People of all ages arrived at the Poe Museum last Saturday for the thirteen-hour Poe Birthday Bash 2016. A line had already formed on the sidewalk before the museum even opened, and there was still a crowd lingering after the midnight champagne toast. Below are a few scenes from the celebration.
The cake featured Poe, his mother, and his last fiancée. All of them were present during the day, and the latter two gave guided tours of the neighborhood.
Somebody is excited about getting some birthday cake!
Poe’s last fiancée, Elmira Royster Shelton, guided a group to her home on Church Hill.
The Sisters in Crime held a panel in which members of the mystery writer group spoke about their favorite Poe stories.
Back by popular demand, Margot MacDonald performed in the heated tent.
Members of Ocean Versus Daughter played for the Poe-fans.
Poe himself delivered an impassioned performance of “The Tell-Tale Heart.”
Michael Fawcett thrilled the audience with his recitation of “The Raven.”
Bill Blume of James River Writers’ The Writing Show made the mistake of following Poe to the cellar to sample his new cask of amontillado.
The Poe Museum’s new exhibit “Poe’s Greatest Hits” took visitors inside Poe’s terror tales.
The day’s festivities ended with a midnight toast to Poe in the Poe Shrine.
Looking for a place to park when you visit the Poe Birthday Bash this Saturday? In addition to on-street parking and limited spaces in the Poe Museum lot, you can also find abundant parking one block south of the Poe Museum at the Virginia Holocaust Museum’s Lower Lot at 21st and Canal. Many thanks to the Virginia Holocaust Museum for their generosity. Click here for directions.
What’s your favorite Poe story? The Poe Museum is determined to find out which is Poe’s Greatest Hit, and you can help. Just vote right now for your favorite Poe story from the finalists on this list. Voting continues until January 16 at 5 p.m. Eastern. The winning story will be announced at 5:30 p.m. during Poe’s Birthday Bash on January 16 at the Poe Museum in Richmond, and we’ll post it on our blog and social media.
What will the winning short story receive? The Poe Museum will feature it in the new exhibit Poe’s Greatest Hits and will develop special programming around that story in the near future.
Here are the finalists. You can click each one to read or reread it.
Ever want to feel what it’s like to get bricked up behind a wall or buried under the floorboards? Here is your chance to step inside Edgar Allan Poe’s greatest terror tales in the Poe Museum of Richmond’s chilling new exhibit “Poe’s Greatest Hits.” Visitors to the exhibit will be able to interact with life-size recreations of iconic scenes from Poe’s popular stories “The Tell-Tale Heart,” “The Pit and the Pendulum,” “The Black Cat,” and “The Cask of Amontillado.”
On January 16, 2016, the Poe Museum in Richmond’s new exhibit “Poe’s Greatest Hits” will open, allowing museum visitors to walk inside and interact with Edgar Allan Poe’s popular short stories “The Tell-Tale Heart,” “The Cask of Amontillado,” “The Black Cat,” and “The Pit and the Pendulum.” (Click here to see people enjoying our current exhibit.) After exploring life-size recreations of iconic scenes from each story, museum visitors will vote for their choice for Poe’s Greatest Short Story. The exhibit opening will take place during Poe’s Birthday Bash on January 16 from noon-midnight, the world’s largest Edgar Allan Poe birthday celebration. The exhibit will be on view until April 24.
Already the world’s largest celebration of author Edgar Allan Poe’s birthday, the Poe Museum of Richmond’s annual Poe Birthday Bash will outdo itself this January 16 from noon to midnight with twelve straight hours counting down Poe’s greatest hits with performance, film, music, readings, exhibits, and more for just $5 per person.
New exhibits opening that day include the interactive “Poe’s Greatest Hits” in which the visitor gets to be part of a Poe story. There will also be a display of original artwork from the new film Extraordinary Tales. Live music includes fan favorites The Embalmers and more great bands. There will be readings and performances throughout the day in addition to neighborhood tours, museum tours, and historical interpreters. We will be joined by James River Writers and Sisters in Crime for readings and the announcement of the winner of the inaugural Poe Inspires Award for flash fiction and poetry at 5:30 p.m. Guests will vote for Poe’s greatest short story, and the winner will be announced at 6 p.m.
