2006); “Bing Crosby, Walt Disney, and Ichabod Crane” in Going My Way: Bing Crosby in American Culture (Hofstra/Rochester 2007); and “Mark Twain, Chuck Jones, and the Art of Animation,” Studies in American Humor, N.S. No. 17 (2008). He wrote the biography of Walt Disney for the Dictionary of Literary Biography Vol. 22 (Gale 1983) and is working on a book-length study of Disney and adaptation.
Inge wanted to be cartoonist but was diverted into academic work. He would rather draw and considers himself a failed comic artist who became a professor because he couldn’t do any better.
On January 17 from noon until midnight, the Poe Museum in Richmond, Virginia will host Edgar Allan Poe’s Birthday Bash, the world’s biggest celebration of the author’s birthday. The event promises twelve hours of performances, live music, historical interpreters, and games for audiences of all ages. The Museum will also be opening two new exhibits: a retrospective of Richard Corben’s Poe illustrations and Chambers of the Red Death, an installation of shadow boxes recreating “The Masque of the Red Death” by Nicole Pisaniello. Additional activities include a children’s theater, a craft table, book signings, and a walking tour following the trail of Poe’s last night in Richmond. Don’t forget the birthday cake at four followed by a talk about Poe in the comics by Randolph Macon professor Dr. M. Thomas Inge at five and a performance and walking tour by Poe’s last fiancée, Richmond’s Elmira Royster Shelton (as portrayed by historical interpreter Debbie Phillips) at six. After twelve straight hours of activity, visitors will toast Poe’s memory at midnight in the Poe Shrine.
11a.m-Noon Author Talk by Maggie King, Rosemary Shomaker, Teresa Inge, Maria Hudgins, and Heather Weidner
Noon to 1:30p.m. Live Music by The Embalmers
1:30 Children’s Activity
2:00p.m. Performance of “The Cask of Amontillado”
4:00p.m. Birthday Cake Served
5:00 Dr. M. Thomas Inge speaks about Poe in the comics
6:00-7:30p.m. Live music by Margot MacDonald
7:00p.m. Tour of Poe Museum led by C. Auguste Dupin, detective from “Murders in the Rue Morgue”
7:30p.m. Elmira Shelton speaks about her engagement to Poe
8:00p.m. Elmira Shelton begins walking tour of area sites she and Edgar enjoyed
8:00p.m. Performance of “The Raven”
9:00p.m. Performance of “The Tell-Tale Heart”
10:00p.m. Live Music by Fool’s Errand
Midnight Champagne Toast in the Poe Shrine
Schedule is subject to change. Check back often for a complete schedule and the latest updates.
From January 17 until May 24, 2015, the Edgar Allan Poe Museum in Richmond, Virginia will host the contemporary art exhibit Chambers of the Red Death: A Study in Light and Shadows by Nicole Pisaniello. Artist and Illustrator, Nicole Pisaniello, will be using cut paper, paint, and lighting effects to interpret Edgar Allan Poe’s short story “The Masque of the Red Death.” Nicole graduated with a Bachelor of Arts from VCU. Her work has been published in two fantasy art collections as well as in Faerie Magazine, and displayed in several galleries. She is a co-host of Dr. Sketchy’s RVA and co-founder of RVA Krampusnacht.
The exhibit will open on January 17, 2015 from noon to midnight as part of the Poe Museum’s 12-hour Poe Birthday Bash, the world’s largest celebration of Edgar Allan Poe’s birthday. For more information call 804-648-5523.
Here are some photos taken during Halloween Weekend at the Poe Museum.
Victoria and Raven Price
Victoria Price signing books
Vincent Price Signature Wine Collection
Bring the whole family to the Poe Museum on Friday, December 5 to discover what Christmas was like in Poe’s time. Singer and historical interpreter Debbie Phillips will perform the traditional Christmas songs Poe would have enjoyed. When not listening to music, you can enjoy hot drinks, make traditional crafts, and see the illumination of the Poe Museum’s Enchanted Garden. Don’t forget to see the new Raven Room and the Mesmerized exhibit before it closes. Admission is free. For more information, call the Poe Museum at 804-648-5523.
On October 23, the Poe Museum celebrated its last Unhappy Hour of 2014 with live music by the Blue and the Grey in addition to a performance of “The Facts in the Case of M. Valdemar.” Some of the attendees got into the spirit of things by having their pictures taken in our photo booth. Here are the results.
We hope to see you all in April for the next Unhappy Hour.