There will be crafts and games for the kids, a sad poetry reading contest for all ages, and a midnight champagne toast for the adults. Other highlights of the day include a screening of the film Extraordinary Tales, The Embalmers playing live music to accompany screenings of silent Poe films, a walking tour the neighborhood by Poe’s mother, and readings by members of Sisters in Crime. A cash bar will be provided by Center of the Universe.
Here is the schedule so far:
11:00 a.m. to Dark Crafts
Walking Tour with Poe’s Fiancee Elmira Shelton
Begins and ends at Poe Museum and includes a stop at St. John’s Church.
Over nine hundred people gathered at the Poe Museum for its annual Poe Birthday Bash, which featured twelve hours of entertainment and tours. One of the days highlights was the Poe Birthday Cake (pictured above). Below is a shot the people lining up for a slice of cake.
Kids enjoyed fun and games throughout the day. Here is a photo of the craft table staffed by historical interpreter Debbie Phillips, dressed as Poe’s last fiancée Elmira Royster Shelton.
One little girl came dressed as a raven.
Some kids enjoyed the model of Poe’s Richmond.
Some liked the Richard Corben exhibit.
Others just liked the hitching post.
Adults also got into the act by making their own Poe mustaches.
Three bands performed, including The Embalmers.
Actors Michael Fawcett, Davide Michero, Dean Knight, and Debbie Phillips performed Poe’s works including “The Raven,” “The Cask of Amontillado,” “The Tell-Tale Heart,” and “Berenice.”
Guests also enjoyed walking tours of Poe sites in the neighborhood. Here is one of the groups visiting the Church Hill Overlook.
Here they are at St. John’s Church.
The Sisters in Crime discussed the art of mystery writing.
Professor M. Thomas Inge from Randolph-Macon College gave an interesting presentation about the Poe illustrations of Richard Corben, whose work is now on display in the Poe Museum’s Exhibit Building.
Poe’s last fiancée returned from the dead to give a performance and tour of the sites she and Edgar used to visit together.
The evening culminated with the midnight toast to Poe in the Poe Shrine.
The Poe Museum would like to thank everyone who joined us for Poe’s Birthday Bash, and we look forward to seeing everybody back here next year.
The subject of Dr. Inge’s presentation is “Masters of the Macabre: Edgar Allan Poe and Richard Corben.” According to Dr. Inge:
Without Edgar Allan Poe and some of his fellow popular writers, there might not have been a comic book or a graphic novel. That is to say, in the early days of the comic book industry, desperate to meet the insistent and inevitable monthly publication deadlines, writers and artists turned for inspiration, or outright piracy, to the popular short fiction of such authors as O. Henry, Stephen Crane, Ambrose Bierce, or Guy de Maupassant. Before them, the nature and structure of the short story had been fully defined by Poe in his reviews and critical essays in the nineteenth century. Poe did not invent the short story, but he so successfully outlined what an effective piece of short fiction should be that everyone used his standards by which to measure their own work. Reading Poe was like taking a master class in writing fiction.
Little wonder then that the early pioneers of a new art form more frequently turned to Poe than any other author for source material and inspiration. It has been estimated that over 300 adaptations of Poe’s stories and poems have appeared in comic books and graphic novels from 1943 to the present. While nearly every major and most of the minor comic book authors and artists have turned to Poe at one time or another in their careers, only one has dedicated a major part of his life’s work to adapting his poems and tales—Richard Corben. Emerging from the underground comix movement in the 1960s, he quickly became a major force on the larger comic book scene with his work for Heavy Metal magazine and the Warren publications. Those who picked up copies of his early work like Den, Rowlf, or Fantagor, were immediately absorbed by the maturity and beauty of his style. Readers knew that they were in the presence of an extraordinary talent. Corben’s imagination pushed the boundaries of the visual possibilities of aesthetics in comic art in amazing new directions.
Beginning with his adaptations of Poe for Creepy , Eerie, and other Warren titles, especially the brilliantly rendered version of “The Raven” in Creepy No. 67 (December 1974), Corben has proven to be the most acute and creative interpreter of Poe in comics history. All of his comic book work, in fact, has been imbued with the same gothic sensibility and keen eye for the grotesque that possessed Poe himself. Thus his alliance with Poe has been a fortuitous and productive one. It is a marriage made in …, well one hesitates to say heaven. Time and again Corben has turned, or returned, to his favorite poems and stories, each demonstrating an original vision, a new way to interpret or understand Poe’s themes. This paper will provide an appreciative overview of Corben’s fascination with Poe throughout his career and what his vision has added to our general understanding of Poe’s cultural importance. Quite likely Poe would have loved these graphic versions of his work and recognized in Richard Corben a soul-mate.
About Dr. Inge:
M. Thomas Inge is the Robert Emory Blackwell Professor of Humanities at Randolph-Macon College in Ashland, Virginia, where he teaches and writes about American humor and comic art, film and animation, Southern literature and culture, William Faulkner, and Asian literature.
Inge has been writing about the comics and animation for over thirty years. He has written essays for fan publications, popular periodicals, reference works, and scholarly journals. He contributed for over twenty five years a chronology of the history of the comic book to the annual editions of Robert M. Overstreet’s Comic Book Price Guide. His books on the subject include Comics as Culture (1990), Great American Comics (1990), Dark Laughter: The Satiric Art of Oliver W. Harrington (1993), Anything Can Happen in a Comic Strip (1995), Charles M. Schulz: Conversations (2000), The Incredible Mr. Poe: Comic Book Adaptations of the Works of Edgar Allan Poe (2008), and Mark Twain in the Comics (2009). Most recently he edited the collected essays of Charles M. Schulz which appeared as My Life with Charlie Brown (2010). Inge is serving as General Editor of the “Conversations with Comic Artists” and the “Great Comic Artists” series for the University Press of Mississippi.
His publications on animation include “Walt Disney’s Snow White: Art, Adaptation, and Ideology,” Journal of Popular Film and Television, 32 (Fall 2004); “Mickey Mouse” in American Icons (Greenwood 2006); “Bing Crosby, Walt Disney, and Ichabod Crane” in Going My Way: Bing Crosby in American Culture (Hofstra/Rochester 2007); and “Mark Twain, Chuck Jones, and the Art of Animation,” Studies in American Humor, N.S. No. 17 (2008). He wrote the biography of Walt Disney for the Dictionary of Literary Biography Vol. 22 (Gale 1983) and is working on a book-length study of Disney and adaptation.
Inge wanted to be cartoonist but was diverted into academic work. He would rather draw and considers himself a failed comic artist who became a professor because he couldn’t do any better.
On January 17 from noon until midnight, the Poe Museum in Richmond, Virginia will host Edgar Allan Poe’s Birthday Bash, the world’s biggest celebration of the author’s birthday. The event promises twelve hours of performances, live music, historical interpreters, and games for audiences of all ages. The Museum will also be opening two new exhibits: a retrospective of Richard Corben’s Poe illustrations and Chambers of the Red Death, an installation of shadow boxes recreating “The Masque of the Red Death” by Nicole Pisaniello. Additional activities include a children’s theater, a craft table, book signings, and a walking tour following the trail of Poe’s last night in Richmond. Don’t forget the birthday cake at four followed by a talk about Poe in the comics by Randolph Macon professor Dr. M. Thomas Inge at five and a performance and walking tour by Poe’s last fiancée, Richmond’s Elmira Royster Shelton (as portrayed by historical interpreter Debbie Phillips) at six. After twelve straight hours of activity, visitors will toast Poe’s memory at midnight in the Poe Shrine.
11a.m-Noon Author Talk by Maggie King, Rosemary Shomaker, Teresa Inge, Maria Hudgins, and Heather Weidner
Noon to 1:30p.m. Live Music by The Embalmers
1:30 Children’s Activity
2:00p.m. Performance of “The Cask of Amontillado”
4:00p.m. Birthday Cake Served
5:00 Dr. M. Thomas Inge speaks about Poe in the comics
6:00-7:30p.m. Live music by Margot MacDonald
7:00p.m. Tour of Poe Museum led by C. Auguste Dupin, detective from “Murders in the Rue Morgue”
7:30p.m. Elmira Shelton speaks about her engagement to Poe
8:00p.m. Elmira Shelton begins walking tour of area sites she and Edgar enjoyed
8:00p.m. Performance of “The Raven”
9:00p.m. Performance of “The Tell-Tale Heart”
10:00p.m. Live Music by Fool’s Errand
Midnight Champagne Toast in the Poe Shrine
Schedule is subject to change. Check back often for a complete schedule and the latest updates.
From January 17 until May 24, 2015, the Edgar Allan Poe Museum in Richmond, Virginia will host the contemporary art exhibit Chambers of the Red Death: A Study in Light and Shadows by Nicole Pisaniello. Artist and Illustrator, Nicole Pisaniello, will be using cut paper, paint, and lighting effects to interpret Edgar Allan Poe’s short story “The Masque of the Red Death.” Nicole graduated with a Bachelor of Arts from VCU. Her work has been published in two fantasy art collections as well as in Faerie Magazine, and displayed in several galleries. She is a co-host of Dr. Sketchy’s RVA and co-founder of RVA Krampusnacht.
The exhibit will open on January 17, 2015 from noon to midnight as part of the Poe Museum’s 12-hour Poe Birthday Bash, the world’s largest celebration of Edgar Allan Poe’s birthday. For more information call 804-648-5523.
From January 17 until April 19, 2015, the Edgar Allan Poe Museum in Richmond, Virginia will host Reimagining Poe: The Poe Illustrations of Richard Corben a major exhibit surveying forty years of illustrations to Poe’s works by Eisner Award-winning artist Richard Corben. This, the first retrospective of Corben’s Poe illustrations, will feature several original drawings from the artist’s personal collection. The exhibit will open with a lecture about Corben’s illustrations by Randolph Macon College professor M. Thomas Inge on January 17 at 5p.m. The exhibit opening and lecture will be part of the Poe Museum’s annual Poe Birthday Bash, the world’s largest celebration devoted to the nineteenth century author’s birthday.
Richard Corben (born 1940) is a comic book artist and illustrator named Corben began his career in animation before turning to underground comics. In 1976 he adapted a Robert E. Howard story into what is considered the first graphic novel, Bloodstar. He is best known for his comics appearing in Heavy Metal magazine. His illustrious career has included work in album covers and movie posters, collaboration on a graphic novel with rock musician and filmmaker Rob Zombie, and an award-winning short film Neverwhere. He is the winner of the 2009 Spectrum Grand Master Award, and he was elected to the Will Eisner Award Hall of Fame in 2012.
For over forty years, Corben has established himself as one of the most extraordinary illustrators of Poe’s works. His Edgar Allan Poe adaptations have appeared on the pages of the comic books Creepy, Edgar Allan Poe’s Haunt of Horror, and Edgar Allan Poe’s Spirits of the Dead. Among his dozens of comic book adaptations of Poe’s tales and poems are popular favorites like “The Raven” and “The Cask of Amontillado,” as well as little known classics like “Alone” and “Israfel.” Not content with literal illustrations of Poe’s words, Corben’s exquisite artwork is often paired with his own unusual and innovative reinventions of the stories. In the introduction to Corben’s latest collection of Poe adaptations, Edgar Allan Poe’s Spirits of the Dead, Dr. M. Thomas Inge states, “Corben has proven to be the most acute and creative interpreter of Poe in comics history.”
Edgar Allan Poe is the internationally influential author of such tales of “The Raven,” “The Tell-Tale Heart,” and “The Black Cat.” He is credited with inventing the mystery genre as well as with pioneering both the modern horror story and science fiction. Poe died under mysterious circumstances at the age of forty. Although much of his life is known through contemporary documents, some areas of his life remain shrouded in mystery.
Opened in 1922, the Edgar Allan Poe Museum of Richmond is the world’s finest collection of Edgar Allan Poe artifacts and memorabilia. The five-building complex features permanent exhibits of Poe’s manuscripts, personal items, clothing, and a lock of the author’s hair. The Poe Museum’s mission is to interpret the life and influence of Edgar Allan Poe for a global audience. Edgar Allan Poe is America’s first internationally influential author, the inventor of the detective story, and the forerunner of science fiction; but he primarily considered himself a poet. His poems “The Raven,” “Annabel Lee,” and “The Bells” are classics of world literature.